Russia continues the systematic abduction and deportation of Ukrainian children—moving them to Crimea, Siberia, and remote regions of the Russian Federation; isolating them in camps; subjecting them to forced Russification; and teaching them to fear and hate their own country. This is happening today, in the 21st century. And despite global commitments to child protection, international mechanisms remain deeply ineffective in stopping these crimes.
That is why we brought this issue to Georgetown University. Together with researchers, diplomats, human rights experts, and artists, we examined what lies behind the technical language of official reports: the lived experiences of children who endured separation, coercive indoctrination, and months without contact with their families.
One focus of the event was the role of art as a form of truth-telling when formal systems fail. The Metropolitan Opera is developing The Mothers of Kherson, inspired by real Ukrainian women who traveled into occupied Crimea to bring their children home. Art can sometimes communicate moral clarity where institutions fall silent.
We also heard from Alla, a mother from Kherson. Her 13-year-old son was taken by Russian authorities to a so-called “holiday camp” in Crimea and held for six months. He was forced to sing the Russian anthem, repeat propaganda, and told that his mother had abandoned him. To bring him home, Alla crossed multiple countries, endured interrogations by the FSB, and faced pressure and threats from Russian media.
She spoke not only for herself, but for thousands of mothers from Kherson and other regions whose children remain in camps, institutions, and foreign families inside Russia.
These are the families
@SaveukraineUs works for every day—locating abducted children, bringing them home, and supporting their recovery after months of coercion and trauma.
📹 Watch & sare full discussion:
youtu.be/qtfF9Nwa0f8?si=ing9…