life is hard. I am not harder.

Joined March 2020
114 Photos and videos
τsακe retweeted
The FYP algorithm has finally found what's guaranteed to enrage me. Three days of """people""" arguing over onion and cheese sandwiches. Three days of people saying you don't need to play games to be fans of them. There are fewer than one million ensouled beings on this planet
46
320
3,750
35,473
>"bricking your device from emulation"
Replying to @Dannt_Em
"just emulate bro" most modern games have such big specs that getting a device to run them is already an undertaking and second sure i'm going to risk bricking my only phone/pc just because i don't want to be called a larper
Community note
It's almost impossible to brick a PC by running emulators. They are normal user-level software. Actual bricking requires low-level firmware flashing that emulators don't do. Millions emulate safely daily. youtube.com/watch?v=B8lMeR… xda-developers.com/emulation-myth…
132
2,799
38,760
474,172
τsακe retweeted
169
5,217
61,357
922,146
τsακe retweeted
WE'RE ALL TRAPPED IN MAZE OF RELATIONSHIPS!!! LIFE GOES ON WITH OR WITHOUT YOUUUUuu!!!

ALT Ty Thursday GIF

9
887
5,818
67,077
τsακe retweeted
🎭 Fan art / Persona 4 · "Shadow Selves" — @liangjushuang
39
3,442
32,713
334,873
τsακe retweeted
34
832
6,314
80,105
"Pirated manga readers are not our opponents. They are our future audience. They are proof that demand already exists"
In 2016, I received an email from an aspiring manga artist in Morocco. It began like this: “I want to become a mangaka, but there is no manga publishing industry in Morocco.” Many people around the world love manga and read it, but when you look globally, there are many countries where manga is simply not published at all. In some places, there is not even a publishing system(including publishing, translation, and distribution) in place. Even where books exist, the infrastructure for printing, distribution, and bookstores is often lacking, making it very difficult for a true industry to develop. Telling manga fans in those countries, “Your country has a relatively high GDP per capita, so you should buy manga,” is meaningless if there is no actual way for them to buy it. That is something I find deeply painful. Why is it that the manga industry has not been able to properly serve those regions? Even in countries where publishing exists, manga books are often too expensive. The price of a single tankōbon book is $ 15 to $ 20, which is high even in the United States, especially when today’s digital entertainment offers so many alternatives at much lower prices. So, this is why I believe the future of manga is clearly not limited to print publishing, but must include digital services—manga that can be enjoyed in a reasonably accessible and affordable way. If such systems are established globally, I believe the manga industry could grow dramatically. In North America alone, a tenfold expansion would not be unrealistic. Even countries without any publishing tradition could develop sustainable manga industries. Once official digital services exist in each country, they can generate tax revenue, and governments can more seriously address piracy. At that point, creators and aspiring manga artists can also demand proper enforcement and protection. Most importantly, it would create opportunities for local aspiring manga artists. And those opportunities would, in turn, strengthen the global industry as a whole. When a country’s manga ecosystem develops properly, it becomes a cultural export industry. From a government perspective, piracy then becomes something that can and should be actively addressed. The first people to pay for legitimate manga services will, in many cases, be the very readers who once relied on piracy. They are not enemies of the industry—they are its earliest supporters in waiting. Pirated manga readers are not our opponents. They are our future audience. They are proof that demand already exists. In late 1990s Korea, manga piracy was widespread, and attitudes were often very hostile toward paid content. Many believed that paying for manga was unnecessary, or even that the industry itself should not exist. At the time, Steve and I did not fully understand this. We were wrong in many ways. But later, when proper legal services were introduced in Korea, readers were more than willing to support them. They paid for content gladly, and the Korean webtoon industry grew stronger, eventually becoming a major source of IP for film and television. We learned, through experience, that the joy of not paying cannot compare to the deeper satisfaction of supporting and sustaining the culture you love. Piracy users were never the enemy. They were simply manga fans. And all manga fans, in the end, are on the same side. Through our mistakes, Steve and I came to understand this more clearly. What needs to be done is simple: build proper digital manga services. Ensure fair pricing. And most importantly, help each country develop its own manga ecosystem. Because only then can a truly global manga industry exist. And only then can the works we create truly reach the world. To be continued...
42
7,491
52,154
591,285
τsακe retweeted
In 2016, I received an email from an aspiring manga artist in Morocco. It began like this: “I want to become a mangaka, but there is no manga publishing industry in Morocco.” Many people around the world love manga and read it, but when you look globally, there are many countries where manga is simply not published at all. In some places, there is not even a publishing system(including publishing, translation, and distribution) in place. Even where books exist, the infrastructure for printing, distribution, and bookstores is often lacking, making it very difficult for a true industry to develop. Telling manga fans in those countries, “Your country has a relatively high GDP per capita, so you should buy manga,” is meaningless if there is no actual way for them to buy it. That is something I find deeply painful. Why is it that the manga industry has not been able to properly serve those regions? Even in countries where publishing exists, manga books are often too expensive. The price of a single tankōbon book is $ 15 to $ 20, which is high even in the United States, especially when today’s digital entertainment offers so many alternatives at much lower prices. So, this is why I believe the future of manga is clearly not limited to print publishing, but must include digital services—manga that can be enjoyed in a reasonably accessible and affordable way. If such systems are established globally, I believe the manga industry could grow dramatically. In North America alone, a tenfold expansion would not be unrealistic. Even countries without any publishing tradition could develop sustainable manga industries. Once official digital services exist in each country, they can generate tax revenue, and governments can more seriously address piracy. At that point, creators and aspiring manga artists can also demand proper enforcement and protection. Most importantly, it would create opportunities for local aspiring manga artists. And those opportunities would, in turn, strengthen the global industry as a whole. When a country’s manga ecosystem develops properly, it becomes a cultural export industry. From a government perspective, piracy then becomes something that can and should be actively addressed. The first people to pay for legitimate manga services will, in many cases, be the very readers who once relied on piracy. They are not enemies of the industry—they are its earliest supporters in waiting. Pirated manga readers are not our opponents. They are our future audience. They are proof that demand already exists. In late 1990s Korea, manga piracy was widespread, and attitudes were often very hostile toward paid content. Many believed that paying for manga was unnecessary, or even that the industry itself should not exist. At the time, Steve and I did not fully understand this. We were wrong in many ways. But later, when proper legal services were introduced in Korea, readers were more than willing to support them. They paid for content gladly, and the Korean webtoon industry grew stronger, eventually becoming a major source of IP for film and television. We learned, through experience, that the joy of not paying cannot compare to the deeper satisfaction of supporting and sustaining the culture you love. Piracy users were never the enemy. They were simply manga fans. And all manga fans, in the end, are on the same side. Through our mistakes, Steve and I came to understand this more clearly. What needs to be done is simple: build proper digital manga services. Ensure fair pricing. And most importantly, help each country develop its own manga ecosystem. Because only then can a truly global manga industry exist. And only then can the works we create truly reach the world. To be continued...
65
2,001
10,275
802,059
τsακe retweeted
Replying to @honaemus
if you have no money you CANT HAVE FUN!!!!!
77
997
11,283
297,177
τsακe retweeted
using P5 here is hilarious since trump shares all of these traits with these villains: kamoshida - pedophile madarame - steals art (AI) kaneshiro - corruption okumura - greed and exploitation of workers sae - bending/abusing the law shido - guess maruki - delusions of grandeur
MISSION ACCOMPLISHED. 🇺🇸⚡️🦅
50
2,461
16,381
370,264
τsακe retweeted
Persona 30th Anniversary x OMOCAT -- coming soon @AtlusStyles #sega #atlus
204
4,953
29,826
1,552,490
τsακe retweeted
There has never been a war in history where 80% of the country has been destroyed, 100% of the population displaced, and 50% of the deaths children. Call it what it is: GENOCIDE.
266
4,043
7,973
56,332
τsακe retweeted
Look at the date.
This boy has found his cat alive in the ruins of his home in Gaza.
133
30,754
265,107
3,516,770
τsακe retweeted
You should never forget that Israel is a murderer of children.
1,056
22,576
69,828
480,422
τsακe retweeted
Jun 15
so much sympathy for today's kids. every aspect of their lives has been impoverished, there are no spaces for them, everything is prohibitively expensive, the planet is dying, they're being repeatedly infected, and the solution is apparently to further isolate them digitally.
33
3,784
20,124
159,181
τsακe retweeted
there's people who will unironically tell you this is a 'complicated' issue and there's bad people 'on both sides'...
Israel’s Defense Minister says it plans to “indefinitely” hold the land it has seized from Gaza, Lebanon and Syria. (via AP)
33
5,376
23,679
306,815
τsακe retweeted
Israel hasn’t suffered a single consequence since this began. Not a single consequence. Despicable world we live in, that has allowed this to happen and continued on as if nothing has happened. How do you live with yourselves?
14
1,624
6,461
62,622
τsακe retweeted
Palestine is the most well-documented genocide in history, yet the most denied.
1,064
14,997
38,290
322,328
τsακe retweeted
Hamas never shot 1,000 kids and women in the head with sniper bullets. The IDF did.
1,112
7,804
40,613
440,741