#newonspringback Elsa Vinet tells about this edition of Festival d'Automne à Paris, a Parisian melting pot ‘à consommer sans modération’.
@FESTIVALAUTOMNE
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#newonspringback Ariadne Mikou reviews Dimitris Mytilinaios' Repair.
Repair was one of the pieces selected by GRAPE (Greek Agora of Performing Arts), a strand of the @aefestivalgr designed to promote Greek artists to the international scene.
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#newonspringback@Howlett reviews Léa Tirabasso's Starving Dingoes
The bottom line: A stubborn display of the need to survive: urgent, disturbing and laughably berserk
@ThePlaceLondon
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#NewOnSpringback
'Slow motions through climates of change' by Karina Buckley: Laughing, learning, touring and moving (slowly!) in the face of climate degradation – with Rita Marcalo’s Instant Dissidence
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#NewonSpringback Emily May reflects on her childhood home while reviewing 'La Danse des Éléments, a new dance work by Argentinian-born, Paris-based choreographer Cecilia Bengolea in the small, south western Luxembourgish city of Esch.
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#NewonSpringback Jordi Ribot Thunnissen reviews Cherish Menzo's 'Darkmattter'
The bottom line: A fragment of a sci-fi movie? Rather an Afrofuturist monument to a perspective that is all too real
@FrascatiTheater
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#NewonSpringback A variety of glimpses on to Brussels dance through a window in March 2022
In late March 2022, a group of 10 Springback dance writers gathered in Brussels to attend some performances from the In Movement season at @LesBrigittinesspringbackmagazine.com/read/…
#NewonSpringback Dance : La Grande Bellezza
Anastasio Koukoutas dives into the the bump of lust and the grind of vacuity form ‘the great beauty’ that prefigures our times
Read here 👇
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