Beginnings of the setup for the EDC Art Car Parade afterparty on Thursday. Mister Fusion will be in the parade and Soul in the Machine will be playing the afterparty (8 till midnite, set times 8:30 & 11:00). We're atop the Titan sound stage. It's not called Titan because the stage is huge, it's tiny compared to some of the other EDC infrastructure. What's huge here is the horn. We're going to be atop the world's biggest horn. The mouth is 26 feet x 6 feet. In order to have depth, of course the horn is modular, it has to be assembled. The advantage of having a giant horn in an audio system playing electronic dance music is: it can produce undistorted bass. Systems which stack conventional subs aren't able to produce undistorted sound when the size of one oscillation of the sound wave exceeds the size of the diaphragm producing it. The Titan horn doesn't start to have that issue until the sound nears 40hz. It's a marginal gain, but when there's clean bass, there can be a lot of low frequency sound pressure and you can have a normal conversation and hear what the other person is saying since there's very little low frequency distortion muddying up the soundscape. Other benefits are directional bass (rather than omnidirectional) and vastly increased efficiency (sound pressure per watt). Thanks to all the folks associated with the Titan stage who helped us grunt the trusses up onto the stage, it was 5 times faster than expected.