Professional film critic. Amateur semiotician. Head of publications at QCinema.

Joined December 2008
2,330 Photos and videos
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I invite you all to tell the true story of the Marcoses. #RPNonFiction
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Toy Story 5 ('26 Andrew Stanton, Kenna Harris): Incredibly, five movies in, they've still got some good stuff to say.
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Project Baby ('26 Eric Quizon): Does Sue Ramirez ever turn down a movie? Because she should, sometimes.
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Disclosure Day ('26 Steven Spielberg): Gets pretty cornball, but more often than not you're reminded that Spielberg is one of the best to ever do it.
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Scary Movie ('26 Michael Tiddes): A lot of references, not a lot of comedy.
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Tayo Sa Wakas ('26 Cathy Garcia-Sampana): Too much of iit is about why their being together is a bad idea. Too much ad industry stuff. Too many bad wigs.
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The Mandalorian and Grogu ('26 Jon Favreau): Feels too relaxed. Never quite feels as exciting as it probably ought to be. Grogu is cute, though.
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May 21, Thursday, at Arete!
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Almost US ('26 Dan Villegas): Young love is so foolish (and all the better for it).
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Billie Eilish - Hit Me Hard and Soft: The Tour Live in 3D ('26 James Cameron, Billie Eilish): One of the stronger concert films of the last decade or so. Captures so much of the concert experience, while adding filmic elements.
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She Who Must Not Be Named ('26 Christopher Novabos): Parang AI yung gumawa.
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The Devil Wears Prada 2 ('26 David Frankel): Very engaging sequel that struggles because it has to come up with a way to save publishing.
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3 Words ('26 Fifth Solomon): Huwag na lang.
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Michael ('26 Antoine Fuqua): As always, I struggle with these jukebox biopics, because videos of the subject exist, and as talented as everyone clearly is, it's just an imitation of the original.
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Midnight Girls ('26 Irene Villamor): Maybe a little prone to saying things out loud. But hell, maybe some things just need to be said out loud.
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Mother Mary ('26 David Lowery): Alternated between "what the hell is this," and "oh okay that might have been brilliant."
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Huwag Kang Titingin ('26 Frasco Mortiz): It has some fun bits, but it doesn't really hold together.
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Wonderful Nightmare ('26 RC Delos Reyes): Weaknesses of the original remain. Strong showcase for Kim Molina, though.
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I Fell, It's Fine ('26 Sigrid Bernardo): Not fine. A dead end, conceptually.
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Ready or Not: Here I Come ('26 Bertinelli-Olpin, Gillett); Some good, clean fun (that occasionally involves a human exploding into a bloody mess).
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