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Replying to @fortnitebussy1
it pisses me off how good this show could of been with more time and also Not as much of a focus on the scary Lore Parts. i hope gooseworx isnt turned away from showmaking because a whole show thats similar in tone to the middle part of the finale would be fucking awesome
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you will drive yourself crazy trying to figure out the intent behind every single decision made in showmaking but i find that to be part of the fun and just a general point of interest when queerbait is involved. and i Really like looking at scenes from a pov that isnt mine
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Replying to @synergy_caest
Girl dont say uu is my favorite show thats actually disrespectful LMFAOO i know the criticism is valid cus i never said i disagreed with it ? but when people are being straight disrespectful to the creators who’ve never had experience with showmaking before uu dont u agree
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Before any of y'all come up with ur "OH BUT CHLOE IS-" Thomas is a real-life adult man making shows that influence real-life children's morality and has real power in the showmaking business. Chloé is a non-existent character that doesn't affect real life. Yw💜
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Replying to @Noah_Not_Pig
I think KOG is going to be objectively their best written show when it comes out because of dana terrace's experience with (professional?) showmaking, where everyone else are indie creators (from what ive seen). Im glad glitch is giving indie creators the opportunity tho!
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Something that comes to mind is when ben Shapiro weaponized "music theory" to argue that rap wasnt actually music but idk if its completely in line here at least within film/showmaking, but formalism can be insidious and racialized
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Every 1 is thinking they ruined the track like hell,I agree but this isn't what they've been doing always. We started &got hooked to the show cuz' of their uniqueness.They have sense of showmaking & this track went beyond ruining so I feel there's something more to it🤞🏻 #rimjhim
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Replying to @FistedFoucault
4 corners of the House of America: - Tech - Faggotry/Feminism - Showmaking (propaganda) - Democrassy They use the first one to control you, the second to poison you, the third to make you think it's good for you, and the fourth to ban you from defending yourself.
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Hopfully this will be his last season in showmaking
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I had that on my mind as well. It's a bad aspect of modern showmaking where you have to have the characters match the people you cast, for representation or whatever Heaven forbid you get actors to act for characters that aren't literally just them
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Let's try this again since I answered for you. How much experience do you have in the industry of television showmaking and what credentials do you possess that makes you an expert on how much influence Tyra had on production of the show that lead to negative outcomes?
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Replying to @milkkarten
What I see, and the bets we’re placing at our studio, is on three ingredients that aren’t untouchable, but as a sum, are much harder to artificially produce: - Verifiable stakes (what’s at risk?) - Proof of effort (how was it made?) - Time under tension (how long has this person been at this effort, what is the lore, and what else can I learn from their body of work?) Media slop existed long before AI, and non-AI produced media slop will continue to exist, alongside AI-produced slop. What will matter more than “is any or all of this produced by AI?” will be those three ingredients. Put simply: even if AI completely reproduced my likeness, my opinions, and the short form of our stories, it can’t touch the shows we’re making. And showmaking is about to become more cost effective and accessible to small teams and individuals than it has ever been before. Middle class creators are going to shrink. I’m living that reality right now, and the response to what we’ve created in the last 4 months has been more well-received compared to any of the social media shorts and LinkedIn/ newsletter stuff we’ve created in the previous 4 years. Good topic, thanks for sharing
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17 Dec 2025
Replying to @DailyLoud
streaming ruined all showmaking tbh
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Replying to @impossiblebones
I didn't assume, the show makes it clear. Show, don't tell, its showmaking 101. Take what the program shows you as factual until proven otherwise.
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4 Oct 2025
Replying to @KungFuMan316
i hate ren and stimpy cause the animations was way too overstimulating and trying to be funny. expressions are forced like it's trying to be looney tunes. p.s. a diddy blud made the showmaking it problematic medias😧
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26 Sep 2025
Lowkey ik Idk much abt how showmaking works but I'm kind of concerned at how fast this is happening. Like that means the S4 script is done. Is that not gonna feel rushed?! Idk tho 😭
Shoba Narayan, the voice of Emily is currently recording for ‘HAZBIN HOTEL’ Season 4.
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newer anime, with newer tech that makes 'good' animation easier to accomplish, is pulling back the curtain on the guts of showmaking - because 'good' animation is now rightfully taken for granted.
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seeing people question why the 16 candles mv was vampire related... u do NOT want to open this box with me the specific vampire media it pulls upon to complement the themes of self sabotage and also the constant references to showmaking...
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Replying to @DweyBx
DK FOR FIRST STAND !!! SHOW ME SHOWMAKING PLAYMAKING MAKER
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7 Jan 2025
Honestly that one FB guy is a paradox I will admit man is knowledgable about showmaking, but at the same time he often makes "super sentai is ending" post He goes against piracy, copyright infrigement- yet he stole & resell from fansubbers Etc etc etc Like what????
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