Chart analyst/pop critic. Host of podcast #HitParadePod. Writer of Slate’s #WhyIsThisSongNo1? Feet on the ground, reaching for the stars. (Pronouns—he/him/his.)
On a new #HitParadePod—The Bridge, @timmysommer, who signed Hootie &the Blowfish to Atlantic, makes the case for them as “Generation R.E.M.” & assesses why their followup album led to their downfall. Plus, trivia…and a preview that gets the party started. slate.com/podcasts/hit-parad…
Every year I look fwd to @Thirdmanmovies’ predix, especially his breakdown of the Best Pic ranked ballot. I’m a bit surprised he thinks AQotWF is gonna start in the middle of the pack—I’m convinced (dreading?) that movie has deep “steak-eater” love—but I like the result here, so.
Who's ready for Oscar predictions?? In addition to my thoughts on all 23 categories, I also simulate the Best Picture preferential ballot round by round, predicting every elimination and vote reallocation. Check them out! filmotomy.com/projecting-tho…
Here’s the 2nd 2023 @podbelowtheline episode about #Oscars music—@LouisWeeks, Tom Peyton & I join host Skid to cover Best Original Song. Must Diane Warren win a competitive prize? Why did Gaga & Rih go so trad? Will “NaatuNaatu” be the banger of the night? belowtheline.biz/e/s15-ep-10…
On a new #HitParadePod—The Bridge, @timmysommer, who signed Hootie &the Blowfish to Atlantic, makes the case for them as “Generation R.E.M.” & assesses why their followup album led to their downfall. Plus, trivia…and a preview that gets the party started. slate.com/podcasts/hit-parad…
Also! While #HitParadePod—The Bridge episodes are only for @SlatePlus members, non-Plus listeners can now hear pt2 of our Feb show on Hootie, and how Darius Rucker defied convention twice—1st as lead Blowfish, then as a country superstar. Pts 1&2 are here: slate.com/podcasts/hit-parad…
Dunno how—if “Cry Me a River” is a 10 (it is)—this isn’t one too (T.I.’s rap alone!) but still a great read. I mark the popifying of @pitchfork as a 2-step process: the ’04 Annie rave, in which @scottplagenhoef told off PF’s readership; followed by the “My Love” year-end ranking.
This @Slate#HitParadePod’s gonna love you the best that it can—how Hootie &the Blowfish, ’90s normcore icons, defied the cool kids to rule the Zeitgeist. And how singer Darius Rucker pivoted from jangle-rock to R&B(?!) to country(!!) & ruled charts again. slate.com/podcasts/hit-parad…
Glad everybody’s been enjoying the Blowfish parade. If—Darius help you—you’re craving *even more* Hootie, the Spotify playlist for this #HitParadePod episode is now live on the @Slate show page, or at this link: open.spotify.com/playlist/10…
#Rihanna stats—I counted 6 No1s (*) out of a 12-song set:
“Bitch Betta Have My Money”
“Where Have You Been”
* “Only Girl(In the World)”
* “We Found Love”
* “Rude Boy”
* “Work”
“Wild Thoughts”
“Pour It Up”
“All of the Lights”
“Run This Town”
* “Umbrella”
* “Diamonds”
No new songs!
Joe updated his list of worthy artists who still haven't made the ballot (and was very excited to finally take Joy Division/New Order & George Michael off the list!)
One of the many frustrating things about Beyonce and Album of the Year is that there is perhaps no major star who's been more thoughtful & insistent about the continued importance of the album as a singular piece of art, designed to be understood and appreciated in its totality.