🥀 #FreoChrome

Chopped off a piece of work today 💪 The pain randomly showed up like at 11 pm again but I think I did a good job at both doing work and not pushing my arm too much. Rest time now and then studies in the morning more work. Yay

(Hiding in a corner so this doesn’t get big.) Im so glad people seem to like my work. I had a lot of anxiety for my first video and how it would be perceived. I’ve been getting more experience and confidence since making it~ Let’s do our best.🙌 Thank you for your support. 🙇

Waiting room for tonight! Our beautiful, horror game with the cutest girls ever is coming to an end.. I'm not ready for the angst..🪼🫧 20:00 JST - The Aquarium does not dance - アクおど Link: youtube.com/live/_ts8CjfDIxk

proseka saw me complain about having arm pains and decided to not allow me to join co-ops anymore. you know what, fair, work time it is.

I just had the craziest game of mahjong!! My first thirteen orphans hand 🥹

RT @9_0_S2:

#VOLTA展 💛💜💙❤️

I woke up from a nap. Arm didn’t hurt. Moved the wrong way - hurt again ☹️. I went to sleep with a muscle strain reliever and a wrist support too ☹️ what’s up with that.

june bride🤍 (.加筆) #kaepix

What kind of things do you think I should to when we hit 750k subscribers on YouTube?? Let me know!! I might try some new things 👀 👇👇👇👇👇 It's pretty close!! We're at 744k right now! I think we can get it easy! 😤💪 youtube.com/@AlbanKnox?sub_c…

I don’t know if I’ve shared this before, however just now I went back to my research paper on VTubers and realised there was a grade paper inserted in it. I got a good mark for it!

【#にじバラ仮 は来週火曜24時！】 犬のお巡りさんがマジポスターになった新番組 『にじさんじのB級バラエティ(仮)』次回放送は6月23日(火)24:00 ゲストはちょっとシルエットの似た男子高校生と女子高生！お楽しみに！ ▼前回はこちら youtu.be/R9FMZfY1hkM

In 2016, I received an email from an aspiring manga artist in Morocco. It began like this: “I want to become a mangaka, but there is no manga publishing industry in Morocco.” Many people around the world love manga and read it, but when you look globally, there are many countries where manga is simply not published at all. In some places, there is not even a publishing system(including publishing, translation, and distribution) in place. Even where books exist, the infrastructure for printing, distribution, and bookstores is often lacking, making it very difficult for a true industry to develop. Telling manga fans in those countries, “Your country has a relatively high GDP per capita, so you should buy manga,” is meaningless if there is no actual way for them to buy it. That is something I find deeply painful. Why is it that the manga industry has not been able to properly serve those regions? Even in countries where publishing exists, manga books are often too expensive. The price of a single tankōbon book is $ 15 to $ 20, which is high even in the United States, especially when today’s digital entertainment offers so many alternatives at much lower prices. So, this is why I believe the future of manga is clearly not limited to print publishing, but must include digital services—manga that can be enjoyed in a reasonably accessible and affordable way. If such systems are established globally, I believe the manga industry could grow dramatically. In North America alone, a tenfold expansion would not be unrealistic. Even countries without any publishing tradition could develop sustainable manga industries. Once official digital services exist in each country, they can generate tax revenue, and governments can more seriously address piracy. At that point, creators and aspiring manga artists can also demand proper enforcement and protection. Most importantly, it would create opportunities for local aspiring manga artists. And those opportunities would, in turn, strengthen the global industry as a whole. When a country’s manga ecosystem develops properly, it becomes a cultural export industry. From a government perspective, piracy then becomes something that can and should be actively addressed. The first people to pay for legitimate manga services will, in many cases, be the very readers who once relied on piracy. They are not enemies of the industry—they are its earliest supporters in waiting. Pirated manga readers are not our opponents. They are our future audience. They are proof that demand already exists. In late 1990s Korea, manga piracy was widespread, and attitudes were often very hostile toward paid content. Many believed that paying for manga was unnecessary, or even that the industry itself should not exist. At the time, Steve and I did not fully understand this. We were wrong in many ways. But later, when proper legal services were introduced in Korea, readers were more than willing to support them. They paid for content gladly, and the Korean webtoon industry grew stronger, eventually becoming a major source of IP for film and television. We learned, through experience, that the joy of not paying cannot compare to the deeper satisfaction of supporting and sustaining the culture you love. Piracy users were never the enemy. They were simply manga fans. And all manga fans, in the end, are on the same side. Through our mistakes, Steve and I came to understand this more clearly. What needs to be done is simple: build proper digital manga services. Ensure fair pricing. And most importantly, help each country develop its own manga ecosystem. Because only then can a truly global manga industry exist. And only then can the works we create truly reach the world. To be continued...

RT @28T_neru: この辺みんなで兎庭になれ

Missing Friend Horror 6/16 04:00 PDT | 20:00 JST youtube.com/live/dxt4l5NN7Zo

Sketch - finish Seo ahyeon 🦌

Weekly Schedule (6/15 - 6/21) Illustration by @/nekokookiee

‼️LAST THING‼️ Feel free to nominate whatever you'd like so long as it fits in the category you're nominating it for and it's a Krisis clip! If you're not quite sure what category the clip fits in that's fine! If it makes it to the final nominations we can handle it from there! And if you see another nomination you like, please like and rt that! It makes our jobs way easier! The final vote tally to decide the award winners will be handled on our end so please don't worry and just have fun nominating! You have until Sunday, June 21st to Nominate so get to it! ALSO I'M LETTING YOU KNOW RIGHT NOW THAT THE KRISIS 3 YEAR ANNIVERSARY HASHTAG IS #Krisis3rdStrike THE #KrisisAwards2026 IS JUST FOR THE AWARD SHOW. SO ANY 3 YEAR ANNI STUFF YOU HAVE TO SHARE SHOULD NOT BE POSTED USING THIS HASHTAG! THANK YOU VEZCREWNEERS FOR ALL OF YOUR SUPPORT! WE LOVE YOU!