Where gear, craft, and live music collide — THOR was there! ⚡ Proud to provide the LED wall for That Creamsource Thing 2026 in Burbank with @Creamsource. When top lighting minds unite, you bring your best display. 😏
#THORAV#CreamsourceThingEvent#LEDWalls#PerformanceOn
[🇧🇷] Quando você não tem um veículo de reboque nem um equipamento de iluminação sofisticado para fazer uma cena de direção de última hora acontecer, você tira da manga os confiáveis @/creamsource V8s... Aliás, eu me pergunto quem está naquela ambulância!?!? – Membro da equipe de #911onABC via Instagram.
🚒 9x18 behind the scenes video 😂 (7 May 2026)
•BTS OF A POORMANS PROCESS 911• When you don’t have a tow rig or a fancy lighting rig to make a last min driving shot happen you bust out the trusty @/creamsource V8s…. Btw I wonder who is in that Ambulance!?!? . ."
See RED at Stand 022 and across the BSC Expo show floor at partner booths, including:
Nikon (Stand 008)
CineAero (Stand 138)
cmotion (Stand 412)
Creamsource (Stand 133)
CVP (Stand M007)
Laowa (Stand M004)
Motion Impossible (Stand F2)
Sigma Cine Lens (Stand 408)
Tiffen (Stand 213)
Vocas (Stand 018)
Zeiss (Stand 319)
Precisamente por eso. Tienen vacíos de color (aunque los aparatos de Creamsource son increíbles en ciencia de color) y bueno, peores fuentes de luz depende de para qué. Pero está claro que priorizan rapidez y poca infrastructura de manga y generadores a estética.
Recently attended the Creamsource x Eastern Effects, Inc.’ “The IBL Sessions” at 10 Basin Studios, and wow, it delivered!
A huge thank you to Scott Levy, Chris Hayes and Sheryl Victor Levy from Eastern Effects for once again.
🚒 More behind the scenes of the spacecraft via a crew member on IG! (18 October 2025)
"911 Ep.902 space capsule spin was achieved using 32 @/creamsource V8s in Multi-zone mode and pixel mapped on @/electronictheatrecontrols Hog4 . . @/iatselocal728 . . "
Looks like they used at least 7 Creamsource Vortex 8s to trigger Timmy looking at an explosion. Curious why they mounted half of them upside-down (yoke is flipped).
Also must’ve been really windy because they have three grips holding the lights (blood bagging).
Go on set with Jon Joffin, ASC as he shares his process and approach to directing, shooting, and editing the 'Visiting Hours' music video.
Shot on V-RAPTOR [X] with Zeiss and Angénieux lenses and illuminated by Creamsource lighting, the film visually amplifies Jon Bryant’s (@jonrbryant) song with stunning detail and dynamic cinematography.
red.com/visiting-hours
Robotface joined forces with DP Matt Wood and Creamsource to bring to life their range of Vortex lights using their all-new #CinebotMini on track. Shooting at 1,000fps, it resulted in some stunning slow-mo shots!
Learn more about the Cinebot Mini ⬇️
mrmoco.com/motion-control/ci…