HE WAS GAME FACE ON 😭 BUT THEN HE SMILED WHEN HE SAW THE CAMERA (◝‿◜｡) #JUNGWON

camera panning back in 2002 was impressive

Another camera angle of Carmelle serenading our Kapamilya runners. (c) facebook.com/share/r/1CPwhbK… #Carmelle

megamen legends tinha lock de camera antes de oot

BREAKING: One Of Jeffrey Epstein's Victims Just Spoke On Camera About What Happened To Her. Juliet says she was a young model in Paris when she was approached with what sounded like a career opportunity in New York. A flight was arranged. Meetings were set up. She thought she was taking the next step in her modeling career. Instead, she says she was taken to meet Jeffrey Epstein. According to her account, Epstein asked her to undress and began examining and touching her body. Then came the moment that stayed with her. "I started to have fear." For years, the Epstein story has been consumed by arguments about files, powerful people, and politics. But this is the reality at the center of it. A woman describing how she says she was recruited, brought to New York, and placed in a situation that immediately made her afraid. That's why people are still demanding answers.

Never seen Rupert talk about this on camera btw.

RT @dd__dandelion: Sehun was back with his fan phone agenda. During Run at Hongkong concert day 1, he pointed the camera at Kyungsoo, who w…

🐱 *looks off camera* I'm doing a 13th anniversary Weverse live. 🐻 Oh you are? You're doing a Weverse live? 🐱 *scoots over* 🐻 Everyone... ohhh. They're saying, "Have you eaten, my baby?" 🐱 I ate earlier. 🐻 I ate before I came too.

This is classic selective outrage and misleading spin. Bu @mehdirhasan Here is what actually happened. Facts over narrative. In August 2024, four Palestine Action activists, Charlotte Head, Leona Kamio, Fatema Rajwani, and Samuel Corner, carried out a planned raid on the Elbit Systems factory near Bristol. They rammed a prison van through the gates. Armed with sledgehammers and crowbars, they smashed 1.2 million pounds worth of military equipment and drones while livestreaming their so-called direct action. Samuel Corner struck Police Sergeant Kate Evans in the back with a sledgehammer, fracturing her spine. She suffered months off work, ongoing pain, panic attacks, and had to step down from her rank. The judge called it extreme and gratuitous force. At the retrial in Woolwich Crown Court, the jury convicted all four of criminal damage. Corner was also convicted of inflicting grievous bodily harm. On 12 June 2026, Mr Justice Johnson sentenced them: Corner received 7 years and 8 months, Head and Kamio received 5 years each, and Rajwani received 4 years and 8 months. They face terrorist notification requirements and must serve at least two-thirds of their sentences before parole eligibility. Now let us address Mehdi’s claims directly. First, he says three of the four did not attack the police officer. Technically only Corner swung the sledgehammer. But all four participated in a coordinated, armed break-in. UK law holds participants in a joint criminal enterprise responsible for foreseeable violence during the crime. Claiming the others were just smashing equipment while ignoring their role in the violent raid is weak misdirection. Second, he claims all four were cleared of violent intent. This is flatly false. The jury convicted them after reviewing the videos, weapons, damage, and planning evidence. There was no acquittal on the violence. Corner’s GBH conviction proves the opposite. Mehdi is simply inventing an outcome that never occurred. Third, he calls it a clear miscarriage of justice. This was a full jury trial with defence representation. The judge applied standard sentencing law. Under Section 69 of the Sentencing Act 2020, after conviction the judge can find a terrorist connection as an aggravating factor when the offence involves serious damage to property, is designed to intimidate, and advances a political or ideological cause. All three elements were met here. That is not abuse of anti-terror laws. It is the law working as intended. Losing the case does not create a miscarriage. Finally, linking this to government complicity in genocide is pure partisan rhetoric. The terrorist connection finding is based on evidence, not a new charge. Genocide remains Mehdi’s slogan, not a settled UK legal conclusion or final ICJ ruling on Israel’s actions against Hamas following the October 7 massacre. Disliking UK foreign policy does not excuse 1.2 million pounds in criminal damage and assaulting a police officer. These were not peaceful protesters holding signs. Palestine Action is a proscribed terrorist group. They chose violence, glorified it on camera, and injured an officer doing her job. Believing a company is wrong does not grant a free pass to smash it up. Chris Philp was right. Smashing property and attacking police with sledgehammers is not protest. It is violence. Mehdi’s post is textbook duplicitous spin: downplay the crime, invert the facts, and cry miscarriage and genocide. The jury, the evidence, and the judge saw through it. So should everyone else.

So Hobi performed his verse directly into a camera. Not only did it not make it onto the stadium screens or the main screen for the film broadcast, they didn’t even show it on the multi view Weverse screen with four spaces available. I’m sorry that’s just egregious.

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the camera frame is just insane. Jesus christ

Whay do you felt the need to bring solo retorics and complaints about camera work on BTS birthday?

After generating the storyboard and character reference sheet, you can animate it using Seedance 2.0. I made it using @wavespeed_ai Here is the prompt to made it : Use @image1 as the authoritative NOX character reference. Use @image2 as the authoritative basement boxing gym environment reference. Use @image3 as the storyboard and layout reference. Do not render the storyboard sheet itself; recreate the cinematic animated sequence implied by it. SUBJECTS: NOX @image1 — early-20s underground boxer, lean muscular build, sharp focused eyes, short messy dark hair wet with sweat, rough facial structure, subtle eyebrow cut scar, old rib scars, shirtless upper body, black boxing shorts, off-white hand wraps, dark boxing shoes. Maintain exact facial identity, hairstyle, body proportions, scars, outfit, hand wraps, shoes, and cold hungry expression throughout. NOX moves like a real boxer: compact guard, sharp recoil, shoulder rotation, hip torque, head movement, active feet, controlled aggression. ENVIRONMENT: Basement boxing gym @image2 — dark cramped concrete room, low ceiling, exposed pipes, worn floor mats, old heavy bag on rattling chain, dusty air, training bench, old gloves, bucket, towels, cracked walls, single warm overhead bulb and dim cool side shadows. The entire video remains in this same basement gym. Keep the heavy bag, overhead light cone, dust particles, scuffed mats, and gritty concrete atmosphere consistent. STYLE: Cinematic semi-realistic anime character sheet reel, mature anime proportions, clean cel-shading, sharp linework, painterly gritty background, high contrast warm amber lighting, premium concept-art motion reel. Raw, grounded, masculine, intense, stylish. No fantasy energy, no glow effects, no magic, no photoreal live action, no 3D CG. LAYOUT: Keep the feel of an animated character concept presentation. Main action dominates the frame. Subtle bottom/side character-sheet graphics may appear as clean design-board overlays: “NOX”, “BASEMENT ROUND”, “UNDERGROUND BOXER”, small gear callouts, hand wrap detail, glove detail, stance notes. These design elements must feel integrated and premium, not distracting. Do not cover the boxing action. SHOT 1: Hard cut from black | Extreme close-up, 85mm macro, handheld micro-shake / NOX violently pulls his off-white hand wrap tight around his wrist, veins flexing, knuckles clenching, sweat on skin, wrap fibers visible. His fist snaps closed with tension. Dust floats through warm light. / SFX: cloth wrap pull, knuckle squeeze, deep breath, basement room tone. [1.5s] SHOT 2: Smash cut | Close-up 3/4 face, 50mm, slow push-in / NOX raises both wrapped fists into guard. His wet messy hair hangs over sharp eyes; eyebrow scar visible. He exhales through his teeth, shoulders roll once, eyes locked on an imaginary opponent. No posing pause; he is already moving. / SFX: controlled breathing, hand wrap creak, shoe shift on mat. [1.5s] SHOT 3: Match cut into motion | Medium shot, 35mm, slight handheld follow / NOX explodes into shadowboxing: fast jab, second jab, hard cross with hip rotation, compact slip left, heavy left hook. Every punch has recoil and intent. His guard returns after each strike, torso twists, sweat flicks from shoulders. / SFX: sharp punch whooshes, foot squeak, breath bursts, cloth snaps. [2.5s] SHOT 4: Lateral track | Medium-wide, 28mm, camera tracks with his footwork / NOX steps in aggressively, feints a body shot, drops low into a weave under an imaginary counterpunch, rises into a snapping right uppercut, then pivots out on the lead foot. Floor dust kicks up under the overhead bulb. Movement is brutal but technically readable. / SFX: shoe friction, mat scrape, fast breath, low punch whoosh. [2.5s] SHOT 5: Impact beat | Low side angle, 32mm, fast push toward heavy bag / NOX bursts into the heavy bag with jab-cross-left hook-right body hook. The bag dents on impact, swings hard, chain rattles violently, dust and sweat explode into the warm light cone. NOX stays compact and balanced, eyes cold, no wasted motion. / SFX: heavy leather impacts, chain rattle, bag swing, sharp exhale, room reverb. [2.5s] SHOT 6: Climax flurry | Dynamic medium close-up, 35mm, subtle push-in with controlled shake / NOX returns to pure shadowboxing in front of the swinging bag: slip, cross, hook, weave, hook, rear uppercut. His shoulders and hips fire in rhythm, head movement tight, guard believable, punches fast but readable. Sweat streaks across frame; his teeth grit briefly during the final uppercut. / SFX: rapid punch cuts, breath bursts, cloth snap, swinging bag chain in background. [2.0s] SHOT 7: Character reveal finish | Full-body hero frame, 40mm, camera settles from motion into a steady slight push / NOX stops sharply after the final combo, guard still raised, one foot forward, chest sweating, breathing heavy but calm. The heavy bag continues swinging behind him under the warm bulb. Clean character-sheet overlays become clearer around the bottom and side: “NOX”, “BASEMENT ROUND”, “UNDERGROUND BOXER”, stance notes, glove/wrap detail thumbnails. He lowers his chin slightly, eyes still locked forward, controlled and dangerous. / SFX: heavy breathing, bag chain slowing, distant pipe hum, dust settling. [2.5s] CAMERA STYLE: Premium anime action cinematography, controlled handheld energy, readable boxing choreography, strong silhouettes, no chaotic spinning camera. Use close-ups for tension, medium shots for punch readability, low angle for power, and a steady final hero reveal. Motion should feel intense from the first frame with no idle pause. ANIMATION RULES: Real boxing mechanics only. Clear jab-cross-hook timing, compact slips and weaves, visible shoulder rotation, hip torque, active footwork, believable guard recovery, realistic recoil, sweat and dust reacting to movement. NOX should feel disciplined and self-trained, not flashy or goofy. NEGATIVE PROMPT / AVOID: 3D CG, photoreal live action, childish cartoon, chibi, fantasy glow, magic aura, fire effects, lightning effects, superhero powers, neon cyberpunk colors, overcolorful gym, random flailing punches, stiff body, weak footwork, awkward pause, floating body, sliding feet, broken anatomy, extra limbs, extra fingers, distorted face, identity drift, wrong hairstyle, wrong outfit, gloves replacing hand wraps during shadowboxing, unreadable boxing motion, unreadable text, messy overlays, flickering character sheet, glitchy heavy bag, teleporting objects, camera spinning too much, goofy expression.

I didn’t even read all of this but genuinely we saw on camera her saying shit to Melanie’s face and she was made to be a cunt for it when she was being real and upholding a standard that was agreed upon arrival which Melanie initiated.

Boardroom negotiations went from contracts to chemistry real quick… until the hidden camera said hello..... watch to the end

More strange rumors from China: Viltrox to release a mirrorless camera with Nikon Z-mount photorumors.com/2026/06/13/m…

Council enforcement officers are sacked after they are caught on camera threatening member of the public trib.al/YJXvBVS