Joined January 2013
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5,261 Photos and videos
Jan van Eyck, Portrait of a Man with a Carnation.
We know his clothes, his medal, even the flowers he holds. Yet we do not know his name.
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Diego Velázquez, *Christ Crucified*.
No crowd. No storm. No drama.
Velázquez strips away everything except silence itself. In that darkness, Christ does not seem defeated by death. He seems beyond it.
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Paul Delvaux (Belgian, 1897-1994) - La Joie de Vivre (The Joy of Living), 1937
Oil on canvas, 90 x 100 cm
Private Collection.
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Masaccio and Masolino, Madonna di Metterza (detail).
In this face, two worlds meet: the fading elegance of the Middle Ages and the birth of Renaissance humanity. The Virgin does not command attention.
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If you enjoy my reflections on Renaissance art, I invite you to explore my latest book:
The Theatre of Power: Raphael, Andrea del Sarto & the Portrait of Leo X
Available now on Buy Me a Coffee Shop (link in bio).
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Hieronymus Bosch
The Garden of Earthly Delights (c. 1490–1510)
Central panel detail.
Museo del Prado, Madrid, Spain.
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Caspar David Friedrich (1774–1840), Morning
in the Mountains, 1823 circa. Dettaglio. Olio su tela, 135 x 170 cm. San Pietroburgo, Ermitage.
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Hieronymus Bosch, The Wayfarer (The Prodigal Son).
Bosch portrays temptation not as a monster, but as something familiar and inviting. The traveler’s greatness lies in a simple act: turning away and continuing the journey.
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Joan Miró - Horse, Pipe and Red Flower, 1920. Oil on canvas, 32 1/2 x 29 1/2 in. (82.6 x 74.9 cm). @ Philadelphia Museum of Art, PA, USA
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Andrew Lattimore
Morning View of Florence, Oil. 16 x 12 in.
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Dettaglio da “Madonna della Melagrana” di Sandro Botticelli (Alessandro di Mariano di Vanni Filipepi) (Firenze 1445 - 1510). Tempera su tavola, tondo di 144 cm, 1487. Uffizi, Firenze.
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Benozzo Gozzoli, Procession of the Magi (1459).
Perhaps a self-portrait, certainly a remarkable presence. Amid the splendor of Medicean Florence, the artist turns toward us and quietly claims his place in history.
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Nikolaos Gyzis (Greek, 1842-1901) - The Spider, 1884
Oil on panel, 71 x 51.5 cm
National Gallery, Athens, Greece.
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Michelangelo, The Ignudi, Sistine Chapel Ceiling.
More than nudes, they are meditations on human potential. Flesh becomes poetry, anatomy becomes vision, and the body itself approaches the divine.
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Portrait of a Man in a Red Chaperon, c. 1440–1459.
His name is lost, yet his gaze remains. A flower held in his hand transforms a simple portrait into a meditation on love, memory, and the desire to survive time itself.
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Jusepe de Ribera, The Holy Family with Saints Anne and Catherine of Alexandria (1648).
Ribera transforms the sacred into presence.
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Egon Schiele (Austrian, 1890-1918) - Frederike Beer, 1914
Oil on canvas, 150 x 120 cm
Private Collection.
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If these reflections on art inspire you, consider supporting this page with a small donation.
☕ Buy Me a Coffee or Ko-fi (link in bio)
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