The nostalgia for the 80s Apple font does not make the product your friend.

THE ART OF COMPUTERS | APPLE AT 50 Founded in 1976, the $4 trillion company (@Apple) has created a hardware and software ecosystem for artists and designers By Louis Jebb (@JebbL) rightclicksave.com/article/t…

Thinking about where do Palantirism and Cyberlibertarianism intersect? @AimeeWalleston on Cultural Palantirism: open.substack.com/pub/donotr…

As 2024 ended, I reflect on the impactful exhibitions and collaborations that have defined my year 💎 One of my favorites experience has been "Echoes of Life," held at the Fine Arts Institute in Cali, Colombia, an exhibition that resonated deeply with my commitment to sustainable curating 💙 blueshiftgallery.substack.co… cc @richardsonkelly @acrwrs @HeliodoroSantos @juancrm__ @devharlan @VioletBondArt @be_a_stereotype @_AnaMariaAg @rodellwarner

The Dithering By @devharlan These interactive works examine the ethical entanglements of tech and climate science — mapping where we stand (“You Are Here”) amidst hypothetical trajectories of apathy, denial, and systemic inertia. The aesthetic nod to early computing isn’t just nostalgic; it underscores how tech culture has historically dismissed or sidelined environmental urgency. The epithet-laden quadrants within the works such as “Cyberlibertarian Protein Shake” and “WAGMI Clone”, use humour to critique and address specific ideologies—poking at techtopian fantasies and the ethical dilemmas of modernity. Harlan pulls in miscellaneous digital artifacts—icons, menus, and interface elements from 1980s and 90s computing, which contrast the optimism of early tech culture with today’s environmental reckoning. These are organised as abstract forms, reminiscent of weather patterns or swirling eddies, algorithmically generated from models tied to the IPCC report. For more information, see the @fakewhale_xyz LOG linked below 👇

Been losing sleep on this for weeks! Happy to announce auction goes live today on @verse_works, 1PM EST, 7PM CET "The Dithering (You Are Here)" verse.works/exhibitions/the-… Enjoy and happy bidding!

'Styrofoam Ethics', from the collection "The Dithering (You Are Here)". Play with it live on @verse_works : verse.works/artworks/9f52d0b… Open for bidding 11/10, 7pm CET, 1PM EST

In “The Dithering (You Are Here)”, @devharlan extends his exploration of emulated desktop environments to contextualize climate apathy within the historical framework of visions that have often dismissed or opposed climate science. Discover an in-depth overview of the Fakewhale Gallery release before it goes live this Wednesday, December 11th on @verse_works 🔗log.fakewhale.xyz/fakewhale-… Photo credit: The Dithering (You Are Here) by Dev Harlan, Installation View, Fakewhale Gallery x Verse, December 2024

Late Stage Capitaloscene

‘You Are Here’ Strange Attractors, AppleScript, 1992 IPCC Climate Report, OS 7.1, generative graphics in C

Cthuluscene CO2 Proxy Now live on @verse_works! Part of the solo exhibition "The Dithering (You Are Here)" Curated by @fakewhale_xyz verse.works/series/cthulusce…

FAKEWHALE x DEV HARLAN We’re thrilled to announce Fakewhale’s first curation on Verse: The Dithering (You Are Here) by @devharlan. The series critiques climate apathy through the lens of 1990s techtopian culture, using an emulated Macintosh II desktop as its canvas. Reconstructing pages from the 1990 IPCC Climate Assessment Report, the works combine the pages with generative code to create algorithmic visuals featuring strange attractor models, satellite imagery, and textual excerpts. Drawing parallels between dithering in computer graphics—where color depth is reduced for clarity—and society’s ethical dithering on climate action, Harlan highlights the persistent inaction that has caused irreparable harm. This work situates the climate crisis within the historical moment of its early neglect, offering a poignant commentary on technology’s role in shaping both awareness and indifference. Harlan's multidisciplinary practice encompasses sculpture, installation, and digital media, delving into themes of landscape, anthropogenic change, and technological consumption. His work prompts a reevaluation of the perceived divide between human societies and the natural world, exploring their intricate entanglement. Harlan’s work has been showcased internationally, at Christopher Henry Gallery, Gallery Madison Park in New York, the Sharjah Art Museum, and the New Museum in New York. It’s an honour to have Dev Harlan’s work on Verse, and to work with @fakewhale_xyz, a platform working tirelessly to elevate contemporary art through extensive editorial and curatorial efforts.

On the reading list, just published this month and so relevant right now! Also highly recommend Golumbia’s 2016 book, The Politics of Bitcoin: firestorm.coop/products/1613…

Impressed with the care and attention that went into this show at the Institute of Fine Arts, Cali, Colombia, thank you so much @dianedrubay and @_anamariaag for including me! A couple views from the exhibit which closed last weekend with "Afterlives, Vignettes"

A 1990 climate projection from the IPCC AR1. I dropped a pin for the 2024 atmospheric CO2 concentration -- we're basically tracking BUSINESS-AS-USUAL 🌏 🔥

While the exhibition "Echoes of Life" is about to open in Cali, Colombia, here are some pictures from the installation: 💡coffee ground replaces ink or stencils to write the exhibition title and intro 💡local plants and flowered are used to bring nature inside 💡vintage monitors are used to adopt a low-tech approach 💡ethically produced fabric with plant-based ink is used to guide the visitor flow cc @rodellwarner @acrwrs @VioletBondArt @HeliodoroSantos @devharlan @richardsonkelly @be_a_stereotype @_AnaMariaAg

For the record I voted for her not him, if that offends your frail masculinity then unfollow. Disappointed with America and what X has become. Expect to see me here a lot less.