Joined August 2009
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Pinned Tweet
It's an odd time to have new music to release, but @eyepitydafu recorded this little piece of mine somewhat about Emily Dickinson but mostly about plinky piano noises. Grateful for George, @pcashian, @RoyalAcadMusic their recording department. #200Pieces soundcloud.com/jonpmayse/so-…
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Jon Paul Mayse retweeted
Replying to @homeoffice_ukvi
@homeoffice_ukvi @DanielZeichner @JesusCollegeCam I am devastated by the news that my tourist visa to attend my PhD graduation @Cambridge_Uni has been rejected. I am the first in my family to achieve this milestone, and being denied after 5 years of study feels incredibly unjust.
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Dumb, grifting bullshit. These conversations don't happen and only weird, right-wing influencers say "DEI" like this. No one should take Samuel Andreyev seriously, he's riding a right-wing grift cash cow.
In case you’re wondering how the arts are faring in Trudeau’s glorious Canada, here is some of what I’ve heard from colleagues. A composer friend attended a programming meeting in Vancouver during which the possibility of one of his works being played was raised. ‘Sorry,’ they said, ‘we’re only doing DEI pieces’. ‘OK, but you do realise I’m gay, right’? Said my friend. ‘That doesn’t count,’ came the reply. Another friend, a distinguished conductor living in Toronto, attended a similar meeting. He noticed a huge pile of scores going straight into the bin. ‘Why aren’t we looking at those?’ Asked my friend. ‘Those are the non-DEI submissions’ I’m hearing a lot of people saying ‘yeah it sucks but if you don’t go along with it you won’t get your funding renewed’, and ‘we don’t really think this piece is so good but we’re doing it because DEI’. What I’m not hearing much of is ‘we’re doing this piece because it’s one of the strongest new works we’ve seen’, or, ‘here’s an important talent that we want to showcase’. It would perhaps be one thing if people were doing this because they genuinely thought it was the right thing to do. But they don’t. They are bullied into it and resent having to participate. Everyone privately acknowledges that this is happening. Who is it helping?
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We also believe that the arts should reflect society, in some capacity, and that means intentionally making sure we platform different voices. That isn't a chore, it's a joy. The limiting factor to this joy is funding. I want to commission loads of people, including modernists!
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However, we only have so much money and we can only apply to so many grants per cycle. If we had more funding opportunities, we could find more work. Simple as. Those funding bodies have never rejected an application because it wasn't "DEI" enough. That's some grifty bullshit.
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Jon Paul Mayse retweeted
Brexit is the new austerity for creative industries. “The creative industries were worth more than aerospace, car manufacturing, life sciences, and oil and gas together. Brexterity cripples them.” bylines.cymru/arts-and-cultu…
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The lack of pepper jack cheese is why Britain is an inferior country.
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You can be glorious again. The way is clear.
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There really needs to be a similar push in concert music as well. The pay is equivalent to what you'd pay a friend to petsit while on holiday It's hard to raise money, I know that very well. However, what is the point of working for 3 months for 400£. At that rate, it's a hobby.
So following the tweet on director's pay, I've had hundreds and hundreds of messages from people reaching out and wanting to do something. It's been too much for me to keep on top of, but I do have a few thoughts, for now, to share having had some time to think...
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Austerity has left its mark as well. How many professional composers do you know in their 30s? Or even out of education?
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Jon Paul Mayse retweeted
It feels very obvious that @EquityDandD and @StageDirectors need to organise a, urgent, clear and vocal campaign on this subject, demanding that pay falls in line with the kind of figures I have outlined in my tweet and increases with the rise of cost-of-living year on year.
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Jon Paul Mayse retweeted
Someone just said to me, "this is about respect". And that really floored me. They're right. This is what all industrial disputes about pay have been about throughout time. About respect.
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Jon Paul Mayse retweeted
Jason I love you but mounting a 4038 ribbon mic sideways like that means the ribbon is under lateral stress, likely to distend in the magnetic gap, potentially rubbing against the armature but certainly not operating in its linear range. Please keep ribbons in the vertical plane.
Tonight is a rare night we can’t complain that there’s nothing great to watch on TV Our @JasonIsbell (and @amandashires) documentary premieres tonight on @HBO “RUNNING WITH OUR EYES CLOSED” @SamJones @HBODocs #MusicBoxHBO
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Jon Paul Mayse retweeted
Thanks for clearing that up. 🙄
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🧵
Rebecca Frecknall's interview in @TheStage has prompted me to break out a thread I have sat on for a while. It breaks down what I think is the biggest obstacle in theatre but the least openly discussed... Pay So here is the THEATRE PAY MATHS THREAD 🧵👇 thestage.co.uk/news/rebecca-…
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Jon Paul Mayse retweeted
ITS FLAT FUCK FRIDAY ROLL THE CLIP
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Jon Paul Mayse retweeted
5 Apr 2023
“Palestinians who had barricaded themselves inside” Knowledge of Islam would reveal the practice of ‘itikaf’ - where Muslims spend nights in a mosque in secluded worship. Publishing what the Israeli state says to justify its violence, w/o questioning it, is propaganda.
The Israeli police raided the Aqsa Mosque compound, known to Jews as the Temple Mount, to detain scores of Palestinians who had barricaded themselves inside. This prompted rocket fire from Gaza, to which Israel responded with strikes on Gaza military sites.nyti.ms/3ZQpH8k
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