let's count the rings around my eyes

Joined January 2010
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Happy to say that David Fincher: Mind Games will be out in October, with design and graphics by the same team that did the Coen and PTA books. There'll be a very cool announcement soon about the foreword; other information and a pre-order link are below. abramsbooks.com/product/davi…
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John Sayles’ terrific MEN WITH GUNS (1998) has barely 150 reviews on Letterboxd; we showed it last night on 35 mm and it’s so gratifying to see that people liked it!
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Thanks to @HertzBarry for this great interview with John and Maggie. They’re here at Lightbox all weekend.
“Making a movie has become a math problem”: A true pleasure to sit down with John Sayles and Maggie Renzi ahead of this weekend’s @TIFF_NET retrospective curated by @brofromanother. See you tonight for LONE STAR. theglobeandmail.com/culture/…
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Adam Nayman retweeted
ah ok
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I liked this movie too, good review
The Death of Robin Hood: Michael Sarnoski filters the story of England's favorite outlaw through the historical accuracy and unsparing hyper-violence of a Robert Eggers movie. a grim but rewarding little fable about how legends are born. my review: indiewire.com/criticism/movi…
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The first time I ever talked about a movie in public was for a Grade 12 film class; I chose THE BROTHER FROM ANOTHER PLANET. Tonight I'll be introducing the film (my Twitter handle from day one) and discussing it with John Sayles and Maggie Renzi. tiff.net/events/the-brother-…
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Most of the screenings in the series are sold out but I'm told there are tickets for tonight's other movie, BATTLE BEYOND THE STARS -- a true hoot. John will be there, too. tiff.net/events/battle-beyon…
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JAWS is my favourite movie and the one I’ve probably seen the most times; no other Spielberg title even comes close. I finally showed it to my kid last summer; big feelings there. Wrote about it here too: theringer.com/2020/06/18/mov…
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Aaron Sorkin's images don't just sit there on the screen. They dance. Few filmmakers have ever been imbued with such an innate -- and graceful -- sense of composition and movement; to paraphrase Bresson, they're somehow necessary *and* beautiful.
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In order to really appreciate MOLLY'S GAME or THE TRIAL OF THE CHICAGO 7, try watching them with the sound off: the decoupage has its own fast-talking eloquence.
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There is a whole documentary breaking down the mastery and effortlessness of Sorkin's craft; I highly recommend you spend your precious, irreplacable, and ultimately finite time on it! youtube.com/watch?v=ezs_qrvN…
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Me and my top 4
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Great interview with the man himself about his work and our upcoming retro at @TIFF_NET; like JS I'm super excited to be showing MEN WITH GUNS
"A standalone movie—not part of a series, not part of the Marvel Universe—is a really hard thing to get made now because there are some very good ones made that just don’t get traction and disappear right away." John Sayles talks with @djmecca about resourceful filmmaking, his next film, writing for James Cameron, favorite recent watches, and working with @brofromanother on his @TIFF_NET retrospective: thefilmstage.com/the-hard-wo…
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Went on @TheBigPic to talk about Mel Brooks
Mel Brooks turns 100 this month. On @TheBigPic we celebrate the career of one of the funniest and most influential voices in the history of movie comedy. With @brofromanother and @yasisalek. open.spotify.com/episode/4Tr…
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Adam Nayman retweeted
Mel Brooks turns 100 this month. On @TheBigPic we celebrate the career of one of the funniest and most influential voices in the history of movie comedy. With @brofromanother and @yasisalek. open.spotify.com/episode/4Tr…
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For the final instalment of my @torontolibrary series on modern fairy tales on film on June 26, I’ll be talking to Ian Reid (I’M THINKING OF ENDING THINGS) and my favorite critic @kukukadoo about Alex Garland’s EX MACHINA. Register below eventbrite.ca/e/modern-fairy…
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DISCLOSURE DAY (Spielberg): more to come but as is rumoured this reminded me mostly of….THE POST
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“Huge if true” - DISCLOSURE DAY
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