artist, composer, recordist of field interference tones/ ephemeral singer/ improviser of microsonics of the cello/ impermanent telematist/ linktr.ee/annebourne
.@BlankForms' newest is a mammoth, beautifully designed 490-page sourcebook that compiles Maryanne Amacher's treatments for her unrealized media opera "Intelligent Life." Time to dive back in to one of her most fantastical projects (set in the year 2021): blankforms.org/publications/…
After TO Council passed a motion indicating the City was open to Alternative Solution Proposals for a single stair in apts up to 4 storeys, I applied for a single stair in a 3 storey Part 9 6plex.
I’m told it’s the first one, so it’s a test case. Here’s how it’s going.
RA Recommends: @kliscoverdale's first solo album in eight years is her most expansive, drawing on everything from spiritual jazz to 19th-century classical music.
ra.co/reviews/36280
Held is a ‘powerful and lyrical kaleidoscope of a novel created from the scattered images and memories of four generations of a family’.
Find out more about the #BookerPrize2024-shortlisted novel by @annemichaels_.
🔗 thebookerprizes.com/the-book…
In case you can’t make it to the Venice Biennale this year, here’s a quick run through the British Pavilion. Though you won’t get a sense of the filmic content, the evocative sound throughout Akomfrah’s exhibition may convey the mood of the work.
Farewell to American video artist Bill Viola (1951-2024), a pioneer of new media whose works explored the absolute essence of the human experience – birth, death and consciousness. His painterly approach to the moving image will remain an inspiration for generations to follow.
Reasons for Knocking at an Empty House (Bill Viola, 1983)
RIP Bill Viola. My favorite of his video works always understood how to keep you reflecting on time and sound and space.