TLを流れていったチャグチャグ馬コってすごく可愛い！本物を見て見たいです

Imagine, apenas imagine se Crepúsculo fosse feito para homens: > O protagonista é você: beta, virgem, sem social skills, sem nada especial (feito para vc se identificar) > Se muda para uma cidadezinha do interior > A mais gata do colégio se apaixona por você > Ela é uma vampira, branquinha, emo, introvertida, rica, e virgem mas com mentalidade de milf (100 anos ) > Ela é apaixonadamente obcecada por vc, até invade o seu quarto as vezes > Ela arrisca a própria vida lutando contra outros vampiros para salvar você > Outra pretendente aparece > Pardinha, tomboy, corpo atlético, humilde (baixa renda), gentil, virgem e é uma lobisomem > Ela também está perdidamente apaixonada por vc > As duas brigam entre si pelo seu amor > As duas fazem qualquer coisa para te agradar e te defender > Simplesmente a melhor franquia de todos os tempos

怎么说呢，如果只在乎金钱数字，恐怕又得像COOL JAPAN那样失败了。嘛，不懂艺术的人无论如何都不会懂吧。

Julius Caesar knife block.

A lot of people cannot understand why crimes by migrants or asylum seekers often generate more anger than the same crime commited by a native. I think a significant amount is due to traditions of hospitality, the ancient moral codes around being a host and a guest.

ai翻译后的小说怎么算呢？嘛，反正我现在只剩下カクヨム了

AI自律生成作品は「非著作物」 － JASRACが指針公表 news.jp/i/143800011080628705…

shit，我怎么好像来到了一家店员全是女性的汉堡店……我怀疑她们能不能把鸡块炸熟

これもしかしたらだけど、テトロドトキシンって筋弛緩作用なので、呼吸筋麻痺さえ一晩耐えたら助かる。つまりフグを食った海辺の民が諦めて波打ち際に患者を埋める→打ち寄せる波が鉄の肺みたいな働きをする→肝臓が一晩かけて解毒→生還みたいな事があったんじゃないかと思う

呃……muv？

i randomly hate everyone once a month

To assert that violence is never justified is wholly specious. The state uses violence all the time, in a myriad of ways. The use of violence in the administration of justice is what the social contract is all about. The people give up their right to settle disputes and defend themselves with the use of violence in exchange for the state undertaking to protect us and provide mechanisms for dispute resolution. By this means, it assumes the monopoly right to use violence. When the state fails to honour its side of the bargain, the social contract is voided. The state can no longer legitimately claim its monopoly right and the people are entitled to act in order to remedy the state default. This is where we are at right now. In the current situation, the people can legitimately claim that the right to use violence has reverted to them. The judicious use of violence in such circumstances is entirely justified.

日本居然也有这样的讨论……嘛，女性关注的东西差不多吧

哦，多谢，很棒嘛

比中国好点，普通人只知道「高达」和「变形金刚」，但是稍微懂一点的人只会把「eva」当作时尚单品来说着玩，在我看来还不如那些完全不懂的人

嘛，确实有点像

小説家が「食えない職業」なのは、誰でも名乗れるからですね。たとえば将棋は日本将棋連盟に属する200名弱しかプロを名乗れませんが、ほぼ全員が将棋で食えます。小説家も上位200人だけ名乗っていい制度にすれば、とたんに「食える職業」になります。そんなことをする意味がありませんが

呃……怎么和日本人尬吹自己一样。坦白的讲我不信这种事，历史上暴力的个人或者国家，平时就经常使用暴力，「突然觉醒」这只是小孩子的想象

In 1920, six-year-old Nancy Bentley was bitten by a venomous snake near Port Arthur, Tasmania. With her condition worsening and medical help far away, her father rushed her to HMAS Sydney, a Royal Australian Navy warship anchored nearby. A problem quickly emerged: naval regulations at the time prohibited civilians from receiving treatment aboard warships, and women and girls were not allowed on naval vessels at all. Determined to save her life, Captain Henry Cayley came up with an extraordinary solution. Nancy was officially enlisted into the Royal Australian Navy and given the rating of "mascot," making her a temporary member of the ship's crew. This allowed doctors to legally treat her onboard. After receiving care, Nancy recovered and was formally discharged from the Navy just eight days later. The remarkable incident made Nancy Bentley both the first female and the youngest person ever enlisted in the Royal Australian Navy.. a title she still holds more than a century later.

In 1999, a worker at a copper mine in southern Arizona found something that stopped everyone in their tracks. A scorpion. Perfectly preserved. Every claw, every leg, every curve of the tail — frozen in metal. It hadn't been fossilized. It hadn't been cast or sculpted. The scorpion had literally turned into copper. The specimen eventually made its way to the 2019 Tucson Gem and Mineral Show — one of the most respected mineral exhibitions in the world, attended by the Smithsonian and universities from across the globe. Experts examined it. Geologists photographed it. The Arizona Mining and Mineral Museum posted it. Nobody called it a fake. What happened to this scorpion has a name: encrustation pseudomorphism. At some point, the creature wandered into the wrong part of the mine and died there, entombed in rock. Over time, copper-rich water seeped through the cracks. As the water evaporated, it left copper behind — molecule by molecule, coating every surface of the scorpion's body. The organic material slowly broke down and disappeared. What remained was an exact copper cast of a living creature. Nature's own lost-wax sculpture. The same process that makes petrified wood. Except instead of stone replacing wood — it was metal replacing flesh. Arizona sits on some of the richest copper deposits on Earth, the result of ancient hydrothermal vents and volcanic activity that pushed metal-laden fluids up through the rock for millions of years. The conditions for this to happen exist nowhere better than here. Which is why this scorpion, and at least one other like it found in a mine dump nearby, came from Arizona and nowhere else. The specimen is now in a private collection. There is no price on record. There may never be one. Some things are simply beyond valuation — a reminder that the Earth still makes art, slowly and without asking for credit.