They made movies out of Lego & 21 Jump St & a “-Verse” of Spider-Mans? & a Cocaine Bear? Hollywood is officially out of ideas. #ProjectHailMary 3.20.26
Joined May 2009
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If only there were a word to describe the persistent, intense preoccupied feeling audiences have about seeing the film OBSESSION
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First demonstration of Rocky’s hand
#projecthailmary
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Christopher Miller retweeted
Jun 4
The practical makeup of Man-Spider in ‘SPIDER-NOIR’
(📸: hollywoodassassin | IG)
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Feeling cautiously hopeful for cinema and the future of original filmmaking
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Christopher Miller retweeted
May 29
Just finished Spider-Noir and it delivered on everything I wanted this series to be. The maturity of an older & grizzled Spidey, mixed with the dynamic performance of Nicolas Cage, topped off dazzling visuals & an engaging story. Sony struck gold, and I want to see even more! 🕷️
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Check out this treasure of a film by the talented, creative, and sweet Ambriz Brothers… both because it’s delightful and also because when original voices succeed, we get more cool and interesting stuff to watch, so we all win.
May 28
First trailer for ‘I AM FRANKELDA’, the first-ever stop-motion film made in Mexico.
The film follows a writer who is taken to another realm to help write nightmares to keep monsters alive.
Releasing June 12 on Netflix.
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3 things we at Lord Miller worked on are all now out at the same time.
Project Hail Mary
The Sheep Detectives
Spider-Noir
That’s 10 hours of Certified Fresh entertainment that can theoretically be enjoyed all in one day!
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All 8 episodes of SPIDER-NOIR are now on Prime Video.
It’s bold, beautifully shot, somehow both fun and moody, with an insanely great cast anchored by an all-time weird and wonderful performance by Nicolas Cage. It’s unlike everything else on TV.
You’ll dig it.
Check it out!
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Christopher Miller retweeted
May 22
#SpiderNoir is Certified Fresh at 90% on the Tomatometer, with 29 reviews: rottentomatoes.com/tv/spider…
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A marvelous mesh of style, homage and deconstruction, “Spider-Noir” is one of the year's best shows so far thewrap.com/creative-content…
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Christopher Miller retweeted
May 22
"A big swing that pays off from start to finish"
Nicolas Cage stars as web-slinger Ben Reilly fighting crime in 1930s New York in Spider-Noir — streaming on Amazon Prime Video from 27 May.
Read our ★★★★★ review: empireonline.com/movies/revi…
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Christopher Miller retweeted
May 22
‘SPIDER-NOIR’ successfully tells an essential Spider-Man story in the form of a detective mystery, making it one of the best superhero shows yet.
Find out more in our review... discussingfilm.net/2026/05/2…
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Christopher Miller retweeted
May 22
As a lifelong SPIDER-MAN fan, I was super-excited to moderate the PRODUCERS GUILD Q&A for “SPIDER-NOIR” with EP/Showrunner OREN UZIEL and Executive Producers PHIL LORD & CHRIS MILLER! “SPIDER-NOIR” drops on @PrimeVideo in color and B&W on 5/27 & it’s — dare I say it? — AMAZING!
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TUNER releases next week. A gem of a film by Daniel Roher with great performances, lovely music, snappy editing, and immersive, inventive sound design. Check it out if you can!
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Christopher Miller retweeted
#TheSheepDetectives is now Certified Fresh at 96% on the Tomatometer, with 84 reviews: rottentomatoes.com/m/the_she…
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Double feature this weekend. Two films about memory, friendship, and sacrifice. Two films that will make you laugh and cry. Two films with exquisite work by talented VFX artists. Two films about humanity expressed through the relationship between humans and non-humans.
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Christopher Miller retweeted
May 3
I’m not joking when I say this might be one of the best films of the year, I’m so glad I got see it early, seriously this film has no right being as sweet and endearing as it is
Seriously I highly recommend the sheep detectives 9/10
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Fun fact: I took this. It’s actually a Photoshop composite of two different pics I took on my phone during production. We shot the earth sequences at the end of production so in this scene Ryan was holding up a blank Polaroid, imagining it was a pic of him alone and VFX later comped my pic in. (My pics below) 1/
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I separated Ryan and Photoshopped him onto a more empty frame so he’d be alone. I took this pic during a preshoot walkthrough.
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With the comped pic, I then sent a clean and a “Polaroid-ized” version (where I tweaked the hue, contrast, and blur to feel more like a Polaroid) to our amazing VFX team and they integrated it into the shots.
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