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Replying to @CoreRiff
Weird idea: Have DisneyToon Studios coproduce the Toon Disney originals (based on Disney movies), and then make up for airing on the smaller TD channels by also releasing them in the home video market. Basically direct to video TV shows
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Replying to @front_ukrainian
Everyone is gonna coproduce drones with Ukraine, the droneswarms is gonna be huuuuge. Russia should just give up before they have nothing of value left..
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Tuneer Mukherjee retweeted
Japan has the industrial capacity to coproduce uncrewed systems at scale. Whether Washington and Tokyo can clear the politics to use it remains to be seen. warontherocks.com/how-japan-…
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As usual, a solid piece in @WarOnTheRocks on how #Japan can help the US build out its currently weak #Navy industrial base. Certainly worth consideration given our needs & their interests in balancing #China in their neighborhood. warontherocks.com/cogs-of-wa… Excerpt, "America’s defense industrial base cannot build the Navy out of the threat it faces. Decades of industry consolidation, persistent resource shortages, and inconsistent demand signals have delayed the production of critical vessels and munitions. With production bottlenecks stacking up, the Navy may have no choice but to let its allies do some of the building. Both the National Defense Strategy and Navy Warfighting Instructions highlight how mobilizing allies can field more forces to the mutual benefit of the United States and its strategic partners. Likewise, the latest U.S. Navy Shipbuilding Plan stresses the importance of allied investment and production. The Trump administration has been putting these plans into action, having already outlined plans to coproduce platforms like icebreakers and submarines. The next step is robotic and uncrewed systems, which play a central role in Golden Fleet concepts. To that end, the United States, United Kingdom, and Australia recently agreed to codevelop undersea submersibles as part of AUKUS Pillar II’s commitment to share advanced capabilities. The AUKUS announcement should just be the start. Coproduction of uncrewed systems with capable partners, including countries like Japan, could expand total defense output, helping deliver the thousands of low-cost, attritable systems required to deter and win protracted conflicts. Japan stands out as a place to put this principle into practice... "Constraints on the U.S. defense industrial base are well documented. Labor scarcity, supply chain vulnerabilities, and aging infrastructure delay new vessel construction. Meanwhile, complex acquisition policies and fluctuating demand signals discourage defense firms from making the investments necessary to expand their capacity. Investments in shipyards by U.S. entities and foreign firms aim to fix these problems by modernizing old infrastructure and production methods. But infrastructure investments take time to mature, and even if domestic manufacturers could produce within the United States, coproduction would still yield strategic gains. Not least, transporting assets to the Western Pacific is costly and time-consuming. That “'tyranny of distance' complicates U.S. Navy logistics and limits time in theater. Coproduction, most likely to take the form of licensing existing designs, offers a way to manufacture assets at scale closer to where they are needed."
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please give it to Deen. I'm thinking we need this animated by Gohands. Let's get Visual Flight back for one last job. Just to make sure lets have netflix and crunchyroll coproduce the whole thing
Military Dark Fantasy Manga "THE BUGLE CALL: Song of War" (Sensou Kyoushitsu) will be receiving TV ANIME ADAPTATION Based on original work by Mozuku Sora × Higoro Toumori » Recommended by "Vinland Saga" author Makoto Yukimura
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Replying to @teppayalfa
Times have changed after 2020 especially when ABS-CBN made a pact with GMA. Talents can appear each other shows vice versa and also coproduce shows.
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This is what Russia has proposed to coproduce with INDIA & I suggested area of Ukraine currently in custody of Russia as site for joint manufacturing of it. Can this proposal STOP that WAR.? Be my guest.! ~Last post by DonKey Way ABशिरीष Switching back to वाजपेयी शिरीष भागवत
Supermanouverability #Su57 #Russia #Stealth #India
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Replying to @yennefair
Americans didn't coproduce the Chibnall era
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Llega la Ruta al CAMM Edición #ElSalvador ! 🌎 💡 Actividades son gratuitas -Cupo limitado Enlace: forms.gle/baynAdxUokQcrTHZA Organiza: @atrapandosuenos @redvivaprimavera COPRODUCE: @bulla_fest_sv & @experience.groove EN ALIANZA: @aries.egc & @electronica2001 #RutaAlCAMM
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Replying to @bahradx
My own (provisional) thinking around this is that antitrust rules should only kick in once a market exists, has matured such that the market's boundaries can be known, and demand has stabilized. The goal should always be to create a healthy and vibrant competitive market rather than stifle its growth, after all. I want to also say it should also be true that major players should at least reach breakeven but I imagine such a rule would be easy to game, especially now (also Amazon is a good example why that wouldn't work). With that said, my thinking lately increasingly fuses the government role in marketmaking that is central to innovation policy with antitrust enforcement (I imagine I'm not alone in this). At both ends, the role of state intervention is to create healthy markets, with a range of tools spanning from seeding and supporting upstart competitors all the way to blocking behaviours that hurt the competitive environment and pruning entities that are overgrown to the point of strangling the ecosystem. One place I think a traditional antitrust line has been crossed is probably around the degree of vertical integration that has started to take effect. It's one thing for eg OAI to sign a deal with Broadcom to coproduce chips, it's a whole other for OAI (or SpaceX!) to own a whole bunch of datacentre infrastructure. I think we're slowly hitting a point with supply and compute shortages where some real market inefficiencies are forming because of monopolized access to upstream resources like chips and compute. I'm not sure if it's at a point where intervention is needed, but it is concerning.
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All the arts work this way. I have friendships and working relationships with some of the best musicians in the world in Nashville, and I can hire them at their "friends" rate. This means they are working on "spec" as in speculation as in making a little bit of a gamble: they like you and your music so they want to be a part of it, but it's also understood/contracted that if you work levels up they'll be entitled to their full union scale session rate to be backfilled later. Nashville's whole alternative Music Row economy works like this. My engineer/mixer/bass player recorded, mixed, mastered my latest album for nearly nothing, and I agreed to help coproduce a half baked project he's trying to get across the finish line and out into the world. This is how art happens.
Profit sharing is already a thing in the entertainment industry. Some of my contracts have worked like that. But you get less money upfront, and she clearly didn't want to take the risk in case the movie flopped. Which is fine. But don't complain about it after the fact.
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S4C and ITV to coproduce drama series for the first time with Santa Maria dlvr.it/TSxtQH
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chlöe knew to coproduce cuz timbaland would’ve had her on them suno ai beats sounding like this
kit 🍋

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HE WHO LOVES BEAUTY 🎼 Música, amor y despedida se entrelazan en este concierto teatral inspirado en la relación entre Benjamin Britten y Peter Pears. Una evocación emocionante sobre la creación artística y la belleza, que coproduce @Teatro_Real y La Abadía esta #T2627LaAbadía.
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Replying to @64Mgg @noncristi
È un fumettista che non sa quanto guadagnano i fumettisti e chiama “due spicci” la serie di cui non fa i disegni, ma di cui scrive la trama. La terza con Netflix. Amerikana, che coproduce in Israele (a salari migliori dei nostri), ma lui boicotta la frutta secca e voi dietro.
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It was her only album where she didn’t coproduce and you really felt that
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#Systemicfailure is under the spot light in many inquiries but some of below formally indentified issues compiled by @Lucieer07 will be all to familiar to families navigating the #SEN & #EHCP system. 1, failures of coordination and fragmentation - the Children’s & families Act places a duty on the local authority and the integrated care board to coproduce an EHCP (education, health and care plan) Often there is no ehc health advice needs and provision specified and quantified, nor any social care provision families often desperately need, many have to go to tribunal just to get proper assessment of needs 2, inadequate engagement often families & children within the #sen process are not listened to and I would go further and state even when children like Katie spoke to ministers, and families were meant to be able to give feedback on the Sen paper some decisions by government appear to have been predetermined- 3, an over reliance on disengagement - this is often used by local authorities as an excuse to not provide specified provision within the ehcp when children are experiencing overwhelm or mental health difficulties and often a cost saving exercise by the local authority where support instead should be stepped up 4. Failure to properly hear and respond to carers - often carers are completely ignored and instead #parentblamed - cerebra.org.uk/latest-news/t… 5. Missed opportunities to intervene before deterioration escalates with deverstating consequences @_Chris_Coghlan has done many speeches to parliament regarding the tool on young people and families when families are not listened to and supported - x.com/_chris_coghlan/status/… @c22cuk @CerebraCharity @redpepper1011 @martinimarie @LubaMacpherson @sheilaoliver16
National inquiries and reviews into serious mental health incidents, including the #NottinghamInquiry ILT Review (2026) (link below) have formally identified recurring systemic themes including: 1/ failures of multi-agency coordination and fragmentation between services; 2/ inadequate proactive engagement with vulnerable individuals; 3/ an overreliance on “consent”, “choice” and disengagement frameworks when vulnerability is evident; 4/ failures to properly hear and respond to family/carer concerns; and 5/ missed opportunities to intervene before deterioration escalates, sometimes with devastating consequences for individuals, families and the wider public. Many of those themes resonate. Next month I’ll sit before a Stage 3 Review Panel in Cornwall, challenging what I say were serious failures in the care, safeguarding and support provided to my child, many of which reflect the themes listed above. Having already been batted away twice by the local authority over the last 16 months, I suspect a third refusal may well follow. But that, in itself, says something important about the system. It’s excruciatingly difficult for ordinary families, even those with knowledge of the law, to navigate processes that are complex, exhausting, drawn out and often deeply defensive. Too often, families are worn down, or broken beyond repair, long before accountability is reached, if it’s even reached at all. nottingham.independent-inqui…
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