Disclosure Day’s flaws come from Spielberg now having his head fully in Kushner mode, but getting Koepp to write the script because Kushner would never touch sci-fi
not even being cute here, the movie has action, but it’s structured on a series of mostly one-on-one philosophical conversations, and sure Koepp wrote the Jurassic Park flea circus scene, but clearly Spielberg wants Angels in America
“The great work begins.”
Was there (at home in front of a radio) in 1973; the wait, and the drama, and maybe understanding better the magnitude of the achievement, make this even sweeter.
I think Spielberg’s more hopeful notes feel almost like an ideal that he’s trying to convince himself of just as much as anyone else, but the darkness is still there (which also makes it interesting!), whereas M. Night just fully unwaveringly believes that shit
New pod: Cut the BS, let’s discuss who gets paid what on a massive indie hit like Obsession. With producer/professor @mynette Louie. Listen! Watch! open.spotify.com/episode/0Zh…
RIP film critic Gene Shalit, King of the glib one-liners. On singer Glen Campbell in TRUE GRIT (1969): “Glen Campbell has never acted in films before, and his record is still clean.”
Can I just point out how funny this is, given the paper is owned by Canada’s wealthiest billionaire family, all of whom inherited their wealth.
Should we hate them for that? Of course not, because that would be gross.
But, it reflects our tall-poppy syndrome at its finest.
Personally, I’m glad that the Ontario Teachers Pension Plan is getting a nice payout, as will many others who took a big risk investing in SpaceX.
I wish we had more audacious entrepreneurs making big bets and generating great jobs and wealth here in Ontario. I want to create an environment that makes it even more likely.
The world is not zero sum. The size of the pie is not fixed. If we make more, everyone can get a big piece.