Bittersweet news: After nearly four years, @NABAmplify is shutting down. I'm proud of what we’ve built with an incredible team of dedicated pros. My love for technology storytelling remains strong, and I'm open to new opportunities. #DigitalPublishing #OpenToWork #NABAmplify

Can confirm. Currently wearing THREE layers

My latest piece for @postPerspective dives into how @WetaFXofficial scaled its pipeline for AVATAR: FIRE AND ASH — 3,132 VFX shots, 140 PB of data, and some of the most intricate animation work in the franchise. postperspective.com/inside-w…

Nicolas Keppens’ stop-motion short BEAUTIFUL MEN (nominated for an Oscar in 2025) arrives on @MiyuDistrib’s Bang Bang YouTube channel Feb. 2!

New for @postPerspective: A deep dive into the color grading workflow behind 'Zootopia 2,' featuring Disney Animation’s Eliot Milbourn and Berenice Robinson on finishing animation at scale — from parallel workflows to multi-format delivery. Read here: bit.ly/3Yx9bLV

Live production pushes storage harder than almost anything else. My latest feature for @postPerspective looks at the @LAKings’ real-time highlight workflow and creative studio BLINK’s large-scale data pipelines for concert visuals: bit.ly/4j2zumP

My first piece for @postPerspective: a look at how @ILMVFX and @WetaFXofficial build the storage systems behind today’s most demanding #VFX pipelines. Two studios, two very different approaches — both at massive scale. Read here: postperspective.com/how-ilm-…

Few animated documentaries dig into family history with the mix of candor and surrealism driving Endless Cookie. animationmagazine.net/2025/1…

This Sunday at Laemmle Theaters (@laemmle): I’ll be moderating a Q&A with Seth & Pete Scriver after the 7pm screening of their animated documentary "Endless Cookie." It’s one of the most unusual, handmade films of the year. Come join us! Tickets: tinyurl.com/47zzpzax

Loved talking with Maïlys Vallade and Liane-Cho Han about how their longtime creative circle shaped 'Little Amélie.' A fascinating look at what happens when a seasoned 2D team carries years of shared vocabulary into a debut feature. Thank you @animag for the opportunity!

Chris Lavis and Maciek Szczerbowski’s THE GIRL WHO CRIED PEARLS will have its North American premiere at #TIFF50! 🦪 This new #stopmotion marvel by the duo behind MADAME TUTLI-PUTLI is a timeless parable of desire, deception, and the price of innocence → bit.ly/4laDOQd

Yes, 'Fixed' is filthy. But it’s also Genndy Tartakovsky in peak form — bold, inventive, and fiercely loyal to the craft of animation. Always an honor to interview this legend. Thank you, @AnimationMag!

Find out who was nominated for an Emmy from the @TelevisionAcad in the VFX categories --> See the list right here at @beforesmag for both VFX categories. beforesandafters.com/2025/07…

🚨 BREAKING: Saturday Night Live VFX Workers have just unanimously ratified their first union contract! The first-ever agreement brings significant improvements, including: - Established minimum wage scales - Secured ongoing healthcare benefits - Annuity contributions - “Kill fees” for artists hired for projects canceled before completion - A robust grievance process - Critical AI and outsourcing protections VFX workers have made significant strides towards unionization with IATSE in recent months, including successfully winning first contracts at Marvel, Disney and Avatar. As the campaign to ensure VFX workers have access to the same rights and protections as other workers in the film and television industry, those interested in joining the movement should visit vfxunion.org for more information and to get in touch with IATSE organizers. Full story: iatse.net/saturday-night-liv…

Variety’s 10 Animators to Watch Class of 2025 variety.com/lists/animators-…