Most of my work is enterprise Angular. Bio-Dynamics is different; a 3D microbiome lab in the browser tied to health writing on my playground. Starting a 5-part build series. Post 1: why it exists. g.omid.dev/Efv0PTa #TypeScript #ThreeJS #OpenSource

Hallada la basílica de Vitruvio en Fano bajo la Piazza Andrea Costa: excavación preventiva, medidas (50 × 35 m) y la prueba de la columna angular  f.mtr.cool/oggjqcjona

Crushed in Time by indie developer Draw Me A Pixel Pascal Cammisotto from Villeurbanne, France launched on Steam June 10, it is a meta point and click comedy adventure released as a follow up to There Is No Game: Wrong Dimension, bringing back the eccentric detective duo Sherlock Holmes and Dr. Watson as they investigate the mysterious disappearance of a key character from their newly launched game by traveling not through history but through the various stages of the game's own development, from rough prototypes and unfinished alpha versions to bug ridden beta builds. The game distinguishes itself through its inventive point and pull mechanics, which allow players to stretch, grab, slap, and manipulate on screen elements using exaggerated physics based interactions rather than relying solely on traditional point and click puzzle solving. Complementing these mechanics is the studio’s signature fourth wall breaking humor, which satirizes modern game development, software bugs, and review culture while delivering fast paced British style comedy and fully human performed voice acting that reinforces its playful and self-aware narrative style. Crushed in Time fourth wall breaking storytelling, where a fictional flood of ultra-negative reviews triggered by a catastrophic bug becomes the narrative engine that propels Sherlock Holmes and Dr. Watson through warped stages of the game’s own development cycle in order to locate missing developers, repair broken code, and restore the game’s in universe reputation. This staged uproar is a deliberate parody of modern gaming discourse, using exaggerated review bombing reactions, launch day instability, and developer panic as interactive comedic material that players actively navigate rather than passively observe. Outside the fiction, discussion has focused instead on its artistic evolution and design experimentation, including its shift from traditional 2D presentation to a more angular 3D style and its adoption of a tactile point and pull interaction system that replaces conventional inventory mechanics while maintaining the studio’s signature absurd, self-aware humor.

Herald is also incorrect with their claim Gimbal stitch introduces the downward pan. The angular motion of the background is clearly evident in the levelled footage. They do a lot of talking, but nothing of actual substance

Great Reset Yol Haritası: 1- Angular Momentum 2- Singular Momentum 3- Secular Momentum

New in Angular 22: Directives for CDK Component Portals by Brian Treese itnext.io/new-in-angular-22-…

Optimize Angular Bundle Size in 4 Steps: From Bloated to Lightning-Fast by @er_rajatmalik in @inPlainEngHQ javascript.plainenglish.io/o…

Albert e Ida Bolender, devotos de la iglesia pentecostal, acogieron en su hogar a Norma Jeane y a más de una docena de niños. De todos ellos, solo adoptaron formalmente a uno, Lester; e intentaron hacer lo mismo con Norma Jeane, pero Gladys, su madre, se negó rotundamente. Los Bolender regían su casa con mano estricta y un profundo temor de Dios; la religión era su piedra angular. En ese hogar, beber, fumar, bailar o el simple juego eran vistos como obras del demonio. Sumida en una cotidianidad tan severa, la pequeña Norma Jeane comenzó a refugiarse en su propio mundo interior.

New in Angular 22: Directives for CDK Component Portals by Brian Treese itnext.io/new-in-angular-22-…

Optimize Angular Bundle Size in 4 Steps: From Bloated to Lightning-Fast by @er_rajatmalik in @inPlainEngHQ javascript.plainenglish.io/o…

Mr.@jacuzzi_toaster No contradiction you’re just applying the wrong model. On a flat plane with a relatively close Sun moving above it, the apparent angular size stays roughly constant throughout the day because of how perspective works at these distances, combined with conical refraction in the aetherial medium. As the Sun moves farther away toward sunset, the increasing density gradients and the firmament boundary diffuse and redirect the light in a conical pattern. This keeps the visible disc from shrinking dramatically, exactly as we observe. The same mechanical effect explains why distant objects on the ground disappear bottom-first without any curvature. You keep claiming “contradiction” while ignoring the actual layered optics of the realm. The Sun is close enough to create localized heating and consistent size, yet its setting is governed by perspective meeting the optical boundary not millions of miles of empty space on a spinning ball. Your “wall of text” dismissal is just an excuse to avoid engaging with the mechanics. The observations (constant Sun size, bottom-up disappearance, apparent horizon) remain. The model is consistent. furthermore You literally just said my explanation is “completely unprovable nonsense” that “requires no refutation”……and then you replied to it anyway. hat’s the contradiction right there. Good times, Eccentric

La piedra angular de ese proyecto era Falcao pero como no era tuyo y no querías poner la pasta….

The South Tower - Tipping Top Explaining Angular Momentum and the laws of physics

Create a highly stylized modern character portrait illustration in a bold geometric editorial art style. The subject is a young adult (male or female) with an exaggerated elongated neck, angular facial features, and confident body language, holding an iced coffee cup with a straw while looking slightly upward with a calm, self-assured, and slightly sarcastic expression. The composition is minimalist and clean, featuring a solid vibrant monochromatic background in a strong bold color (deep red, royal blue, emerald green, orange, or any striking tone). The character occupies the right side of the frame, leaving large negative space on the left for typography. Instead of a generic question, generate ONE unique large handwritten Arabic phrase on the left side. The phrase must be different every time and should be chosen randomly from one of the following categories: • A funny Egyptian proverb. • A sarcastic Egyptian saying. • A witty life lesson. • A humorous "luck of the day" prediction. • A playful social-media style quote. • A clever observation about life, work, relationships, money, success, or daily struggles. • A short motivational quote with an unexpected twist. The Arabic phrase must be authentic Egyptian Arabic, natural, catchy, humorous, and highly shareable on social media. Never repeat the same phrase. Generate a completely new phrase for every character illustration. Examples of style only (do not repeat these exact phrases): "اللي مستعجل على رزقه بيشرب القهوة سخنة." "حظك النهاردة بيقول: متردش على أي حد قبل القهوة." "لو الدنيا قفلت معاك... جرّب تفتحها من الناحية التانية." "اللي بيحسبها كتير بيضيع عليه العرض." "نصيحة اليوم: وفر طاقتك للحاجة اللي تستاهل." The Arabic calligraphy should be large, expressive, handwritten, playful, contemporary, and seamlessly integrated into the composition as a major visual element. The illustration style should combine low-poly geometry, modern editorial illustration, graphic design aesthetics, subtle painterly textures, cinematic lighting, smooth gradients, bold shadows, and sophisticated color blocking. The face should be simplified yet expressive, with sharp cheekbones, stylized eyes, and exaggerated proportions while maintaining an attractive contemporary appearance. Fashion styling should be modern and trendy, featuring oversized streetwear clothing, minimal accessories, and a relaxed urban lifestyle aesthetic. The overall mood should communicate confidence, attitude, humor, self-awareness, and modern social media culture. Ultra-high detail, premium digital illustration, award-winning editorial artwork, Behance featured quality, Dribbble trending style, modern advertising campaign aesthetic, clean composition, professional character design, visual storytelling, sharp focus, 4K resolution, poster design, luxury graphic illustration. Aspect Ratio: 4:5 Vertical Poster.

Chat gpt decides to build object detection scripts and work for 5min to try and estimate the planet angular speeds. When asked to compare with real (relative) angular speeds it says the model match reality fairly well.

En #LuvinaJovenRadio 📚escucharemos la entrevista con la Escritora Erika Zepeda, ganadora del Premio Gran Angular con su novela "Prohibido el punk" y entérate de nuestras recomendaciones✨ Escucha el 104.3FM 🎧

They used to little angular or rounded shelf ends to fill that space up above then tile all the way out underneath it. I had one that was designed to hold phone book on lower shelf and phone above. 😄 In your case I would say thickness of backsplash matters. If it was overly thick, stop at cabinet edge, A. If thinner tile is used and/or able to set with a bull nose edge = small grout line, B should be fine. I do kitchen and bathroom remodeling for a living. Use a stain resinstant grout/ epoxy grout as food prep will inevitably splash something right on the grout line.

also holy shit, just 4 megabytes for the default angular server? I do have to investigate just what the hell makes my prod backend take 90MB of ram when demo is just 8

Saudi Arabia imports sand from Australia because its desert sand grains are too smooth and rounded from wind erosion, preventing proper bonding in concrete, while Australian sand has sharper, angular grains that interlock more effectively to form stronger concrete.

Walter Landor (1913–1995) was a pioneering industrial and brand designer whose work helped define the field of modern corporate identity. Born in Germany and later based in the United States, he founded Landor Associates, a firm known for its research-driven approach and its emphasis on understanding how brands function in real environments. By the late 20th century, Landor’s studio had become one of the most influential branding agencies in the world. In 1980, Landor designed the Fuji logo, created for Fuji Film at a moment when the company was expanding globally. The mark featured a stylized, geometric representation of Mount Fuji paired with clean, modern typography. Its angular peak and distinctive banding conveyed both technological precision and a strong connection to Japanese identity. The design exemplified Landor’s philosophy that a logo should be simple, memorable, and adaptable across packaging, advertising, and international markets. The Fuji logo became one of the most recognizable corporate symbols of the era and supported the company’s transition from a domestic film manufacturer to a global technology brand. Landor’s contribution remains a benchmark in the evolution of corporate identity design. #logodecks