Check out Pardes, a film by artist Jyll Bradley in collaboration with composer Anna Clyne and violist Jane Atkins, commissioned by Scottish Ensemble. A view of Pardes in miniature - the installation will be realised as a major installation in our new warehouse space Nov 2021.
these bones
'extraneous' violin noises, slowed x4, x8, x16. Sharp attacks become growls, roars; breathy/toneless strokes gain harmonics halos; bow clicks become deep drums.
(oh and some bass notes)
Listen/watch/remake at thesebonesthisfleshthisskin.…
Am so happy to share this new collaboration, released today.
It was a joy to play my part within this amazing team. We bonded over a desire to create something from a shared artistic impulse, which took shape during some memorable & open-hearted conversations during lockdown.
Over the last few months, we’ve been collaborating with @ScotEnsemble to bring you a new creation: these bones, this flesh, this skin.
We’re excited to announce that this new digital platform is now LIVE!
Dive into the full work at thesebonesthisfleshthisskin.…#LoveDanceScotland
There are many combinations of music and film to layer up & explore, thanks to Ronan McMacken's digital design (boundary.io) and Ian Beveridge's software development (kupio.com).
A lot of avenues were explored in the making of this project, and I hope the intense curiosity that fuelled us shines through.
thesebonesthisfleshthisskin.…
I have approximate answers and possible beliefs and different degrees of certainty about different things, but I'm not absolutely sure about anything. And there are many things I don't know anything about. It doesn't frighten me!
Beautiful Ligeti / Abrahamsen / Benjamin nexus. A privilege to take part in the celebrations. I loved Harrison Birtwistle’s invocation to the musicians - “Keep practising !” x.com/ldn_sinfonietta/status…