Probando en mi cabina nuevo temaaaa 🥵 ayer puse un trozo en stories y os flipó, así que me he dado prisa en hacer el mix y a que @slatinize lo masterice para que lo tengáis la semana que viene… y así va sonando 🖤😮💨😮💨😮💨😮💨🥴
HERE I HAVE TECHNOOOOO
TECHNOOOOO
TECHNOOOO
🥳
21/03
Volvemos a hablar de mastering en Conectados y lo hacemos con Ruslan Slatin (@slatinize), un versátil productor que nos muestra en detalle su estudio y un proyecto completo realizado en Reaper.
hispasonic.com/reportajes/ma…
Buffer Size is one of the most annoying things that you encounter when you start producing, right? 🤣 CPU hogs, latency...
Let's dive into what it means and how it can impact your music production...
For recording sessions or live gigs, a lower buffer size is preferable for that instant response. Meanwhile, when mixing or mastering - a larger buffer size will be your ally, ensuring smooth, glitch-free processing.
Some people care a lot about latency even when mixing and/or mastering, and they tend to use the smallest buffer size that their cpu can handle.
Speaking of myself, I do not care at all about latency when mixing, so 2048 it's my go-to 😎
You've almost perfected the mix, and the vocals are perfectly integrated...
However, as soon as the vocalist hits the high notes or gets a bit more excited, their voice suddenly "pops out" from the mix.
Here's a quick and effective solution 😎
Be mindful that for this to work, that bump shouldn't be too aggressive, otherwise, it is very easy to destroy your well-crafted dynamics. Do not overdo it.
Whenever a new tool like Clarity hits the market, people often wonder if it replaces existing tools like Soothe, Gullfoss, DSEQ , Voxengo Teote, and others.
The answer, as always, is a resounding no! ❌
Each of these tools has a unique algorithm, leading to a unique sound. So, for me, Clarity doesn't replace these tools - it's a fantastic addition to my toolbox. 🛠