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#NewonSpringback Ariadne Mikou reviews Christos Papadopoulos' Mellowing, a choreographic orchestration for mature dancers. @Romaeuropa springbackmagazine.com/read/…

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#newonspringback Elsa Vinet tells about this edition of Festival d'Automne à Paris, a Parisian melting pot ‘à consommer sans modération’. @FESTIVALAUTOMNE springbackmagazine.com/read/…

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#newonspringback Ariadne Mikou reviews Dimitris Mytilinaios' Repair. Repair was one of the pieces selected by GRAPE (Greek Agora of Performing Arts), a strand of the @aefestivalgr designed to promote Greek artists to the international scene. springbackmagazine.com/read/…
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#newonspringback @Howlett reviews Léa Tirabasso's Starving Dingoes The bottom line: A stubborn display of the need to survive: urgent, disturbing and laughably berserk @ThePlaceLondon springbackmagazine.com/read/…

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#NewonSpringback Kosta M. Karakashyan on the award-winning Netflix series 'Love, Death & Robots' " READ👇🏾springbackmagazine.com/.../d…
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#NewOnSpringback 'Slow motions through climates of change' by Karina Buckley: Laughing, learning, touring and moving (slowly!) in the face of climate degradation – with Rita Marcalo’s Instant Dissidence springbackmagazine.com/read/…
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#NewOnSpringback The special Springback supplement to this year's #SpringbackAssembly at Oktoberdans is here! Within the frame of #SlowingDown, the supplement contains a collection of reviews, presentations and diaries from many Springback writers. springbackmagazine.com/read/…
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#NewOnSpringback #Review In CoisCéim Dance Theatre's 'Go to Blazes', a mix of live and VR performance in response to Joyce’s classic novel becomes a heady, scented experience Review by Karina Buckley #dancewriting #dancecriticism #dancetheatre #VR bit.ly/3VC8kpM
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#NewOnSpringback Lydia Wharf talks to Ellie Harris of London’s @GDIFestival about the increasing challenges to international programming and co-operation. #dancewriting #dancecriticism #contemporarydance #outdoordance #international springbackmagazine.com/.../g…
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#NewOnSpringback In its (dis)association of word and action, Adrienn Hód's new work touches a primal fear – of the critic. Review by @lena_megyeri #dancewriting #dancecriticism #critic #contemporarydance #choreography springbackmagazine.com/read/…
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#newonspringback Number-crunching dance @ #EdinburghFestivals - figure it out with @roisintobrien! Ft Bill Coleman, Charlotte Mclean, 71BODIES, HungDance, Jamaal Burkmar, marikiscrycrycry, Jack Webb, United Fall/Emma Martin, Morag Deyes springbackmagazine.com/read/…
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#NewonSpringback Emily May reflects on her childhood home while reviewing 'La Danse des Éléments, a new dance work by Argentinian-born, Paris-based choreographer Cecilia Bengolea in the small, south western Luxembourgish city of Esch. springbackmagazine.com/read/…

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#NewonSpringback Jordi Ribot Thunnissen reviews Cherish Menzo's 'Darkmattter' The bottom line: A fragment of a sci-fi movie? Rather an Afrofuturist monument to a perspective that is all too real @FrascatiTheater springbackmagazine.com/read/…

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#NewonSpringback A variety of glimpses on to Brussels dance through a window in March 2022 In late March 2022, a group of 10 Springback dance writers gathered in Brussels to attend some performances from the In Movement season at @LesBrigittines springbackmagazine.com/read/…

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#NewonSpringback Dance : La Grande Bellezza Anastasio Koukoutas dives into the the bump of lust and the grind of vacuity form ‘the great beauty’ that prefigures our times Read here 👇 springbackmagazine.com/read/…

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