‘Homecoming’ at Nieuwe Instituut for @IFFR 2026 iffr.com/en/iffr/2026/films/…

Late Patoral, 2024 mdorf.com/late-pastoral

Introducing Late Pastoral 24 by @mrkdrf Late Pastoral 24 merges Western bucolic landscapes with the precision of digital tools. Processed through custom algorithms, it reflects on ecology, art history, and the rhythms of automated labor in our hyper-connected age. This artwork is currently presented by @blueshift_now at the 'REIMAGINE TOMORROW, 1954-2024' exhibition by @ExpandedArt and curated by @postanika in Heilig Geist in Essen (Germany) at the occasion of the AI Biennial (from 17 to 24 November). Read more about Mark Dorf here: expanded.art/artists/mark-do… And about the exhibition here: expanded.art/exhibitions/rei…

Grateful to had the chance to present this new artwork by @mrkdrf at REIMAGINE TOMORROW, 1954–2024 presented in Essen by @ExpandedArt Exhibition from 17 to 24 November 2024 11 AM - 8 PM CET (Monday – Sunday) Read more: expanded.art/exhibitions/rei…

Welcome @blueshift_now to REIMAGINE TOMORROW, 1954-2024! Presenting @mrkdrf. Learn more about blueshift 👇 x.com/ExpandedArt/status/185…

Honored and grateful to be part of this upcoming historical show with a very unique piece by @mrkdrf 💙

JOIN THE OPENING (Essen, Germany) Tomorrow is the opening reception of REIMAGINE TOMORROW, 1954–2024: AI IN CONTEXT #2, presented by @ExpandedArt and curated by @postanika 17 November from 11 AM – 6 PM CET Heilig Geist | Meybuschhof 9, Essen The exhibition brings over 50 international artists, along with platforms and galleries from around the world, to Heilig Geist, a former church, on the occasion of the AI Biennale in Essen. Read more: expanded.art/exhibitions/rei… Below (bottom left): LATE PASTORAL 24 by @mrkdrf, 2024, presented by @blueshift_now

November 17th - 24th in Essen w/ @ExpandedArt Big thanks to @DianeDrubay and @postanika 🌱 🟦

i take this break in twitter hiatus to say that one of my favorite things is when the subway performers music pairs perfectly with what is in your headphones. thank you.

It's clear minded to understand successful participants in the new culture industry by their entanglements with growth industries of our time (i.e recorded music hasn't been the main product of value for a while) LVMH and the luxury industry has its artists, Apple has its artists, Big Tech has its artists, Crypto has its artists, Social Media has its artists, Gaming has its artists, Festival tourism has its artists etc. These industries often reinforce each other, with the luxury industry funding festivals for example. Not a judgment, just how it is. Interesting art still happens in these conditions and many artists participate non cynically with a genuine interest in other fields, but the critical infrastructure would benefit by digesting this industrial reality. You can't read the growth of an artist in the way one once did when the music industry, for example, was the big dog. It's easy to confuse as when the industries of selling music were thriving in the before times, successful participants were desirable for endorsement in other areas. That has been inverted over the past decade or so, where you could argue that desirability in those other growth industries has become just as, if not more, important to the ability of an artist to grow something sustainable. Everything becomes clearer when you accept this, for better and worse.

Ok who out there has a few RTX 4090s running. In need of power!

new website new me mdorf.com

knock knock who's there smash that like and subscribe

thank god the future is here.

seize the memes of production

new app live: NOT TO DO app 🚫 Receive daily reminders of things you should not do, such as downloading this app. 🚫 Swipe them off your list and concentrate on life's important matters. 🚫 Link below

The greatest evil of the contemporary age is homogeneity.