I recently finished rewatching Marty Supreme yet again and it’s still sitting with me days later. Just can’t stop thinking about it. It’s easily one of my favorite A24 films, right up there with Uncut Gems. Shoutout to Josh Safdie, that’s one of my favorite Jewish people ever, alongside Paul Auster. No fr!❤️
Chalamet as Marty Mauser is all charm, faux oder forced confidence and bad decisions, the kind of guy who could sell you on orange ping-pong balls while sleeping with your wife and calling it networking. He’s convinced that greatness is mostly a mix of hustling, scheming and some luck, while ignoring the trail of wreckage he leaves behind him. And that's exactly the problem.
Marty tells himself he’s destined for the British Open while robbing his uncle’s shoe store and juggling mistresses in 1950s New York. The film gets the vibe of American hustle and ambition exactly right, especially for that period. Mauser is a man who believes the next deal or the next point will finally make the world bow to him. He’s driven by a stubborn sense that success is inevitable, that it’s already waiting for him just around the corner. And in this way, he simply can’t help himself.
For example, he had not planned to steal from his uncle, but the opportunity presented itself and Marty Mauser had always been quick with opportunities. The trip to London, the hotel upgrade, the actress in the lobby, it goes on and on throughout the entire movie.
Safdie directs like someone who knows exactly how being addicted to winning feels: the rush, the crash, and the certainty that the next win will fix everything. There are beautiful, heartbreaking scenes with the women who love Marty anyway, and you’ll find yourself wanting to pull them aside and have a serious conversation about boundaries. Gwyneth Paltrow was elegant in this, kinda sad and weary too but elegant still.
At first it’s funny, because it is kind of a comedy. You laugh at the madness of it all until you realize that's exactly what the film is getting at. We're all chasing something, sure that the next break, the next win, or the next bit of luck will be the one. And somehow, despite everything, you still end up rooting for Marty.
Near the end when he looks at the woman carrying his child and seems, for perhaps the first time, to see her. The look does not exactly solve anything. It simply arrives, honest and late, the way such recognitions usually do. By the very final scenes, I was just so emosh because the movie just shows you that grace sometimes looks like losing spectacularly and still getting up to play another point. It’s messy. It’s human. It’s worth the rewatch.