Filmmaker 🇸🇪 🇦🇺
Joined August 2010
- Tweets 3,444
- Following 488
- Followers 337
- Likes 982
232 Photos and videos
The world's first trombone rhythm game is instantly a GOTY contender. And no, I'm not kidding. Turn up the volume and hear Beethoven like you've never heard it before. trib.al/pFwvN8z
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Axel Grigor retweeted
Enormous congratulations to Peter Hegedus who will premiere Sorella's Story at the Venice International Film Festival!
29 Jul 2022
We are proud to announce A/Prof Peter Hegedus has been selected to premier Sorella’s Story at the prestigious Venice International Film Festival in August. This harrowing film was created with the support of the @GriffithFilm and tells a powerful story. ow.ly/1toj50K6Vbl
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Axel Grigor retweeted
29 Jul 2022
We are proud to announce A/Prof Peter Hegedus has been selected to premier Sorella’s Story at the prestigious Venice International Film Festival in August. This harrowing film was created with the support of the @GriffithFilm and tells a powerful story. ow.ly/1toj50K6Vbl
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Axel Grigor retweeted
28 Jul 2022
Australia's Sorella's Story has just been announced In Competition at the Venice International Film Festival in Venice Immersive!! 🎬👏 @la_Biennale @AusAtVenice @AusAmbRome labiennale.org/en/news/offic…
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Axel Grigor retweeted
28 Jul 2022
Congratulations to Australian VR projects Sorella’s Story and Lustration on their selection for @la_Biennale!
27 Jul 2022
#BiennaleCinema2022 43 projects from 19 countries, 32 works in the Worlds Gallery and 1 Special Event – Out of Competition: the Island of Lazzaretto Vecchio opens again for #VeniceImmersive, the XR - Extended Reality section of #Venezia79 → bit.ly/VeniceImmersive-Venez…
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Axel Grigor retweeted
28 Jul 2022
@Peterfilmmaker’ 'Sorella’s Story' and @RyanJGriffen's 'Lustration' have joined the Australian contingent for next month’s Venice International Film Festival, selected as part of the Venice Immersive strand.
if.com.au/peter-hegedus-sore…
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27 Jul 2022
Proud to have co-produced the haunting and timely SORELLA’S STORY (dir. Peter Hegedus), competing at #BiennaleCinema2022 #VeniceImmersive at Venezia79.
27 Jul 2022
#BiennaleCinema2022 43 projects from 19 countries, 32 works in the Worlds Gallery and 1 Special Event – Out of Competition: the Island of Lazzaretto Vecchio opens again for #VeniceImmersive, the XR - Extended Reality section of #Venezia79 → bit.ly/VeniceImmersive-Venez…
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Axel Grigor retweeted
27 Jul 2022
Innovative Aus film Sorella’s Story has been selected to World Premiere In Competition at the Venice Immersive strand of the prestigious Venice International Film Festival, the only Australian film In Competition.
wp.me/p3Wh0s-wFb
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Axel Grigor retweeted
27 Jul 2022
#BiennaleCinema2022 43 projects from 19 countries, 32 works in the Worlds Gallery and 1 Special Event – Out of Competition: the Island of Lazzaretto Vecchio opens again for #VeniceImmersive, the XR - Extended Reality section of #Venezia79 → bit.ly/VeniceImmersive-Venez…
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Axel Grigor retweeted
23 Feb 2022
Anne V. Coats didn't wrestle LAWRENCE OF ARABIA and THE RED SHOES into the transcendent visions they were to see her category relegated to Tweets.
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Axel Grigor retweeted
23 Feb 2022
No FILM EDITING? You may as well also not have Best Director. ANY director will tell you the editor is equally (cough cough sometimes WAY MORE cough cough) important to the final artistic vision.
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Axel Grigor retweeted
Did you know that editor Jill Bilcock won an @AACTA Award for Moulin Rouge!? Discover the craft & creativity behind @bazluhrmann’s masterpiece in the upcoming exhibition Australians & Hollywood at the NFSA. Tickets on sale now #HollywoodNFSA #AACTAAwards tickets.nfsa.gov.au/Events/A…
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Axel Grigor retweeted
11 Aug 2021
Editors #OnEditing - Jill Bilcock - imdb.com/name/nm0082162
ALT Graphic showing a roll of celluloid in the background and the British Film Editors logo plus this text: “In many ways editing is trying to understand the director's vision and then to surprise the director by going further than their vision.” Jill Bilcock
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Axel Grigor retweeted
14 Jan 2021
How 'The Queen's Gambit' Editor Heightened the Tension of Competitive Chess | Hollywood Reporter hollywoodreporter.com/behind…
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Axel Grigor retweeted
27 Nov 2020
I also recommend this clip of @pattonoswalt talking about the legacy of female editors working with male directors on some of cinema’s great films. I think about it a lot in the context of Mad Max: Fury Road #ACMIWatches
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1 Oct 2020
"The editor now needs to be a combination of a tech nerd, an organised file housekeeper, and a creative genius with storytelling ability to touch you emotionally." - Jill Bilcock ASE, ACE
theweekendedition.com.au/the…
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Axel Grigor retweeted
5 Sep 2020
Internationally renowned Academy Award-nominated film editor Jill Bilcock will be our special guest on Primal Screen this Monday night on @3RRRFM
In our latest spotlight on #AustralianCinema we'll chat with Jill about a career helping craft some of Australia's most iconic films.
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29 Jul 2020
“I am reacting against documentaries being treated as information delivery vehicles,” Oppenheim once said, [Documentary film] is an art form. That should be the intention. ‘Aliveness’ is the guide.”
For all your contributions to documentary art, thank you. RIP Jonathan Oppenheim
Jonathan Oppenheim, Editor of ‘Paris is Burning,’ Dies at 67 wp.me/p2WgDE-1lyIWL
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Axel Grigor retweeted
5 May 2020
#OnThisDay 1974: "Arch idler" Terry Gilliam demonstrated the art of cutout animation, on Bob Godfrey's D.I.Y. Film Animation Show.
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