BB vs LGD wtf

The Jensen Huang Buff is real!🤩 T1 BASE CAMP 홍대점에 깜짝 방문을 해주신 NVIDIA의 젠슨황 CEO님과 T1 LoL 선수단의 만남이 성사되었습니다! 오늘의 만남을 원동력으로, 다가오는 경기에서 완벽한 경기력을 보여드리도록 하겠습니다. The T1 LoL team was able to meet with NVIDIA’s CEO Jensen Huang during his surprise visit to T1 BASE CAMP Hongdae to celebrate @RiotGames coming to @NVIDIARTXSpark .  Fueled by this amazing energy, we’ll bring our best to the upcoming matches! @NVIDIAGeForce #TogetherAs1

After almost 12 years it comes to an end. A massive thank you to Fnatic for believing in me, supporting my growth, and making my childhood dream a reality. Going from watching my idols as a kid to actually sharing the jersey with them is more than I ever could have imagined. For the past 12 years, you’ve been my home, my family, and my life. It has been an absolute honor and privilege to represent the black and orange for such a long time. To all my past teammates, coaches, and staff: thank you for everything. Through the highs and the lows, we built memories that I will cherish forever. Each of you left a footprint on my journey, and I hope I did the same for yours. I could never have achieved any of this without you. Best of luck boys. To the fans: I know it’s been a rough ride lately, but I want you to know that we showed up and put the work in every single day. Sometimes things don’t go your way, but I can honestly say I gave it everything I had until the very last day. I’m leaving with my head held high and I’ll always look back on my time at Fnatic knowing I left everything out there. Just wanted to give a massive shoutout to Samuelsson. We’ve survived every project, many meetings, and chaotic times together. Thanks for being a very professional colleague but most important, a friend for life. You the goat. The Viking has been on the battlefield for the last time in black and orange. Over and out. #AlwaysFnatic 🖤🧡 KRIMZ

It's wild that the WEU qualifiers of EWC Dota have 0 WEU team.

Who is the best football coach of all time debate is increasingly becoming more and more interesting.

🏆 BACK 2 BACK 🏆

Une nouvelle étoile brille sur Paris ! Bravo au PSG qui fait rêver toute l’Europe. La France est fière.

What Luis Enrique has done with PSG is truly unbelievable. Historic.

CHAMPIONS OF EUROPE!! 🏆❤️💙

Gabriel fires over. CHAMPIONS! PSG : 🟢🟢🔴🟢🟢 ARS : 🟢🔴🟢🟢🔴 #PSGARS 1️⃣-1️⃣ I #UCL

Remember when western Dota 2 teams used to go to China to bootcamp in order to learn from them and compete? Well, the opposite should happen now.

LGD DOTA2 has officially reassembled. Position 1：@yumadota Position 2：@tailung_dota Position 3：@Wisper_dota2 Position 4：@Thiolicordota Position 5：@kj_dota Thank you for your continued support. This is a new beginning, and we'll keep fighting. #DOTA2 #LGDGAMING

The International 2026 Tickets. dota2.com/newsentry/65598118… #TI15 #Dota2

The International 2026 Invitations and Qualifiers. dota2.com/newsentry/65598118… #Dota2

COMO IS IN CHAMPIONS LEAGUE FOR THE FIRST TIME EVER!!!!!!!!!!!!!!

Avec la Karmine Corp championne du RLCS Major 2 sur Rocket League à domicile ce soir, et l’EWC qui arrive à Paris cet été… on peut le dire avec fierté : la France est au sommet de l’esport !

I don’t think there has been any news about @ngsc_sa, but it would make so much sense if it’s hosted during ENC this year.

No more drug testing for esports players for tournaments in the Philippines. philstar.com/sports/2026/05/…

I don't think they need a home advantage to win titles.

Esports tournaments exist to deepen fan investment for publishers and teams alike. Japan's Crazy Raccoon built a different model entirely, and it doesn't depend on tournaments at all. So what is CR doing differently? CR uses its streamers and creators as a discovery layer, including casual streams and custom games between creators and pros. Existing streamer audiences encounter CR's esports players through personality before they ever encounter them through competition. Once audiences resonate with those personalities, competitive attachment follows. The audience finds the esports through the person, not the other way around. Here's why this works: Japanese audiences have spent decades developing deep parasocial loyalty through idol culture, extending most recently into Vtuber communities. CR's model directly plugs into a behavior that audiences already have. Japanese organizations are structuring this deliberately. They're aligning incentives with Vtuber talent so that the creator's parasocial infrastructure builds organizational brand equity rather than just individual following. In the long term, audience attachment transfers to the org instead of leaving with roster moves. This is a culturally specific pathway to the same destination in fan loyalty for teams over the long term. What Western teams can take away from CR is to ask what cultural infrastructure already exists that esports hasn't learned to plug into yet.