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No, most of us had an issue with the MASSIVE chunk of onion and SLAB of cheese on that roll, with nothing else.
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Coby retweeted
Slab shuttering
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Replying to @ArthurBoreman
There’s a pub not far from me that serves an excellent fish & chips. One big slab and a slightly smaller piece. I can never finish it.
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$GYM Vault Update: Due to an increase in players, slabs in the vault were being caught faster than we could manually restock them. To fix this we have coded a sniper bot which scans Collector Crypt for mispriced & coveted cards and auto refills the vault when slab count gets low. See you in the Gym!
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No wonder Tuchel left slab head out. Who the fuck does he think he is?
"We had a few words." Harry Maguire tells @RestIsFootball how Thomas Tuchel broke the news of him being left out of the England squad.
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Pat Travers Los Angeles, California: On March 20, 2004, early into a marathon outing that would keep them on the road across North America and Europe until July, the Pat Travers Band headed to Houston, Texas, to record what would become one of the most exhilarating live albums of his career. ​ Fronting a dynamite trio completed by southern rock maestro Greg T. Walker (Lynyrd Skynyrd/Blackfoot - bass) and Simon Wright (AC/DC - drums), Travers was delving deep into his musical roots on this tour, and nightly delivering a Texas-sized slab of electrified blues. ​ The set was flawless, ranging from epic versions of fan favorites "Boom Boom Out Go The Lights” and “Life in London”; some truly barnstorming work-outs… a colossal 13-minute version of Albert King’s 1967 stomper "Born Under A Bad Sign” among them… and some exquisitely well-chosen covers - the Allman Brothers’ “Statesboro Blues,” Jimi Hendrix’s “Voodoo Chile (Slight Return); and -Bob Dylan’s “Highway 61 Revisited,” ​ Today, however, sees one of Travers’ own compositions (co-written with then-bandmate Pat Thrall) hit the spotlight, as a short, but so sharp “Snorting’ Whiskey” peels out as his latest single. ​ A firm crowd-pleaser since it appeared on the classic Crash And Burn album in 1980, “Snortin’ Whiskey” is both the guitarist’s tour de force and the rhythm section at its tightest, both wildly flamboyant and thrillingly concise. Travers’s mid-song solo is scarcely ten seconds long, but it wipes the floor with many more extravagant showcases. Of course, there are longer (and equally thrilling) solos elsewhere across this breathtaking album, Travers and co playing like men possessed, determined that the energy should never flag. In fact, if anything, things grow even more intense as the show progresses, until that closing salvo of ”Born Under A Bad Sign” and “Statesboro Blues” hits such peak blues-blasting temperatures that the show literally had to end there. No band on earth could have followed that. Cleopatra Records and Pat Travers go back a long way, with close to two dozen releases highlighting both his most recent recordings and a string of historic live albums dating back to 1980. We’re not going to say that Bluesed Out in Houston is the best of them all, because that’s for the listeners to decide. But it’s certainly high up among them! Track listing 1. Highway 61 Revisited 2. Life In London 3. Just Enough Money 4. Voodoo Child (Slight Return) 5. Crash And Burn 6. Rock ‘N’ Roll Susie 7. The Pain 8. Inside Looking Out 9. Snortin’ Whiskey 10. Boom Boom Out Go The Lights 11. Born Under a Bad Sign 12. Statesboro Blues
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Replying to @KibzGrandius
yeah dozer is a good friend but we all know how horny darius is and he'll go after big slab of beef.
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Remember the elevated concrete slab that our amazing volunteers, staff, and crew members poured last month at the preschool we're building in Guatemala with La Puerta Abierta? Well, a few days ago, the concrete had finally gained enough strength for the formwork to come down!
ICYMI: Hear TodoMal's epic slab of atmospheric doom metal “Humanised Gods” at youtu.be/v3KnTgn_XJ8

TodoMal unveil another epic slab of atmospheric doom metal with their new track “Humanised Gods” from their forthcoming album Graveyards of Joy. Watch the video for “Humanised Gods” at youtu.be/v3KnTgn_XJ8
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So, this afternoon I did my favourite “de-stress” thing - I made bread 🍞 GARLIC & PARMESAN SOURDOUGH 🫶 Ingredients: Carr’s Premium Sourdough Bread Mix, 300ml WARM water, 2 tbsp Natural Yoghurt, 3 cloves finely grated fresh garlic, grated fresh Parmesan, 1/2 tsp white vinegar (adds more sour & brings out the Parmesan), a sprinkle of black pepper! Then just add an upper arm workout, patience, love, and, when done….a slab of good butter 🧈 HEAVEN #sourdough #homebaker #bread #yorkshirelife #comfortfoods
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imagine a comebacker just exploding that slab
Jacob Misiorowski just revealed this glove with his rookie card inside 👀🔥
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Replying to @lynssss3125
Foundations are expensive but so are roofs. I think it's cheaper for new construction to go up, since a roof will be needed despite. For renovation it will depend on the area of the country and whether it's a full basement, crawl space, or slab, and also the prevailing current costs for the roof and its material choices.
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RT @PokeSixxx: 🧇Consignment #9 Surging Sparks🧇 $5 A SPOT/ 105 SPOTS (15 SPOT MAX) 🥇surging sparks ETB & BB, Milotic Slab 🎡 of ☠️ LIVE o…
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Before. There was no reason to cut the slab once it was cracked. The issue here is that you do not know what you are looking at. You don't know what this artifact was, how it was made, or why it was abandoned. They were cutting it with copper saws & abrasive slurry.
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The image might be AI, but the history behind it is real. The actual "Proto-Shiva" Pashupati seal from Mohenjo-daro really does date back to c. 2500 BCE. It’s just a tiny 3.4 cm soapstone seal rather than a massive stone slab.
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And you should change your name from slab knows, because you clearly know nothing. If you think people didn't know those things, and ignore it... you don't know what you're talking about, because it's well documented. Who's being naive here?
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Replying to @JernejVrtovec
In prav to je zelo narobe. Avtomatska imuniteta, ki jo slabi ljudje z veseljem izkoriščajo. BTW, tudi ti, Jernej, si zelo slab človek. Janša #2.
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