👩💻 e-Journal #3 Entangled Practices: Embodying Cross-Border Live Art ✨OUT NOW ✨
ejournal.performingborders.l…
Rooted in connection, resistance and shared struggles, the ejournal re-imagines collaboration and solidarity across time & space 🤝
Editorial support by our @DianaADamian
ALT a graphic of the cover of the e-journal in tones of terracotta, pink dark forest green and yellow. In a bully font it reads #3 entangled practices, embodying cross border live art, and lists contributions from: Diana Damian Martin | setareh fatehi | Tanja Ostojć | Moviendo Territorios | Rodolfo Suárez & Giulia Palladini | Fehras Publishing Practices in yellow. At the top in black its reads, e-journal issue #3 OUT NOW performingborders.
TurnerPrize 2024 winner Jasleen Kaur used her acceptance speech to stand in solidarity with the Palestinian people, demand an end to institutional complicity in Israels genocide & call for an arms embargo
A special mention to the pathetic statement from the presenter at the end
We are relaunching our Desk Scheme!
Are you an artist, producer, curator, researcher or writer? Apply by 12noon, Friday 15 November for a subsidised desk space in Bethnal Green.
tinyurl.com/m3yerubj
ALT Photo of LADA's Desk Scheme space. Two light grey desks in front of a window. On the desk on the left there is a grey laptop, a pile of books, an open notebook, a French press and a pink mug. There are two plants, one next to it and one behind it.
"To our comrades, whose love and labor carry the weight of our stories across borders and time. Your resilience and care bloom in every page turned, every song sung, and every step taken towards liberation.”
💌Fehras Publishing Practices for e-Journal #3
tr.ee/QvCNOLA6Hx
Fehras Publishing Practices reflect on labour and intergenerational revolutionary cultural work, from books to exhibitions, exploring relationships across time and the way internationalist practices are found in the archive.
Love Letters to our Comrades
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📝parallaxing (i): a story of a practice
setareh fatehi’s contribution to our e-Journal explores parallaxing, a method of cross-border collaboration, and reflections on the demands on physical presence and what it means to exist in many places at once tr.ee/QvCNOLA6Hx
Check out the full 📝e-Journal #3 Entangled Practices: Embodying Cross-Border Live Art ✨
Inc contributions by @DianaADamian, Fehras Publishing Practices, Moviendo Territorios and more: linktr.ee/performingborders
Supported by Necessity Fund, @ace_national & @CSSDLondon
👀Coming this Friday 27th September 2024
performingborders e-Journal #3 Entangled Practices: Embodying Cross-Border Live Art 🗞️✨
An e-Journal exploring how our live art practices are interconnected—geographically, politically, energetically 🌿
Sign up tr.ee/6Yxp6Un4Pl
Exciting News ✨@performborders is back at BAC with trans[*] glocal!
Don’t miss this chance to be part of a groundbreaking exploration in performance art, which sees 3 bodies from 3 time zones (México- India- UK) crossing trans-local & global borders
Tix buff.ly/4dx4RlS
📣✨We're thrilled to introduce the Live Art Writers Network (LAWN) 📝 a network aimed at cultivating experimental writing practices in dialogue with performance and live art
@fiercefestival x @MetalCultureUK x @Citemor x Take Me Somewhere
All Info: tr.ee/PxsNB5JEUP
Later this year, we will share commissioned writings and reflections from this pilot.
Subscribe to our newsletter to get all the information and know how to be involved: performingborders.live/perfo…
Live Art Writers Network - LAWN is commissioned by performingborders, FIERCE Festival (@fiercefestival ), Take Me Somewhere, Citemor (@FestivalCitemor), and METAL Culture (@metalcultureuk), and it is supported with funds by Arts Council England and Necessity Fund.
Join @performborders for a BSL interpreted conversation in response to La Pocha Nostra’s commitment to use performativity as a methodology of resistance and to erase the borders between art & politics, art practice & theory, and artist & spectator.
tinyurl.com/y9m3ycuv
ALT photo from an outdoors durational performance. People are wearing hiking gear and walking on a hill and in the fields
ALT photo from an outdoors durational performance. People are wearing hiking gear and walking on a hill and in the fields
Theatre news: Lee curates first Fierce Festival
Artists from eight countries will present nine UK premières and one world première across Birmingham at the first @fiercefestival under new artistic director Clayton Lee. britishtheatreguide.info/new…
‘The Making of Pinocchio’ is one of the best performances around atm—technically, aesthetically, politically brilliant. They pulled it from Venice in solidarity w/ Palestine. It’s now available to watch online as a fundraiser for Gaza. Watch here: outsavvy.com/event/20849/not…
Join @performborders on Friday 2 August at LADA for ‘Dangerous Border Crossers: performingborders x La Pocha Nostra’ – a participatory conversation in response to La Pocha Nostra’s commitment to use performativity as a methodology of resistance.
🎫tinyurl.com/y9m3ycuv
ALT Photo of two people in the sea, which occupies the whole frame. We see only their heads, both of them with long brown hair. They are holding above the water a placard with the phrase ‘This Sea is Mine’ written in Arabic.