Joined June 2017
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a rapid unscheduled disassembly of the sky
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Laura Kerr retweeted
When I was a teenager, about 50% of humanity could not feed itself, clothe itself, house itself, or educate its children—but in my lifetime, this percentage fell to less than 10% (despite our population having nearly doubled in the interim). The data gives reason for optimism.
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Laura Kerr retweeted
Position Notice: Attn: @pauldwoodford
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Laura Kerr retweeted
NOTICE ATTN: @pauldwoodford
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Laura Kerr retweeted
Thank you for your message. I am already in post.
Position Notice: Attn: @pauldwoodford
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Laura Kerr retweeted
Replying to @LauraKerrArt
It has been clear for some time that AI hallucinations are just imaginary solutions…but your post goes way beyond that and I’m excited by the possibilities!
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Laura Kerr retweeted
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Laura Kerr retweeted
The Semiotic Stitcher ( excollisio.com/stitcher ) has unexpectedly produced poetry. Departmental leak 5a.
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Laura Kerr retweeted
All poems count…
One poem sees what the other doesn’t.
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One poem sees what the other doesn’t.
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My God! This!! Get a history book and study up. So F’ing embarrassing.
Hitler killed himself and Germany surrendered. Japan got nuked. Do they teach history in Ohio?
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Laura Kerr retweeted
I am 52 years old. I have been working since I was 15 years old. I have no savings, no retirement, and will never own a home before I die. And there is now a trillionaire.
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The World Through AI opens at Schirn Kunsthalle Frankfurt. ~30 international artists. Different thematic sections. A curatorial framework built around Critical AI — not wonder, not collaboration, but forensic inquiry into what AI actually does and who it does it to. Over the coming weeks, I’ll be unpacking the show by looking at the artists they’ve brought together and why this particular gathering matters. Starting with Taller Estampa. I’ll also be sharing and discussing reviews as they are released. To be con’t…
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As we look more closely at the artists in this Critical AI exhibition, questions emerge. Taller Estampa spend years forensically investigating what AI does to language and images — finding a system that misreads with confidence, that cannot bridge word and image. So why did other poets and artists respond to the same technology by giving it personhood? An alter ego? A soul? The ability to relate to us? That question is what this exhibition is really asking. (I love when artists design on a grid.) tallerestampa.com/en/estampa…
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Laura Kerr retweeted
Non-Human Resources: Shadow Workers Union
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Laura Kerr retweeted
Billionares are so weırd. what are you saving up for?? helł??
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Laura Kerr retweeted
Can’t wait for the reviews of The World Through AI to come out — Brooklyn Rail, e-flux journal, Texte zur Kunst. Let’s see how critics engage with the curatorial choices and why these particular artists were selected for a show framing itself around Critical AI.
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Laura Kerr retweeted
Blast from the past. Mnemonic Trains — Nick Piombino & Laura Kerr Published by @PenteractPress Two pages:
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