Yesterday’s
@Broadcast_Tech Fest on Cloud Innovations was a real treat — a pleasure to join such a sharp crowd discussing the reality of cloud adoption in broadcast and post-production.
A few clear takeaways emerged:
1️⃣ Cloud isn’t too expensive — if managed by people who know what they’re doing. Cost overruns tend to come from poor architecture and lack of operational control, not from the technology itself.
2️⃣ Full-resolution storage in the public cloud remains prohibitive for high-end producers. As Chris Sarson (The Collectv) put it: “Proxy-based workflows are not optional — they’re the critical success factor.”
3️⃣ FinOps is now essential. Balancing technology and finance has never been more critical — echoed from
@jstinehour's earlier point at
@Devoncroft.
The discussion between “cloud-native” and “cloud-on-prem” was particularly insightful. While the BBC continues its steady move to the public cloud (AWS, Redshift and all), others — like Sky, The Collectv, and Clear Cut Pictures — have opted to install cloud technology on their own hardware.
Why? Because they’ve done the math. When you operate at steady, high volumes, you can create your own economy of scale — and owning the infrastructure simply makes financial sense. As Jess Nottage (Clear Cut Pictures) explained, their hybrid model combines flexibility with control. For long-term storage, they still favour LTO — cost-effective, reliable, and rock solid from a security standpoint.
If accessibility is the goal, deploying cloud tech on owned hardware aligns neatly with Motion Picture Laboratories' MovieLabs 2030 vision: bring the apps to the media, not the other way around.
A few highlights from the day:
🎙️ Jess Nottage (
@ClearCutPics) has done the calculation and it is still more cost effective to buy more computers.
🎙️ Sam Ross (
@BBCNews) on centralising search across decentralised storage — a smart approach to managing complexity.
🎙️ Adam Downey (
@SkyUK) on remote sports production and private cloud — ensuring collaboration remains human, not just technical.
🎙️ Chris Sarson (
@thecollectv_) reminding us that high-res storage in the cloud will bankrupt you if you’re not proxy-first.
🎙️ Cara Kotschy (Residence Pictures) showing that a full-cloud post house can work when agility and global reach are key.
Obviously GenAI made its way into the conversation as well — from automatic tagging to intelligent storage tiering and auto editing. Promising, but let’s just say... interesting, not there yet.
All in all, a great day of grounded insight — kudos to the organisers and all speakers for keeping the debate down to earth and relevant.
At
@Limecraft, we’ve long believed that hybrid, proxy-based workflows offer the sweet spot between efficiency, accessibility, and cost control. It’s encouraging to see the industry moving in that direction — not because it’s trendy, but because it’s the most sustainable and operationally sound path forward.