未来はイヤでも必ずやって来る

Joined February 2011
10,075 Photos and videos
Albany retweeted
In 1977, Rainer Werner Fassbinder was a member of the jury at the Berlin Film Festival. He threatened to walk out with British critic Derek Malcolm unless their support for Bresson’s 'The Devil, Probably' (1977) for the top prize was made public. The movie ended up sharing the second prize, the Silver Bear, with two other films. Fassbinder's thoughts on the film: "Fassbinder: Robert Bresson's 'The Devil, Probably' (1977), which is the most shattering film I've seen in this Berlin Festival. I think it's a major film; but then people say - but what if you show a film like this to the man in the street and he doesn't understand it? First of all, I think that's wrong. But even if it's true, doesn't it mean that in the future - and this world will probably last for another few thousand years - this film will be more important than all the rubbish which is now considered important but which never really goes deep enough? The questions Bresson asks will never be unimportant. Interviewer: What about the problems raised in Bresson's film - are they rejecting all existing political forms? Fassbinder: Yes, rejecting every commitment. Because commitment for the film's young characters - whom he seems to understand so well - is mainly an escape into an 'occupation' which keeps that commitment alive. An escape from the awareness that everything goes on regardless of you and your commitment." ("Robert Bresson", Edited by James Quandt, 1998) P.S: On this day, 49 years ago, 'The Devil, Probably' (1977) was released in France.
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Albany retweeted
“全ての角ある動物たち”、All Horned Animals 良いネーミングだ!
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“All Horned Animals” 落合soup Sayaka Botanic 田畑満 & 森田潤 長嶌寛幸 & 伊東篤宏 満員でした。 どっぷり音に浸かりました。
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“All Horned Animals” 落合soup 田畑満 & 森田潤
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“All Horned Animals” 落合soup 長嶌寛幸 & 伊東篤宏
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12 Jun 2016
MOST 満員で 大変盛り上がりました。
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10年前の今日 2016年6月12日は下北沢シェルターでMOSTのライブでした。
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サリー・ポッター『ザ・ゴールドディガーズ』vsロビーナ・ローズ『ナイトシフト』の対バン上映!たのしみ! 見ることで世界を変容させんと…語りの静謐さと大胆さでもって"境界"を踏み越えてみせる…幻視と抗いの映画たち! 英国オルタナティヴな音楽的想像力を纏う音楽映画! punkte00.com/goldnight-londo…
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「シラート」 オリベル・ラシェ 監督が言う“死ぬ前に死ぬ”がひびく。 衝撃的と言うよりも淡々と受け入れること、が主題と思った。
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「シラート」 レイブが原初的な祈祷の場になっているように感じました
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John Waters’ ADVENTURES IN MOVIEGOING on the Criterion Channel 🎟️ bit.ly/4vKTi42 With Criterion editions of HAIRSPRAY and DESPERATE LIVING coming to home video this month, there’s no better time to watch the Pope of Trash discuss his formative moviegoing memories and introduce a selection of favorites in conversation with Michael Koresky.
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Jun 10
インディーズってカテゴリーが自主制作から抜け出して、レーベルのひとつみたいになったのは宝島台頭以降と再確認しました #DOMMUNE
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Jun 10
有頂天 心の旅、かっこよかったですねー youtu.be/kvIwjPVrjEQ?si=kajz… #DOMMUNE
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Jun 10
BOYS BOYS ❤️ #DOMMUNE
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午前四時! #DOMMUNE
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ヒゴヒロシさんも言うてたけど、大事なのは自分を信じることだよね。あと音楽への愛。
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あけぼの印 #DOMMUNE
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