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Joined April 2007
773 Photos and videos
I'd have thought that smarter models would learn to talk more like humans, but as this thread shows (and the experience of a couple of days of working with it), Fable (if you let it) seems to get even more "Claudish".
Replying to @emollick
I appreciated this BlueSky comment.
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Shreevatsa R retweeted
No one: Claude Opus 4.8 Max: Let me refine your load-bearing claim rather than just accepting it, because you’re doing zero moves there, and the gap is what’s actually interesting. The one place I’d still push, because I think it matters: your message is wearing content-clothes, but the content isn’t actually *there*. The tell: it’s just an empty string. But the emptiness of the string IS its lack of content. Pull one, and the other goes inert. That’s the structural spine.
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Article on Pāṇini by Kiparsky (for "Handbook of the History of Phonology"): web.stanford.edu/~kiparsky/P… First 5 pages an overview ("Pāṇini's grammar and its goals"); next 15 pages go into the system itself. Dizzying, but a glimpse why it's one of the monuments of human intellect.

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Found it via his webpage (web.stanford.edu/~kiparsky/) which also has an interview by Ashwini Deo: skase.sk/Volumes/JTL51/07.pd… He was a professor at MIT when he got inspired by a course by Frits Staal, and decided to spend two sabbatical years in India learning from S. D. Joshi. And…
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The article also says that the last line of ā€œThe Sound Pattern of Englishā€ (1968), by Noam Chomsky and Morris Halle, pays homage to the last rule "अ अ" of the AṣṭādhyāyÄ« (ashtadhyayi.com/sutraani/8/4…), and indeed that book ends with "ā → ā".
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Learned that the creator of Wordle made a new game a few months ago, a ā€œgradual on-rampā€ to cryptic crosswords: parseword.com/ (Just one clue/word a day, gets harder over the week.) Will surely never be as popular as Wordle, but clearly a lot of care has gone into it.

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Attended this performance (mountmadonnaschool.org/hawk-…) again today. [Well, half of it, before Mr. 6 had one of his inflexibility episodes: as he missed a minute or two after the intermission, he decided it just wouldn't do and chose to miss the rest too… so I sat with him outside]
11 Jun 2025
Replying to @svat
I'd heard this in a lecture, but was reminded last week when we attended (the kids loved it!) this grand Ramayana play performed by school kids — mountmadonnaschool.org/hawk-… Almost none of them are Indian, but except for a mispronounced name here and there, it was all very well done.
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Then I corrected myself: no, as incomparable as the two are, this too is really a fine thing. Not only the fact that a bunch of non-Indian kids are performing a Ramayana in the first place (and a grand production and fun show, good enough to sell tickets to the public), but also:
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Most schools have an annual/school day with kids' dances etc. This school has simply made them all part of one whole. I know nothing about Baba Hari Dass or his American followers, but elevating the mundane, harmonizing it with a higher purpose, is quintessential Indian culture
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The life of a former head of the mathematics department of the University of Mysore: bhavana.org.in/nothing-comes… Interesting glimpse of (this tier of) academia in India in the 1960s/1970s.

Replying to @BhavanaMagazine
To learn more, read our conversation with Prof. Srinivasamurthy Bhargava: bhavana.org.in/nothing-comes… (6/6)
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The same issue has an article on this milieu, specifically the (mathematics department of the) University of Mysore, Manasagangotri: ā€œNeither conceived as a narrowly professional training ground nor as an elite research enclaveā€: bhavana.org.in/on-teachers-u… x.com/BhavanaMagazine/status…

If the narrative of modern Indian mathematics is often recounted through the ā€œhigh peaksā€ of specialised research institutes -the TIFRs, the ISIs, and the IIScs- there exists a quieter, yet foundational chapter written in university departments that once served as (1/3)
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I share this uneasiness exactly. Does everyone not notice? (Maybe they don't!) Do writers think others won't notice? (Maybe they don't care?!) The quoted blog post is great, and an interesting aside is that this sort of nonsense existed before LLMs but at least was avoidable:
A distressingly high % of the prose I see online is now AI-generated. It feels like I'm playing a coordination game in which a rising fraction of the world is defecting? And I guess it feels worse because there's this sense of insult—like, "did you think I wouldn't notice?" And then: "wait, do others not notice??" It's not subtle!
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I think the worst is when people I like, and whose thoughts I actually want to read, turn to AI-generated writing… there's a sense of loss: ā€œwhere did you go?ā€. It's ā€œdefectingā€ in more than one sense.
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ā€œBut I know that such ideas are now considered out of date, and I suppose I’m being an old fogy.ā€ — Donald Knuth, writing in 1986 (he was 48 then). He always writes semi-autobiographically, but this thing about his first love is very sweet IMO: ed-thelen.org/comp-hist/Knut…

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Talk by GĆ©rard Huet (2024) on the colours used in his Sanskrit ā€œreaderā€ at sanskrit.inria.fr/DICO/reade…: youtube.com/watch?v=uqAxKQ7M… (paper: aclanthology.org/2024.iscls-…) As a computer scientist he methodically classifies Sanskrit ~words into categories, and it is interesting and informative…

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[…but I also cannot help feel that the site would benefit greatly from linking to a legend on the results page. For maybe 10–15 years his Sanskrit Heritage site/engine was unparalleled as a tool and perhaps an entire generation of Sanskrit students would have learned better. :)]
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Replying to @QuoteResearch
@QuoteResearch I always thought the ā€œability to play chess well is the sign of a wasted lifeā€ quote was by Paul Morphy, but skeptics.stackexchange.com/q… could not find evidence of him having said it. Where is it from?

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Shreevatsa R retweeted
Example of Chitrakala-fonts and Calligraphy at Bhojshala; note the "face-like letter" in second last line towards the right (= i = इ); Bhojashala illustrates many font styles. Calligraphy tradition is ancient as illustrated by so-called Shell script found at over 250 Hindu and Jain sites in India and Southeast Asia (pre-4th century through 12th century).
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Seems a commendable project, publishing translations of Kanakadasa's works in 14 languages. Great choice of translators too (Nala-charitre by Dr Shankar @avyAjabandhu here, others by Shatavadhani Ganesh and S. Jagannatha): all three have really elegant style in Sanskrit.
Sanskrit translations of Shrikanakadasa's HaribhaktisAra, RAmadhAnyacarita (both by ShatAvadhAnI R. Ganesh Sir), Nalacarita (by me), and MohanatarangiNI (by Vidwan Jagannath) were relased (along with translations of these in 13 other languages) yesterday.
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Well-chosen samples shared here: the famous svayamvara scene of the Nala story, and a nice idea to translate each verse (of this chapter?) into *two* anuṣṭubh śloka verses that are so natural to Sanskrit: no rule that a longer metre has to be picked; might as well do this.
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In the Haribhaktisāra page above (translated by Dr. Ganesh), see the amazing alliteration in Sanskrit that captures the kind of thing Kanakadasa (example I had seen earlier: x.com/svat/status/1738594277…) does so well in Kannada. Overall great project and look like great translations!

23 Dec 2023
ā€œą²ˆą²¶ ą²Øą²æą²Øą³ą²Ø ą²šą²°ą²£ą²­ą²œą²Øą³†ā€¦ā€, a song by Kanakadāsa: youtube.com/watch?v=ArIpN_wO… — really nice naturally flowing prāsa in each stanza, in the ā€œdruta-gatiā€Ā of 3 mātras as Sediyapu calls it (can hear it). I'm listening to it multiple times for the words alone, even before the meaning registers!
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