Open and high-quality data about music business, economy, circulation, musicology. An open-source demo of the European Music Observatory. #ImpactCity finalist.

Joined June 2021
42 Photos and videos
thank you—bedankt—köszönöm—dėkoju—hvala—dziękuję—gràcies—ďakujem—gracias—děkuji—teşekkür—danke—благодаря— tack
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Seeking partners to connect archive/collection inventories automatically to actively rights-managed music repertoires via #Wikidata into a self-correcting metadata system, improving and ensuring that machines find the correct information about your songs reprex.nl/post/2023-03-24_re…
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WAIVE: From the Archive to the Dancefloor. Smart DJ system that uses samples and loops from ethnomusicological archives. #waive #thunderboom #openarchives #trustworthyAI dataandlyrics.com/post/2022-…
RT @kat_five: And a separate kind of thing, the Fedifinder tool which extracts fediverse handles of your Twitter followings and enables you…

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We won The Hague Innovators Audience Award on #ImpactFest with Reprex @DigitalMusicObs @CultureDataObs @GreenDealObs @CompDataObs @dataandlyrics thank you—bedankt—köszönöm—dėkoju—hvala—dziękuję—gràcies—ďakujem—gracias—děkuji—teşekkür—danke—благодар—tack @ImpactCity
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The @DigitalMusicObs aims to create and exploit transparent #musicdata for the benefit of artists, #MusicMovesEurope policies, research, and small music enterprises. Follow @dataandlyrics for less nerdy topics about the intersection of data and music. x.com/dataandlyrics/status/1…

‘I feel at home where people care’ How is music traveling? How it remains relevant from Wrocław to Utrecht. We saw the #kurws in their fantastic show in the #Vechtklub #ListenLocal dataandlyrics.com/post/2022-…
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Digital Music Observatory retweeted
With monopoly power over ticketing, Ticketmaster is able to control the events, the venues, even the artists. There’s a movement pushing the Justice Department to take on their monopoly. @Doctorow breaks it down.

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We won The Hague Innovators Audience Award on #ImpactFest with Reprex @DigitalMusicObs @CultureDataObs @GreenDealObs @CompDataObs @dataandlyrics thank you—bedankt—köszönöm—dėkoju—hvala—dziękuję—gràcies—ďakujem—gracias—děkuji—teşekkür—danke—благодар—tack @ImpactCity
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The @DigitalMusicObs aims to create and exploit transparent #musicdata for the benefit of artists, #MusicMovesEurope policies, research, and small music enterprises. Follow @dataandlyrics for less nerdy topics about the intersection of data and music. x.com/dataandlyrics/status/1…

‘I feel at home where people care’ How is music traveling? How it remains relevant from Wrocław to Utrecht. We saw the #kurws in their fantastic show in the #Vechtklub #ListenLocal dataandlyrics.com/post/2022-…
We won The Hague Innovators Audience Award on #ImpactFest with Reprex @DigitalMusicObs @CultureDataObs @GreenDealObs @CompDataObs @dataandlyrics thank you—bedankt—köszönöm—dėkoju—hvala—dziękuję—gràcies—ďakujem—gracias—děkuji—teşekkür—danke—благодар—tack @ImpactCity
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The @DigitalMusicObs aims to create and exploit transparent #musicdata for the benefit of artists, #MusicMovesEurope policies, research, and small music enterprises. Follow @dataandlyrics for less nerdy topics about the intersection of data and music. x.com/dataandlyrics/status/1…

‘I feel at home where people care’ How is music traveling? How it remains relevant from Wrocław to Utrecht. We saw the #kurws in their fantastic show in the #Vechtklub #ListenLocal dataandlyrics.com/post/2022-…
Is anyone coming to @linecheck_it #MMW22 Milano and wants to meet up with us to talk about harmonizing surveying on #genderequality, and our calculating total value chain greenhouse gas use in music businesses? Our agenda 👇🏻👇🏿 👇🏼 👇🏾 👇🏽#OpenData #OpenESG reprex.nl/event/2022-11-24-l…
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The @DigitalMusicObs aims to create and exploit transparent #musicdata for the benefit of artists, #MusicMovesEurope policies, research, and small music enterprises. Follow @dataandlyrics for less nerdy topics about the intersection of data and music. x.com/dataandlyrics/status/1…

‘I feel at home where people care’ How is music traveling? How it remains relevant from Wrocław to Utrecht. We saw the #kurws in their fantastic show in the #Vechtklub #ListenLocal dataandlyrics.com/post/2022-…
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Digital Music Observatory retweeted
On 28 November, we are doing an online launch of an anthology of responses to the #ParadoxofOpen. Our guest speakers will be James Boyle @thepublicdomain and Anna Mazgal @a2na - both are contributors to the anthology. More info: openfuture.eu/event/open-fut…
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Digital Music Observatory retweeted
11 Nov 2022
⚡FRIDAY FIGURES – 11 NOV⚡ When working towards gender parity, we must look at the whole ecosystem of the music industry. Cue the early stages of an artist’s industry journey of management, agents & A&R. Read more from USC Annenberg Inclusion Initiative keychange.eu/about-us/news-f…
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Digital Music Observatory retweeted
11 Nov 2022
If you want to understand what's been going on in the world of #BrokenRecord & #FixStreaming for the past year, you might want to tune in to watch these sessions in parliament with @CommonsDCMS. I'm up at 11am.
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Digital Music Observatory retweeted
From the Lambeth Choirbook!
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Open collaboration with the Slovak Ministry of Culture, the ICP Institute for Cultural Policies - Via Cultura, and various statistical, creative industry, and music stakeholders to try out the Open Policy Analysis Framework #Slovakia #openpolicy #opendata music.dataobservatory.eu/pos…

Digital Music Observatory retweeted
10 Nov 2022
Nature is starting to publish review exchanges for all research articles from November 2022 onward. Referees will still have the option to remain anonymous. nature.com/articles/s41467-0…
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Digital Music Observatory retweeted
9 Nov 2022
ICMP Director General John Phelan updates on our work worldwide to "optimise the business and legal environment for music", with a special focus on digital & streaming. #ICMP #MusicMinds #Paris 🌏🎶
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