Update: I put out a sound publication ‘Arrays’ that is an extension of my installation, performance and iterative art practice. This month it’s been reviewed in @thewiremagazine by Raymond Cummings and I performed an amazing show hosted by @creativecodeart 🤘🏽👾

an excerpt from my dec 2nd performance; thx @erin_wajufos for capturing & @creativecodeart for hosting! 🤘✨👾

Let's get real here. Can someone make an argument for the artistic value proposition of doing art on-chain compared to off-chain? You need to answer with how the art differs in its final result, as an image, from, say, me creating the algorithm in the case of gen-art and just outputting the 1000 pieces then minting them compared to outputting them via, say, the @artblocks_io engine? No arguments of provenance. No arguments for randomness. No arguments for community. No arguments for the hash. The technical parameters can be replicated off-chain, and the goals can be achieved by outputting the work off-chain and then minting it. Tell me how the art becomes different in how it looks if done one way or another. Because if we as an NFT community can´t argue this, the whole world will look at us like we don´t understand how art works. The rest of the art world considers art because of what you can see as a final result; no matter how conceptual the art is, it is the result that counts. So, please. Someone enlighten us on what and why, in artistic terms, why choose on-chain art. I really want to know.

a few pics from my installation last month as part of @publicworks_nyc homecoming… what an amazing event! here’s to more like this in 2024! ✨🥊

some pics from Saturday’s performance, including a group shot of the amazing participants & organizers… such a vibe ⚡️👾 thx @benjybradshaw_ for capturing me :) && @creativecodeart for the amazing night 🙏🚀

performing an a/v set Dec 2nd, come hang & hear/see all these amaze frens 👾🎩🚀 cc: @creativecodeart

NYC! Tomorrow HUGE group show / fundraiser for our project space. 53 tech artists, 4 story school that’s been empty for 20 years, crazy music lineup! Buy tix here: eventbrite.com/e/pwa-present…

super excited for this show!!! cc: @PublicWorks_NYC

Have you seen our performance from @thetranspecos? LIVE with founders @mfcgrp @benjybradshaw_ . youtu.be/WCOBEOIG2VE via @YouTube

some texturing images for an audio/visual ‘album’ I’ve got in the works. clearly getting feels from the season 🌸🐒🫧

tonight!!! 🐈🫧

Early Bird and Advanced Ticket tiers for our @slickcontrol Presents party have sold out 🤯. Don't worry -- we still have tixx left -- but y'all better hurry up!! 🐣❤️‍🔥🎶🎤 Get 'em: bit.ly/slickcontrolpresents #nycevents cc: @mfcgrp @Jirajones @reverendmoney @hooch_boi_steez

a lil excerpt of the softer side of what I’ll be performing this Friday as part of @slickcontrol presents. An amazing line up for this! deets pinned📌 on my feed ☁️🫧💦 cc: @benjybradshaw_ @Jirajones @hooch_boi_steez

Scrollbars, 2023 (floor sculpture, 240 parts, archival print on Forex) A washed ashore skeleton of decades of Internet culture. No Content - Contemplations on Software - solo show @GalleryUpstream

obsessed with this show we are about to bring into the world! @slickcontrol presents is going to be interactive sound, visuals, performances & totally controlled chaos, haha 🍩⚔️😸 cc: @benjybradshaw_ brining the spring cleaning 🧼💦

so excited for this show May 19th 😸

Love to see hito cite a New Yorker article as if she didn’t coin the term lol

I am soooooo excited to be performing as part of @slickcontrol presents on May 19! Like it's going to be epic af -- art/music/party. Get your Early Bird Tickets here: bit.ly/slickcontrolpresents 💜💯 #NewMusic #MusicMonday #nycevents

im giving this talk at scms tomorrow:

really excited for this performance May 19th! early 🦜🎟️ are up: bit.ly/slickcontrolpresents