PhD from @CLAS_Cam //thinking with LatAm visual culture, comics, decolonial feminisms & queer theory//
Joined September 2015
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6 Photos and videos
andrea aramburú v retweeted
20 Jun 2023
New blog post on the links being made between different forms of reproductive labour in recent Latin American films -- and on the films Alanis (Berneri, 2017) and Patrícia (Carlomagno, 2014) in particular (version in Spanish coming soon!): affectivelabour.blogs.bristo…
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andrea aramburú v retweeted
27 Apr 2023
#MAI10 at a glance: In the second piece in our new issue, @cordyf and @rishie_ reflect on the depictions of abortion in graphic art, both from the context of feminist academics, and creators of graphic abortion narratives.
#maifeminsim #feminism #graphicart #AbortionIsHealthcare
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andrea aramburú v retweeted
26 Apr 2023
Fascinating blog post by Andrea Aramburú Villavisencio on her research into archival photographs of wet-nurses in 19th-century Lima: affectivelabour.blogs.bristo… @andreabcdeffff @LASAVCS
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25 Apr 2023
Happy to have a new piece published alongside wonderful comics studies colleagues in the new issue of MAI feminism. You can read my essay "Periperformative Speech & Performance of Sororidad in Jazmín Varela’s ‘Tengo unas flores con tu nombre’" here maifeminism.com/periperforma…
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andrea aramburú v retweeted
22 Apr 2023
Welcome to MAI's 10th Issue! Commissioned and edited at the height of the pandemic, the perseverance of our contributors has been phenomenal.
Head to our website for some intersectional discourse on comics and feminism!
#maifeminism #comics #feminism #graphicnovels
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andrea aramburú v retweeted
24 Apr 2023
#MAI10 at a glance: In the first piece in our new issue, Rasha Chatta traces the incredible history of women reclaiming and creating space in the culture of Arab Graphic Narratives.
#maifeminsim #feminism #comics #graphicnovels
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andrea aramburú v retweeted
27 Jan 2023
Ya está disponible el n.º 19 de "CuCo, Cuadernos de cómic". Podéis descargarlo de forma gratuita en nuestra web, como siempre: erevistas.publicaciones.uah.…
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23 Dec 2021
Excited to be part of this wonderful issue of CLOSURE on non-narrative comics alongside so much great work.
20 Dec 2021
Happy News: CLOSURE #8 is online now! Featuring: a special section on Non-Narrative comics and the outer limits of comics! Plus: Articles on Graphic Storytelling, Journal comics and the 'Rhetoric of Images'! And, as ever, reviews aplenty! Take a look: closure.uni-kiel.de/
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andrea aramburú v retweeted
20 Dec 2021
@andreabcdeffff takes a close look at 'Waiting' (2018), arguing that the comic contests the act of waiting in its more common, optimistic meaning, that of waiting for better times to come. Waiting: it's fulfilling in itself!
closure.uni-kiel.de/closure8…
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1 Oct 2021
happy to share my first published article on my PhD research, on comics & Latin America. I've written about the amazing graphic memoir by Nacha Vollenweider and a drawing by Guamán Poma de Ayala.
onlinelibrary.wiley.com/doi/…
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andrea aramburú v retweeted
22 Jan 2020
A lot has changed indeed and you should see the show
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andrea aramburú v retweeted
22 Jan 2020
Applications are now open for our new MA in Comics Studies here at the @uniofeastanglia. Come join us in September 2020: uea.ac.uk/ama/comics
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andrea aramburú v retweeted
14 Jan 2020
We have an excellent lineup for this semester’s lecture series in Comics Studies here at UEA—talks are free and open to the public, so please join us if you’re in the area.
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andrea aramburú v retweeted
18 Nov 2019
Call for papers still open for 'Queer Migrations' @CRASSHlive! Deadline: 2nd December. More info here: crassh.cam.ac.uk/events/2857….
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andrea aramburú v retweeted
Hi Londoners - I’ll be in your city this coming March for Transitions 9 @transitionssymp comics studies symposium! #comicsStudies folks see the CfP here ccl.bbk.ac.uk/transitions-9-…
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andrea aramburú v retweeted
12 Oct 2019
ASAP/JOURNAL'S SPECIAL ISSUE on “AUTOTHEORY” seeks critical and creative essays that fuse self-representation with philosophy and critical theory. We are interested in autotheory’s effects on contemporary cultural production. DEADLINE: MAY 1st, 2020. bit.ly/2GfD37W
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