Film Editor 🎞 ✂️ We Were the Lucky Ones, The Patient, Marvelous Mrs Maisel, Fosse/Verdon, The Wire. Producer of doc The Surrounding Game @thegomovie ⚫️⚪️

Joined March 2020
133 Photos and videos
Very excited about our upcoming screening of Mikey and Nicky at the @Metrograph theater Dec 6th. Elaine May will be attendance for Q&A after! @tnyfrontrow @ACEPresents_
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Find me here ⬇️🦋
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Kate Sanford retweeted
Join us for an important event that explores how Holocaust stories, both scripted and nonfiction, serve as powerful tools to understand history, educate the younger generation, and combat antisemitism. More info: bit.ly/3x6fHPY
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TV Friends, noms end Monday! Please consider We Were the Lucky Ones for Picture Editing, Limited Series. This was a challenging edit, tragic and uplifting, based on the incredible true story of the Kurc family 🤍 ✂️🎞️ Episode 104 "Casablanca" #wwtlo #Emmys #TelevisionAcademy
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Kate Sanford retweeted
So happy to say that applications for the NY edition of the @ACEFilmEditors internship are now open for the first time ever!
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Great essay on River's Edge (1986), a personal favorite which happens to be produced by my Mom #MidgeSanford and #SarahPillsbury! Playing tomorrow night @Metrograph
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On the clammy chill of River's Edge, a tale of Gen X anomie to rival Less Than Zero (and a personal core text!) - for @Metrograph metrograph.com/riversedge/
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Proud to be with @compassionandchoices last week, meeting with advocate @assemblymanalt1 and others in Albany ❤️
This past week, our loved ones and volunteer advocates joined us in Albany for a Family Lobby Day to ask Lawmakers to get #MedicalAidinDying over the finish line in New York.
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The first trailer for #WeWeretheLuckyOnes, the limited series we've been working on for the last year. It was made with great care, honoring the true stories of a family's struggle to survive and reunite ✂️🎞️ youtube.com/watch?v=hOOn7Wb8…
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Forever grateful to this kind and wise man who took a chance on me near the start of my career. He set the tone in production and post, and helped create the aesthetics of The Wire. His presence, and his absence, were always felt as we continued the show without him. ❤️
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Congrats to my friends on the Maisel crew! @MaiselTV @tstreeto @PantsBoys #ZanaBochar ✂️🎞️🏆❤️
#BFECutAboveAwards 2024 Nominations Best Edited Series: Comedy Extraordinary - Carly Brown - Dan Crinnion - Adam Moss The Marvellous Mrs Maisel Season 5 - Zana Bochar - Anthony Boys BFE - Tim Streeto (1/2)
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Love how these BFE awards honor the whole editing team for the whole season. ✂️🎞️
#BFECutAboveAwards2024 Nominations Best Edited Series Drama The Bear Season 2 The Last of Us Season 1 Slow Horses Season 3 Succession Season 4
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Proud to be here on the steps in Albany supporting #MedicalAidInDying in NY. My sign says Love and Compassion. Tell your state reps to pass this bill in 2024. 10 states already have the law for terminally ill people, allowing them agency to say goodbye with dignity and love.
With respect and love for terminally ill New Yorkers, this morning we took to Albany and called on lawmakers to pass the #MedicalAidInDying Act THIS SESSION.
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My son Benjamin, who passed away in 2019, wanted this option. It would have brought him peace. Please help pass #MedicalAidInDying2024 Find your state representative and tell them to vote for this compassionate choice.
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The bill contains safeguards to ensure that terminally ill patients need two doctors’ support and no conflicts of interest. Only those with the ability to self-administer can benefit. This will end needless suffering for patients and their loved ones.
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Kate Sanford retweeted
And the #Emmy for Outstanding Cinematography for a Series (One Hour) goes to M. David Mullen for @MaiselTV (@PrimeVideo)! 🎥#Emmys #75thEmmys
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Kate Sanford retweeted
Anyone who ever had a chance to say something pointed or political in an American television entertainment owes Norman Lear their adoration and awe. He saw what was possible in that vacuous glowing box and, almost singularly, he made it so.
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Cutting this heartbreaking scene was a great privilege, getting these beats and these frames just right. Beautifully acted, directed by Agnieszka Holland, written by Richard Price. Those were satisfying times, helping to build each piece of something meaningful.
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