🚄🇨🇳 ¡China acaba de probar el tren del futuro! Va a más de 1.000 km/h dentro de un tubo de vacío con levitación magnética. Shanghái → Hangzhou (200 km) en solo 9 minutos 😱 Más rápido que un avión… por tierra! ¿Adiós aviones para distancias cortas? 🔥 ¿Viajarías? Comenta 👇

Deixa comprar a la gent el que li vingui de gust.

Hans Niemann SLAMS the Table After SHOCKING Blunder! 😱

Rotación completa de la Luna. Vista por el Orbitador de Reconocimiento Lunar de la NASA.

Acaba de publicar-se el vídeo de més qualitat de la lluna.

In memoriam

Este insecto parece un helicóptero… pero es real. Se llama treehopper y vive en las selvas tropicales de Ecuador. Su forma es tan extraña que cuesta creer que sea parte de la naturaleza. 🌿🦗 ¿Lo conocías?

DEP Jürgen Habermas. Els que no haurien de marxar mai, acaben marxant; i els que haurien de marxar, es resisteixen a fer-ho.

El cineasta #AkiKaurismäki y su particular visión del cine y la humanidad

El ajedrez clásico no es lo que era: la FIDE aprueba un nuevo ritmo de juego. damasyreyes.es/ajedrez-clasi… #Ajedrez

Carl Theodor Dreyer on casting Renée Jeanne Falconetti in The Passion of Joan of Arc (1928): "I went to see her one afternoon and we spoke together for an hour or two. I had seen her at the theater. A little boulevard theater whose name I have forgotten. She was playing there in a light, modern comedy and she was very elegant in it, a bit giddy, but charming. She didn't conquer me at once and I didn't have confidence in her immediately. I simply asked her if I could come to see her the next day. And during that visit, we talked. That is when I sensed that there was something in her to which one could make an appeal. Something that she could give; something, therefore, that I could take. For behind the make-up, the pose, behind that modern and ravishing appearance, there was something. There was a soul behind that facade. If I could see her remove the facade it would suffice me. So I told her that I would very much like, starting the next day, to do a screen test with her. "But without make-up," I added, "with your face completely naked." She came, therefore, the next day ready and willing. She had taken off her make-up, we made the tests, and I found on her face exactly what I had been seeking for Joan of Arc: a rustic woman, very sincere, who was also a woman who had suffered. But even so, this discovery did not represent a total surprise to me for, from our first meeting, this woman was very frank and, always, very surprising. I therefore took her for the film, we always understood each other very well, we constantly worked very well. It has been said that it was I who squeezed the lemon. I have never squeezed the lemon. I never squeezed anything. She always gave freely, with all her heart. For her heart was always committed to what she was doing." — "Interview with Carl Theodor Dreyer" by Michel Delahaye, Cahiers du Cinéma, no. 170 (September 1965). Translated by Rose Kaplin ⬇️ Carl Theodor Dreyer / Renée Jeanne Falconetti in The Passion of Joan of Arc.

Tal dia com avui de 1960, l'enemic número 1 del règim franquista queia abatut. Quico Sabaté, el guerriller amic de masovers, carboners i de la gent de bosc. Honor i glòria a la resistència! #Maquis #MemòriaDeLaTerra

Avui he anat a Barcelona. I hi ha més barcelonins a la ciutat comtal que vigatans a Vic, la meva ciutat. No sé qui en té la culpa, però ara mateix l'odio.

Bon dia. Bon bloomsday a tots.

El millor !

Una llauna de sardines !

El torneig d'escacs de candidats. Última ronda.

Posar Xavi d'entrenador va ser un error. Ho porto dient des del primer dia. Era un jugador fora de sèrie, gairebé superb, però això no el fa bon entrenador.

Això és un imbècil opinant.

"Estat Islàmic crida a atacar jueus i cristians a Europa i els EUA per donar suport a la guerra a Gaza." Però no diguis res contre ells, que et diran feixista (entre altres coses).