ALT T6 Ecosystems and the Chameleon Project: A New Era of Digital Art and Ethical Engagement
ALT A person stands in a corridor looking down at some artwork that they are curating. The walls of the corridor are white and the floor is grey. There is a blue door at the end of the corridor.
ALT A group of four people are in a room. The camera looks into the room through a blue door frame. The walls of the room are white and the floor is grey. On the floor are clouds made from cotton wool. It looks like the people are setting up an exhibition and the clouds are going to be part of that.
ALT The fact surrounding the nature of art investigated and illustrated by Joseph Kosuth in “One and Three Chairs” (object, code and verbal code) is once again shaken by the questioning of art through AI. In this way I return to the same themes explored in my previous sculptures, installations and paintings, developed for more than 30 years with physical materials and in “conventional” gallery exhibition spaces but now in an environment of virtuality without artisan intervention, craftsmanship and academic craft, far from the beauty and superficial artifice that new tools provide. I invite us to immerse ourselves in a universe of narratives, heritages and multicultural traditions, unity and harmony in diversity, paradoxes and visual metaphors both thematic and formal, absurd dialogues between contrasts of poor and elitist materials, new and recycled, chrome and rusty, patterns, languages and themes used throughout the History of Art, through a new mode of virtual representation.
ALT The fact surrounding the nature of art investigated and illustrated by Joseph Kosuth in “One and Three Chairs” (object, code and verbal code) is once again shaken by the questioning of art through AI. In this way I return to the same themes explored in my previous sculptures, installations and paintings, developed for more than 30 years with physical materials and in “conventional” gallery exhibition spaces but now in an environment of virtuality without artisan intervention, craftsmanship and academic craft, far from the beauty and superficial artifice that new tools provide. I invite us to immerse ourselves in a universe of narratives, heritages and multicultural traditions, unity and harmony in diversity, paradoxes and visual metaphors both thematic and formal, absurd dialogues between contrasts of poor and elitist materials, new and recycled, chrome and rusty, patterns, languages and themes used throughout the History of Art, through a new mode of virtual representation.
ALT The fact surrounding the nature of art investigated and illustrated by Joseph Kosuth in “One and Three Chairs” (object, code and verbal code) is once again shaken by the questioning of art through AI. In this way I return to the same themes explored in my previous sculptures, installations and paintings, developed for more than 30 years with physical materials and in “conventional” gallery exhibition spaces but now in an environment of virtuality without artisan intervention, craftsmanship and academic craft, far from the beauty and superficial artifice that new tools provide. I invite us to immerse ourselves in a universe of narratives, heritages and multicultural traditions, unity and harmony in diversity, paradoxes and visual metaphors both thematic and formal, absurd dialogues between contrasts of poor and elitist materials, new and recycled, chrome and rusty, patterns, languages and themes used throughout the History of Art, through a new mode of virtual representation.
ALT The fact surrounding the nature of art investigated and illustrated by Joseph Kosuth in “One and Three Chairs” (object, code and verbal code) is once again shaken by the questioning of art through AI. In this way I return to the same themes explored in my previous sculptures, installations and paintings, developed for more than 30 years with physical materials and in “conventional” gallery exhibition spaces but now in an environment of virtuality without artisan intervention, craftsmanship and academic craft, far from the beauty and superficial artifice that new tools provide. I invite us to immerse ourselves in a universe of narratives, heritages and multicultural traditions, unity and harmony in diversity, paradoxes and visual metaphors both thematic and formal, absurd dialogues between contrasts of poor and elitist materials, new and recycled, chrome and rusty, patterns, languages and themes used throughout the History of Art, through a new mode of virtual representation.
ALT The fact surrounding the nature of art investigated and illustrated by Joseph Kosuth in “One and Three Chairs” (object, code and verbal code) is once again shaken by the questioning of art through AI. In this way I return to the same themes explored in my previous sculptures, installations and paintings, developed for more than 30 years with physical materials and in “conventional” gallery exhibition spaces but now in an environment of virtuality without artisan intervention, craftsmanship and academic craft, far from the beauty and superficial artifice that new tools provide. I invite us to immerse ourselves in a universe of narratives, heritages and multicultural traditions, unity and harmony in diversity, paradoxes and visual metaphors both thematic and formal, absurd dialogues between contrasts of poor and elitist materials, new and recycled, chrome and rusty, patterns, languages and themes used throughout the History of Art, through a new mode of virtual representation
ALT YOel Almaguer @artetuyo “Openings", 2024 #AI Digital Sculpture .. Art generated with AI immerses us in an intriguing universe of appropriation and visual intertextuality. As artists, we delve into the search for hidden connections and meanings that allow us to weave a new narrative. Through the recontextualization of images, the traditional notions of originality and authorship in artistic creation are questioned. This practice invites us to reflect on the nature of the image in the digital era and how authorship is redefined in a process of appropriation and visual intertextuality. We explore the interconnections between different artistic expressions, challenging established boundaries and immersing ourselves in a rich and complex visual narrative.
ALT YOel Almaguer @artetuyo “Openings", 2024 #AI Digital Sculpture .. Art generated with AI immerses us in an intriguing universe of appropriation and visual intertextuality. As artists, we delve into the search for hidden connections and meanings that allow us to weave a new narrative. Through the recontextualization of images, the traditional notions of originality and authorship in artistic creation are questioned. This practice invites us to reflect on the nature of the image in the digital era and how authorship is redefined in a process of appropriation and visual intertextuality. We explore the interconnections between different artistic expressions, challenging established boundaries and immersing ourselves in a rich and complex visual narrative.
