I have two new poems in Cornell University’s literary magazine, EPOCH. A dream. Thank you to the editors for selecting these poems that are very close to my heart. So honored to be in here among many writers I admire. 🏜️✨🚦
Purchase the issue here!
epochliterary.com/
From "Creation's Myth" by Lisa Compo, @lisa_compo, CQR #39:
"An angel dipped close to our heads
some nights. The small cat,
the pet rabbit, lost
to its grace."
#poetry
ALT RECURRING DREAM
Cranbrook is entirely different but it is still Cranbrook.
The walk to the boathouse has been fenced off for a while, just like in life.
Mad geese root in the muck: you used to make people laugh!
Some art just doesn’t age well, and then there is entropy
itself. Then a tiny door in the sure world
makes you a hermit, and everyone hates a hermit.
At the end of the war it became another glacier scrape,
full of serviceberry and mallow and cold ivies who blister
the skin; and under this a thousand mammoths
and their ordinary stories, and the pull of one moon, still.
The dream begins a scene in a distant movie
of how I meet myself, hello, hello. The camera
is shaking because someone behind it is laughing.
“I begin to believe the only sin is distance, refusal./ All others stemming from this. Then, come./ Rivers, come. Irrevocable futures, come. Come even joy./ Even now, even here, and though it vanish like him.” —Jane Hirshfield
ALT PETITION
Let our hurt offer compassion for the hurt
we find in the world. The world is torn and the tears
are wider and deeper than any of ours. The world
is the whole world — nowhere to go for help.
And we are, too. I pray to the world for the world.
Elated to share I have three new poems in @Colorado_Review ! Huge thank you to Poetry Editor, Camille Dungy, for selecting my work for publication. Insanely honored, and so so grateful. These issues are only $12 which is crazy to me, get you one.! ❤️🌟✨
coloradoreview.colostate.edu…
ALT THERE WERE SOME SUMMERS
There were some summers
like this: The blue barn steaming,
some cowbirds dozing with their heads
on each other’s shoulders, the electric fences
humming low in the mid-August heat . . .
So calm the slow sweat existing
in half-fictive memory: a boy
wandering from house, to hayloft, to coop,
past a dump where a saddle rots
on a sawhorse, through the still forest
of a cornfield, to a pasture talking to himself
or the bored, baleful Holsteins nodding
beneath the round shade of catalpa, the boy
walking his trail toward the brook
in a deep but mediocre gully,
through skunk cabbage and popweed,
down sandbanks (a descending
quarter-acre Sahara), the boy wandering,
thinking nothing, thinking: Sweatbox,
sweatbox, the boy on his way
toward a minnow whose slight beard
tells the subtleties of the current, holding there,
in water cold enough to break your ankles.
I was in the desert for a few weeks, the Catalina mountains and then Sonoran Desert. I’ve always known that where I grew up was magic. But going back it’s always reaffirmed. An endless feeling of possibility, the determination of life, the bright tremendous heat—relentless sky.