Contributor to @TheStranger, @SPIN, The Wire/formerly @pitchfork, @discogs /world-unfamous DJ Veins / Made in Detroit

Joined January 2009
3,680 Photos and videos
DJ tip: Canned Heat's “On The Road Again” [pitched to 6] >>> Hawkwind's “Hurry On Sundown”
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FOR SALE Egberto Gismonti- Sol Do Meio Dia [1978, ECM] 1st US pressing. VG /VG ; $12 shipped.
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Somebody needs this Vertigo swirl label Jade Warrior LP, $13 at Jive Time in Seattle.
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One of the greatest record stores in Seattle, Wall Of Sound, will be closing this summer, after 36 years of business. This is a tragedy. If you're in the area, hit up Jeffery and Michael's legendary shop & drop some $ to ease their exit from music retail. discogs.com/seller/WallofSou…
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Dave Segal retweeted
Artwork for double bassist and composer Henry Fraser’s “Pneuma” LP, out today from @kou_records
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Dave Segal retweeted
Album of the day. Before they signed to the famed Memphis soul label, Stax, The Dramatics cut their teeth in Detroit. Although they didn't gain public traction until the early '70s, they found themselves in great company among other harmony soul groups from Detroit, Philadelphia, and Chicago. As evidenced in their 1971 Stax-Volt debut, Whatcha See Is Whatcha Get, The Dramatics' splendid, five-part Temptations-esque harmonies and the backing of Memphis' session musicians gave them an edge over their softer competitors, striking a perfect balance between raw Southern soul and sweet Motown pop-soul. The music of prime cuts like the opener "Get Up and Get Down," "Mary Don't Cha Wanna," and the Latin-influenced title track are reminiscent of the earthy and hard-hitting funk of the same era. "Thank You for Your Love" and "Fall in Love, Lady Love" are sublime lesser-known ballads, but the album's undeniable climax is "In the Rain," one of the most atmospheric and sensual slow jams ever created. Whatcha See Is Whatcha Get is easily a '70s soul classic as well as one of The Dramatics' best albums.
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Like many people, I thought that Miles didn't fuck with music from 1975-1980. But, unbeknown to me, this unreleased 1978 session he did with Larry Coryell, Al Foster, a.o. has been squatting on YouTube for 10 years. Miles plays Minimoog, but no trumpet. youtube.com/watch?v=JO1NDTsE…
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H/t Christopher Porter.
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Dave Segal retweeted
Let me summarize it simply Data inbreeding is occurring
You have noticed it. ChatGPT feels dumber than it used to. Your prompts that worked six months ago produce worse results now. The writing sounds flatter. The ideas sound safer. The internet itself feels like it is shrinking. Every article reads the same. Every email sounds the same. Every answer sounds like it was written by the same voice. You thought it was you. It is not you. Researchers at Oxford and Cambridge published a paper in Nature proving what is happening. They call it Model Collapse. Here is the mechanism in one sentence. AI trained on AI-generated data gets dumber every generation until it forgets what real human data looked like. The internet is filling with AI-generated content. Blog posts. Articles. Reviews. Comments. Social media. AI companies scrape the internet to train the next generation of models. Which means the next generation of AI is being trained on the output of the current generation. Each cycle loses information. Not randomly. It loses the rarest, most unusual, most creative parts first. The researchers call these the "tails of the distribution." The weird ideas. The unexpected perspectives. The things that made the internet feel human. Those disappear first. What remains is the average. The safe. The expected. The bland. Then the next generation trains on that. And loses more. And the next generation trains on that. And loses more. The researchers proved this is not a slow decline. Major degradation happens within just a few iterations. Even when some of the original human data is preserved. They tested it on large language models. On image generators. On statistical models. The pattern was the same every time. The output converges toward a narrow, flattened version of reality that looks nothing like the original data. The lead researcher put it plainly. "Large language models are like fire. A useful tool. But one that pollutes the environment." The pollution is invisible. You cannot see which sentence on the internet was written by a human and which was written by AI. Neither can the AI that is about to train on it. And once the tails are gone, they do not come back. The damage is irreversible. This is not a prediction anymore. It is a diagnosis. The internet you grew up on was built by humans writing things no algorithm would have written. Strange, personal, imperfect, alive. That internet is being diluted. One generation of AI at a time. And the models trained on what remains are learning a smaller and smaller version of the world. Model Collapse is not a technical problem. It is a cultural one. The thing that made the internet worth reading is the thing that disappears first.
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Why is Slash drumming for Lemon Twigs?
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Dangling modifiers I have loved: "As a valued customer of Providence, we appreciate your willingness to share feedback..."
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At Seattle's Jive Time: 8 volumes of Klaus Schulze & Pete Namlook's Dark Side Of The Moog series, each going for $23.
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There's a synth part that appears a few times in Paul McCartney & Wings' “Helen Wheels” that sounds as if it came from a Bernard Szajner album. Wish Paul and Linda had made an entire song out of that. youtube.com/watch?v=5_bl1BP6…
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Good deal on this Pharoah burner at Jive Time in Seattle.
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Dave Segal retweeted
Just saw that Areski Belkacem passed away. The last entry in this piece I wrote about BYG Records for Bandcamp Daily is about 'L’incendie,' one of the records he made with Brigitte Fontaine. He made some great music. RIP. daily.bandcamp.com/label-pro…
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Email subject header of the day: "Pvssy Riot challenge Putin to UFC cage match at The White House" Good luck with that, PR.
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I clicked on ACCEPT for a bunch of old DMs sent by accounts I don't follow, and the messages *vanished*. What the hell?!?!
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This sentence from a musician looking for coverage smells like AI to me. What do you think? "I'm emailing you with respect for your pen and the pulse on Seattle culture it scribes."
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