youtu.be/7nCU6kJCZiU?is=mj9d… #2danimation #art #animationmagazine #writing #filmmaking #animatedfilm

Netflix is building INKubator, an internal AI-focused animation studio developing short-form projects using GenAI workflows. 🎬 The initiative is artist-led, combining traditional animation practices with emerging AI tools to explore experimental production pipelines and new approaches to storytelling. (cc: @animationmagazine) animationmagazine.net/2026/0…

The Adventures of the Sensokids 🎥 Director: Kris Wimberly 🎭 Cast: Eric Shaw, Sara Secora, Kira Davis 🎟️newmediafilmfestival.com/the… Shout‑out to: @Kidscreen @AnimationMagazine @CartoonBrew @CommonSenseMedia @Parentology @PBSKIDS @ChildMindInstitute @AutismSpeaks @SesameWorkshop

Meet the 2026 class of Animation Magazine's Rising Stars of Animation, a talented cohort of artists, directors, writers & innovators. #RisingStarsofAnimation #AnimationMagazine animationmagazine.net/2026/0…

The Making of Star Wars: Maul - Shadow Lord - jedine.ws/u9en #StarWars #Maul #ShadowLord #DisneyPlus #BradRau #KeithKellogg #AnimationMagazine

Got my copy of 2026’s first issue of @AnimationMag and….awwww look at that cover! 🐰 🦊 #animationmagazine #zootopia #wildehopps

From the very first episode of Season 1 to the 'monstrous' new challenges of Season 4, we’re proud to have continued our journey on the Continent. ⚔️ In our latest work for @netflix #TheWitcher , our teams pushed the boundaries of creature FX—from the intricate anatomy of a new Kikimora battle to the fluid, root-based horror of the Rusalka. 👉 Dive into the full VFX breakdown via @animag : animationmagazine.net/2026/0… -- Du tout premier épisode de la saison 1 aux nouveaux défis « monstrueux » de la saison 4, nous sommes fiers d’avoir poursuivi notre aventure sur le Continent. ⚔️ Dans notre dernier projet pour #TheWitcher sur @netflix , nos équipes ont repoussé les limites des effets spéciaux de créatures — de l’anatomie minutieuse d’un nouveau combat contre la Kikimora à l’horreur fluide et organique de la Rusalka, avec ses racines mouvantes. 👉 Découvrez l’analyse complète des VFX sur @animag : animationmagazine.net/2026/0… #TheWitcherSeason4 #Netflix #CinesiteVFX #AnimationMagazine

→ Press Testimonial « Anything that makes UVing easier is a welcome addition. So let’s dive in RizomUV. » — @animationmagazine Feedback like this fuels the RizomUV team to keep improving the software and deliver a faster, more efficient UV mapping experience for artists and studio!

Claynosaurz didn’t wait for permission. They built momentum themselves, then the world followed. Here's why @Claynosaurz is one of the strongest Web3-born IPs. > Have a powerful north star. For Claynos, it was simple: "What if fans could help build the universe with us?" > Don't wait for funding, instead bootstrap everything. FTX crash happens. Claynosaurz launch. Raise $1.3 million. All of this happened in a bear market. > Focus on execution internet distribution Year 1: $3M in revenue. Year 3: $11M. No Hollywood backing. No legacy machine. While most IPs focus on one medium, Claynosaurz went everywhere: - Shorts - Collectibles - Games - Merch - Events All connected through story. > Community-driven franchising co-creation Community is the strongest moat in an over-competitive landscape. Luckily, NFTs helps brands deepen relationships with early fans through experiences, utility, and a sense of ownership. In a digital-first world, people gravitate toward experiences that feel real, shared, and lasting. To make fandom owned, we need meaningful discovery, products that deepen relationships, and experiences that blend digital with physical. > Fans first, IP second. They flipped the script: Instead of “build IP → hope fans come,” they went “build fans → let the fans power the IP.” In Web3 and modern creator culture, attention is the real asset. Claynosaurz captured that attention first through digital collectibles, community participation, and social storytelling. With fans locked in, the expansion into transmedia [series, merch, games, co-productions] became much easier, cheaper, and faster. -- It may not seem like it, but by appearing on massive animation websites like animationmagazine(dot)net is what builds the foundation towards broader appeal with a non-native crypto audience. Too often do we see an immense amount of resources dumped towards crypto users, but for IPs, distribution, generating revenue and community are top priorities in order to see the light of day. Well done Claynos, well done.

Proud to see Claynosaurz featured in Animation Magazine! A big step forward for independent animation and new creative technology #Claynosaurz #AnimationMagazine #Animation

'CHA0' Director, Yasuhiro Aoki on animation, "I think animation is a vital tool in telling stories of love” “...because it starts from one person’s love of drawing." via AnimationMagazine

Read all about the exciting new season of #KingOfTheHill in this month’s issue of @animationmagazine (Issue No. 351). You can order this special collector’s issue at animationmagazine.net

As part of Animation Magazine’s ongoing efforts to make our content available to more readers around the world, we have introduced a major new improvement to our website. #AnimationMagazine #Multilingual animationmagazine.net/2025/0…

Sifillitica Psychotica announcing animated series cast, featuring 1998 issue of #AnimationMagazine. Learn more at sifillis.com. #zineフェス吉祥寺 #zinesters #zine #zinemaking #zinefest #zines #books #BookLovers #BookReview #BookTwitter #booktwt #indieauthor #farting

Sifillis #fanzine from 1998. More Sifillis stuff at Sifillis.com! #book #zine #books #zines #BookLovers #zinemaking #ZINEフェス仙台 #indieauthor #weird #wierd #fantasy #animationmagazine #animation #animatedseries #cartoons #cartoon #CartoonArt #cartooncharacter #fart

Check out today's Animation Magazine article to find out some exciting news for Mainframe! Congratulations to Tanya Green, Florian Wagner, and Nick Purrier! animationmagazine.net/2025/0… #AnimationMagazine #WeAreMainframe

#worldanimationsummit #animationmagazine

Per AnimationMagazine, A CGI-Animated remake of The Magic Schoolbus called "The Mighty Explorers" is in the works The series will follow the Magic Bus, Liz, and six year old kid explorers Lily, Wyatt, and Benny, as they explore adventures And yes, the bus looks like... that.

Per AnimationMagazine, an hour long SpongeBob special titled "Kreepaway Kamp", will premiere on Nickelodeon and Paramount this Fall! "SpongeBob, Patrick, Sandy, Mr. Krabs, Pearl, and more revisit Kamp Koral, while they are stalked by a mysterious figure lurking in the shadows"

Looking for a window into today's animation industry? Check out this Animation Magazine article about service studios, including your favourite, Mainframe Studios! animationmagazine.net/2024/0… #AnimationMagazine #WeAreMainframe