I'm still alive haha! 🤪 Happy weekend friends 🧡 Give me some time as I slowly catch up with everything.

⚡️GM World⚡️ I've released 2 albums on Spotify so far and you can listen to them here. I would be so happy to hear any feedback❤️ open.spotify.com/artist/3u9i…

WHAT A START! Havertz races through and smashes one into the roof of the net 💥 🔵 0-1 🔴 (6)

22 years of pain 😭 but the wait is over!!! 🔴⚪️

Why wouldn't you have enforced royalties in the first place? Why wouldn't any platform not have it?

Front-wheel drive, rear-wheel drive and all-wheel drive explained 👌🤪

I don't think anything can withstand the crushing weight of a 40-ton steel coil, even the last one.

The Great Has Fallen Foundation, once one of the premier digital art marketplaces, has confirmed that it will not resume operations. The NFTs are not gone. They remain onchain and in collectors’ wallets. But the marketplace, frontend, listings, visibility, and platform support are now effectively gone. And once again, artists and collectors are left on the losing end of the deal. The real question was never properly asked: What happens to their art now? Not just the token. Not just the smart contract. Not just the ownership record. So, for artists and collectors - where to from here?

⚠️ WARNING! @sheasmith1 is a SCAMMER and is NOT the original account holder. I suggest that you REPORT and BLOCK this scumbag. Share this with your friends. And STOP clicking on stupid links.

This account is for archive posts, selected highlights, and scheduled content. For current work, conversation, and my main account, follow @cryptonian_0

Good morning friends ☕️ Have any of you ever wanted to get away from everything, a life far away from civilization? I think of it all the time, but I believe it's much harder to do than I first thought 😅

The platforms that promised permanence could not deliver it. What remains is the work that was actually built to last, art that lives onchain, art that does not depend on a company, a funding round, or someone keeping the lights on. Maybe this is where the community needs to step up. Not just to celebrate art, but to protect it. To help each other understand self-custody. To take responsibility for our own onchain activity. To think more seriously about where our work lives, how it is stored, and what truly gives it permanence. Not every piece needs to be treated the same. But the art that means the most to you, the work that carries your story, your time, your identity, should be placed where it has the best chance to outlive platforms, trends, and business failures. Put your most valuable work on the blockchain. Immortalise it properly. This is bigger than marketplaces. It is about ownership, preservation, and legacy. Let this be a reminder that digital art was never meant to be temporary just because the platforms around it were. Let us celebrate the art that is built to stand the test of time, and help pave the way for a stronger culture of self-custody, permanence, and care for one another.

The harder truth is this: NFT marketplaces are not just technology products. They are trust businesses, liquidity businesses, and attention businesses. When trust weakens, liquidity fragments, and attention moves elsewhere, even a culturally important platform can stop making economic sense.

I just needed a laugh 🤣

GM 🏖️ Nothing beats Australian beaches prove me wrong!