Some personal news, I'm launching a podcast! IT WAS A BOOK FIRST is the show about new book-to-screen adaptations, dissecting the TV and film projects everyone is talking about, what you'll be reading and watching next, and the business behind what actually makes it off the page.

this is perhaps controversial but i dont really record or use trint — i take a notebook to irl interviews and jot things down that stick out and return to them later or write notes in a doc if a phone interview

NBC’s ridiculous Covid-era sinkhole/prehistoric time travel show LA BREA is now the #1 “acquired” show in the U.S., per Nielsen. Because….Netflix!

"You want to play games? I promise you, to my core, I am going to ruin your life." I wrote about the worst roommate ever, for @verge, a quintessential Los Angeles parable that pits progressive idealism against the hardened thirst for revenge. theverge.com/cs/features/919…

"Reporters and editors who get their ideas from their social-media feeds — which is most of them, most of the time — can mistake a paid simulation of public interest for the real thing and then make it real by covering it. " vulture.com/article/social-m…

Joe Lim estimates that 90 percent of what you see on the internet is advertising in disguise, and he should know. For three years, Lim ran a company called Floodify, which at its peak operated 65,000 dummy social-media accounts used to drum up attention on behalf of paying clients. The point of this kind of marketing is that nobody is supposed to notice it. But lately, the machinery has started to show. In April, Justin Bieber headlined two consecutive weekends at Coachella. Coachella is the biggest stage in pop music save only for the Super Bowl, the kind of event that in theory generates its own attention. And yet on both weekends, a Discord server writer Lane Brown had been monitoring hosted paid campaigns for Bieber’s Coachella performances, offering clippers — people who are hired to turn a song, trailer, interview, stump speech, or whatever into short, social-media-friendly fragments — as much as a dollar per thousand views. “On social media, popular opinion is being formed, measured, and manipulated all at once, and every signal the platforms produce — a trending song, a backlash, a talking point, the feeling that ‘everybody’ is suddenly talking about the same thing — can now be fabricated by unseen actors with hidden agendas,” writes Brown. “Everybody is doing this now,” Lim says. “And if you’re not, you’re behind.” Brown reports on how the same techniques are now being used to fool people on every app they go to in order to find out what other people think, not just in music but across entertainment, politics, consumer products, and celebrity gossip: nymag.visitlink.me/w6Bu9N