Playwright
Joined August 2008
- Tweets 1,346
- Following 504
- Followers 716
- Likes 1,680
28 Photos and videos
deborahbruce retweeted
17 Oct 2023
At the film’s premiere, Osage language consultant Christopher Cote shares his complicated feelings about #KillersOfTheFlowerMoon
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deborahbruce retweeted
5 Oct 2023
This made me a bit tearful @G_Armstrong21
5 Oct 2023
Sometimes all you need is someone to believe in you.
#StreetGangs is available to watch now on @BBCiPlayer bbc.in/3F33QCE
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deborahbruce retweeted
17 Sep 2023
🧵: The “false allegations of rape” storyline is one of society’s most successful conspiracy theories and one of our most pervasive moral panics. Of course, it happens. All humans are capable of lying. But the number of false allegations is NOT statistically significant. 1/4
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22 Aug 2023
Is anyone looking for someone to rent a room in their house or flat share in SE London?
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deborahbruce retweeted
8 Aug 2023
★★★★ 'Disturbing and memorable' Time Out
🎉 Dixon and Daughters, our co-production with @nationaltheatre, is now available to watch on National Theatre at Home. 🎉
Watch now: ntathome.vhx.tv/dixon-and-da…
#DixonAndDaughters #NationalTheatreAtHome #NationalTheatre
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deborahbruce retweeted
8 Aug 2023
★★★★ 'Disturbing and memorable' Time Out
Dixon and Daughters is now available to watch on #NationalTheatreAtHome 🙌
@CleanBrk
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deborahbruce retweeted
16 Jul 2023
As the parent of a child with Down's Syndrome I always find it's these "small" things that have the greatest impact. I teared up as soon as he took that step. It may seem insignificant, but it really isn't. Absolute respect 🥰👏🏻
#DownSyndrome
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deborahbruce retweeted
24 May 2023
The official trailer for Dixon and Daughters is here!
★★★★ 'A powerful piece of drama'
On the Dorfman stage @nationaltheatre until 10 June.
Book: nationaltheatre.org.uk/produ…
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deborahbruce retweeted
9 Jun 2023
9 years ago today 😢
Anyway, sod all that death crap. Here are Rik Mayall's 5 mantras for LIFE!!
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deborahbruce retweeted
6 Jun 2023
“This powerful production makes clear the importance of efforts to prevent intimate partner violence and to support survivors who live with its enduring impacts.”
Marco De Ambrogi reviews the production of ‘Dixon and Daughters’ now on at @NationalTheatre: hubs.ly/Q01SqPxy0
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deborahbruce retweeted
13 May 2023
"It's a space for us to be able to find a voice for our life experiences."
We talk to our co-producers of Dixon and Daughters, @CleanBrk, to understand their process and approach to theatre.
Dixon and Daughters is now playing in the Dorfman Theatre.
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deborahbruce retweeted
11 May 2023
"They go head to head as actors in the way that the characters go head to head in the debates."
🍿 Best of Enemies, with @DavidHarewood and @ZacharyQuinto, is coming to the big screen with @NTLive from 18 May.
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deborahbruce retweeted
2 May 2023
🎉 Dixon and Daughters is on @NationalTheatre until 10 June.
🎟️ Book your tickets now: ow.ly/isYK50O7YqL
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deborahbruce retweeted
4 May 2023
You can choose essentials like nappies and food for a mum at one of our refuges. It takes 2 minutes.
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deborahbruce retweeted
2 May 2023
What would you do to help women experiencing domestic abuse?
Would you walk 60 miles in June?
Would you help women escape?
Free t-shirt when you sign up. Wear it with pride.
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New play Dixon and Daughters, "is peppered with sharp humour, focusing on three generations of women, their pain compounded by recent interactions with the criminal justice system" writes @adey70
bigissue.com/culture/theatre…
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deborahbruce retweeted
30 Apr 2023
The week in theatre: Retrograde; The Secret Life of Bees; Dixon and Daughters – review theguardian.com/stage/2023/a…
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deborahbruce retweeted
30 Apr 2023
REVIEW: Dixon and Daughters ★★ "It’s disappointing to find there’s little here that we haven’t seen before" #WestEnd broadwaybaby.com/shows/dixon…
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deborahbruce retweeted
27 Apr 2023
"I do have facts but I don't want to get into all that"
Rachel Maclean is having an absolute mare on #BBCQT 🤯🤯🤯
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The exodus of artistic directors in UK theatres is cause for concern, says @lyngardner. What does it signify? And does it mark a shift in the delicate tightrope that theatres walk as they operate both as businesses and artistic endeavours? bit.ly/3H5Njit
ALT A large EXIT sign with a small figure exiting
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