digging into this thing after a few folks have glowed about it (@Pas2 most recently I think!), really stunner stuff (dare I say volcanic???), shuffling around an unsteady pulse with bouts of explosiveness. Aiming towards Shredder or Swooner here I think!
#NowPlaying#Jazz 1983 us vs 1984 Japan. A late night ecm comparison. US pressing vs Japanese pressing. Not my favorite Towner but a nice listen and he really shows how talented he is on so many instruments here. Even if some of the sounds haven’t aged as well. Comparison in 🧵
This is very good. I don’t think I’ve heard it on any platform, physical or digital. Nothing synthesized on this one. I’m correlating less synthesized instruments with greater enjoyment of Abercrombie. Besides Abercrombie: Beirach, Mraz, Peter Donald.
#NowPlaying#jazz? Spending the morning with this one. Still get emotional listening to specific parts of this. Some days think this is the pinnacle of the ecm label which is definitely saying something
floating on this on again this morning; sorta had it as wallpaper music the one time I listened, which it works fine as, but (unsurprisingly) this squad is playing with some absolutely stunning melodies here!
#NowPlaying#Jazz Deeper into the ecm equinox zone with this one. Like his stuff on ecm even if it gets a little hokey at times. Some great Hamiet Bluiett on this
Avishai Cohen – Ashes to Gold will be released on 11 October on CD, LP and digital. Pre-order now and listen to ‘Part III’ here: ecm.lnk.to/AshesToGold
Anja Lechner’s first solo-violoncello album with works by Tobias Hume, Carl Friedrich Abel and Johann Sebastian Bach will be released on 18 October on CD and digital. Pre-order now and listen to her interpretation of ‘A Question‘ by Tobias Hume here: ecm.lnk.to/BachAbelHume
now Swooning: a perfect example of what nudges a record into that category, a hearty mix of Shred and Float that's constantly soaring itself to the heavens!!!
Digging into this one now; kinda surprised how much I like it, with Garbarek and Torn both wrangling in my least favorite schmaltz/shriek tendencies of theirs in favor of a gorgeous melodic fog