Bridging academic worlds, Bern-fan and mother. Co-founder&co-editor of 21-inquiries (OA)
Joined September 2018
- Tweets 2,379
- Following 1,396
- Followers 860
- Likes 6,604
100 Photos and videos
Pinned Tweet
14 Jun 2020
I got sick of hunting around journal websites trying to figure out where they are Open Acces and if I can submit a particular article, and put together a spreadsheet with the info you might want for that purpose.
docs.google.com/spreadsheets…
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Beate Fricke retweeted
9 Sep 2024
We are preparing @21inquiries's autumn issue #3-24! 🍂 Check out our website for a sneak preview: 21-inquiries.eu/en/preview
#ArtHistory #OpenAccess
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Beate Fricke retweeted
9 Sep 2024
The "Placing the first pillar" of the "new Crystal Palace, Sydenham", London (1852). Find more on this special building - a legacy of the Great Exhibition of 1851 - in Andreas Fahrmeir's contribution in @21inquiries 's special issue on world exhibitions: doi.org/10.11588/xxi.2024.2.…
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Beate Fricke retweeted
21 Jun 2024
Zu einem der «Schönsten Deutschen Bücher» 2024 gekürt: «Holy Smoke», in Kohlepapier eingeschlagen und mit orangener Banderole versehen. Wir gratulieren der Herausgeberin Beate Fricke, Professorin für Ältere #Kunstgeschichte #unibern, herzlich! sohub.io/mdcl @perillus1
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31 May 2024
@hyperallergic just has published a wonderful review of our book on censers! hyperallergic.com/917371/hol…
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Beate Fricke retweeted
26 Feb 2024
Have you already read the five reviews in @21inquiries's last issue? You can read them online or download them free of charge here: doi.org/10.11588/xxi.2023.4
#openaccess #arthistory #arthistoryreviews #globalarthistory
ALT @PSUPress @Brepols @routledgebooks
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Beate Fricke retweeted
8 Feb 2024
In his article "Memetic Superposition. Evaluating the Parallels between Memes and Renaissance Emblems" @ardes_ray argues that our understanding of memes can be enhanced by a comparison with Renaissance emblems as their historical precursor: doi.org/10.11588/xxi.2023.4.… #arthistory
ALT Author unknown, Object-label Internet meme (“Distracted boyfriend”; 27 November 2023).
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Beate Fricke retweeted
6 Feb 2024
Jules Pelta Feldman's article on "Reperformance, Reenactment, Simulation. Notes on the Conservation of Performance Art" (doi.org/10.11588/xxi.2023.4.…) focuses on works by Marina Abramović, their representations in popular media and their conservation through simulation. #OpenAccess
ALT Documentation of Marina Abramović, The Artist Is Present, 2010–2011, Wikimedia (November 16, 2023), photo by Andrew Russeth.
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7 Feb 2024
I have never met a Rosie, but share many experiences described by Sarah and Rosie… theguardian.com/lifeandstyle…
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Beate Fricke retweeted
23 Jan 2024
In her article for @21inquiries's latest issue - "Ecologies of Blue Paper. Dürer and Beyond" - Iris Brahms examines blue paper as an "ecological solution" in the drawing practice of German artists in the early sixteenth century: doi.org/10.11588/xxi.2023.4.…
#arthistory #openaccess
ALT Albrecht Dürer, Angel from Feast of the Rose Garlands, 1506, Brush on blue paper, 270 × 208 mm. Vienna, Albertina, inv. no. 3099 © Albertina, Vienna
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Beate Fricke retweeted
21 Dec 2023
Out today: @21inquiries's new issue #4–2023! With articles by Iris Brahms, Kristin Plys, Jules Pelta Feldman, @ardes_ray & Paul Werling and five book reviews: doi.org/10.11588/xxi.2023.4
#openaccess #arthistory #globalarthistory
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10 Dec 2023
Wonderful idea by Kaj Lehmann to turn a book about censers into an object that resembles its content- the book is wrapped in charcoal paper leaving traces once you open it … thx for hirmerverlag to embrace the idea & the brilliant contributors to write! instagram.com/p/C0BaeLfoIRA/
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Beate Fricke retweeted
8 Dec 2023
Tales Things Tell by Finbarr Barry Flood & @perillus1 offers new perspectives on early globalisms from objects and images.
Read the introduction to this marvelous book today:
hubs.ly/Q02bhbtK0 #ArtHistory
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Beate Fricke retweeted
4 Dec 2023
Coming soon - this year's last issue of @21inquiries, with articles by Iris Brahms, Kristin Plys, Jules Pelta Feldman, @ardes_ray & Paul Werling and five book reviews! For a sneak preview have a look here:
21-inquiries.eu/en/preview
#arthistory #OpenAccess
ALT https://21-inquiries.eu/en/preview
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30 Nov 2023
When Kaj Lehman told me his idea for the design of our book, I knew it was the book I want to realize - wrapped in coal paper, so the book is stained and dirty like the censers it is about….thx for a wonderful collaboration instagram.com/p/C0BaeLfoIRA/
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Beate Fricke retweeted
23 Nov 2023
In her article "Distanz zeigen, Nähe erzeugen. Zu den Eremit:innen-Grafiken nach Maerten de Vos" @AnnetteKranen shows how these series of engravings convey a sense of the desert by visual means, thereby involving the viewers closely in the hermitages: doi.org/10.11588/xxi.2023.3.…
ALT Raphael Sadeler nach Maerten de Vos, Chariton, Blatt 1/29 der Serie Sylvae Sacrae, München 1594, Radierung und Kupferstich, 16.6 × 20 cm, Amsterdam, Rijksprentenkabinet, Inv. RP-P-OB-60.277 © Rijksmuseum, Amsterdam.
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Beate Fricke retweeted
15 Nov 2023
"Gefühlte Nähe. Zur Mediengeschichte von Testimonial Images" - @tanjapro & @kerstinschankw1 trace the media history of a communication mode that relies on intimacy and testifying: doi.org/10.11588/xxi.2023.3.… #Selfie #Testimonial #Proximity #ArtHistory #OpenAccess
ALT Michelle Obama, #BringBackOurGirls, 07.05.2014, www.wikimedia.org, in the public domain.
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Beate Fricke retweeted
7 Nov 2023
This month our Reviews Editor, Alexandra Gajewski, discusses the impact of Brexit on art history and its study.
Read here: bit.ly/-afterBrexit
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Beate Fricke retweeted
8 Nov 2023
Making Sense of Ice? Engaging Meltwater in the Long Eighteenth Century in Switzerland and France
Etienne Wismer
journal18.org/16-cold/making…
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2 Nov 2023
Sending off copies…. Harvesting time! Wonderful collaborations with Finbarr Barry Flood, and the authors contributing to holt smoke have come to a fruitful end! Proud and happy
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