would that it were so simple.

Joined October 2024
44 Photos and videos
Paul | Perrduction retweeted
lucky me, I get to do the color grading rotoscoping on this movie
A couple neat (but not finished) color samples from my upcoming movie, Deadsick.
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A couple neat (but not finished) color samples from my upcoming movie, Deadsick.
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Seriously, force your algorithm to show this kind of stuff and it's impossible not to feel actual tingles of gratitude that we live in such a marvelous, varied, and beautiful country. It's so wonderful.
Dear algorithm, please visit upon me more videos of Europeans not being able to comprehend the wonders of the United States of America 🇺🇸🇺🇸🇺🇸
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crazy that if The Rock were made just a few years later, @pattonoswalt would have played Ranger Bob.
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Dear algorithm, please visit upon me more videos of Europeans not being able to comprehend the wonders of the United States of America 🇺🇸🇺🇸🇺🇸
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Damn I know like 20 people like this lmao
There is a certain type of person everywhere now, especially online. He consumes endless information every day: philosophy, psychology, productivity, spirituality, neuroscience, business, self-improvement, history. He knows a little about everything and deeply experiences almost nothing. His entire identity becomes built around understanding instead of living. He watches videos about confidence instead of speaking confidently. Reads about discipline instead of becoming disciplined. Studies relationships instead of learning how to love. Consumes motivational content instead of taking action. He feels intelligent because he is constantly mentally stimulated. But stimulation is not transformation. Most of the time, knowledge becomes emotional protection. Reality is unpredictable. Reality humiliates. Reality exposes weakness. Books and ideas do not. Inside information, he can continue imagining himself as intelligent, deep, insightful, different from ordinary people. So he remains trapped in preparation. He constantly feels as if he is "becoming" someone, while his real life remains strangely untouched. He develops sophisticated language for problems he never confronts directly. He can explain human behavior beautifully while being unable to handle ordinary discomfort, rejection, uncertainty, loneliness, or risk. He slowly turns life into observation instead of participation. The internet rewards this personality heavily. He receives validation for sounding aware rather than becoming capable. Eventually, he begins confusing self-analysis with growth and information with wisdom. But beneath the intelligence usually exists the same thing: fear. Fear of failure. Fear of embarrassment. Fear of reality answering back. Because action destroys fantasy. The moment he truly acts, he can no longer hide inside potential.
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I still get an extra-sensual frisson from this scene as a 35yo. Full chills when the green saber ignites. I remember my granddad playing the soundtrack on his disc changer and re-enacting scenes like this with a broom for a lightsaber as a youngster.

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i don't wanna hear takes on Disclosure Day from people who haven't poured over Spielberg's career. He's a dyed in the wool capital-f Filmmaker who has such a handle on the craft that the lukewarm "propagandist" and "predictive programming" accusations simply don't land here.
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Spoke to a good friend about this today. UGC-spam ecom accounts are gonna die in a couple years if they don't build that mythology. Otherwise, founders will have to build their brand mythology with their next brand.
One thing the UGC-heavy "build fast" world for the founders who survived the ecom boom really misses is a sense of mythology/longform story as a brand. In fact it robs the brand, and we'll see brands try and fail to abandon UGC and start mythmaking soon. Some have done this. They don't need UGC as a result.
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A friend insinuated last week that I lie to myself a lot after I made a point of saying I had to unlearn the habit of lying as an adult. I did a lil few day audit of things I told myself that I either lied about deliberately or on accident. Yup, still huge on it. Sad shit.
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Paul | Perrduction retweeted
You’re sure you don’t have time for a 45 min workout? Let me see that screen time.
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was telling @MindOfIntra the other day, the only trailers worth watching are trailers the director had a big say over. This is an example of a perfect trailer.
I saw the trailer for The Social Network for the first time ever right before seeing The Town in theaters in September 2010. This trailer remains bonkers. Fincher is a mad man. How often can you tell someone you remember exactly where you were when you saw a *trailer*? Only David
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One thing the UGC-heavy "build fast" world for the founders who survived the ecom boom really misses is a sense of mythology/longform story as a brand. In fact it robs the brand, and we'll see brands try and fail to abandon UGC and start mythmaking soon. Some have done this. They don't need UGC as a result.
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Every internet community I’m “a part of” has dried up or had its leader/founder (in cases relevant) slow down/stop participating. All as I’ve wound down or eliminated parts of the internet from my life. Maybe it’s time to fully cut the cord fully except business necessities.
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2 uncolored wide shots from interviews today with @Mitopapi and @nickfrancisholz
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I’ve never had trouble getting to sleep. Just work your brain and your body hard enough and you just fall asleep when you tell yourself to. Even through depressed periods, anxiety, other stuff going on in life. Extreme stuff. Never had trouble falling asleep.
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Paul | Perrduction retweeted
What exactly does Sally Choi want here? The OBSESSION art director/set decorator says she made $300 a day and less than $7,000 total on the film, which is now heading toward a massive box office run. I get why that stings. But OBSESSION was a $750,000 indie movie. Nobody knew this thing was going to blow up. Nobody was working on a guaranteed studio hit. That is how indie films work. People wear multiple hats. People take lower rates. People gamble on the credit, the experience, the relationships, and the hope that the movie becomes something bigger. This one did. And yes, it sucks when a movie explodes and the below-the-line crew does not share in that upside. But who is supposed to cut the check now? Curry Barker? Focus Features? The producers? The distributor that bought the movie after it was already made? If the ask is backend for indie crews after acquisition, say that. If it is bonus pools, say that. If it is better minimums, say that. But vague “we need to turn this industry around” posting without a clear ask can backfire fast. She did good work. She should use OBSESSION to get better-paying jobs immediately, because that is usually how this business works. But everyone on that movie was gambling. The difference is the gamble actually paid off.
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wow, add this movie to the latest season of Daredevil in the category of “media that takes a transient but narratively functional part of Mr. Robot and tries to make it the crux of something” smh

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Just for myself to refer back to if I ever remember: The “mandalorian and grogu” episode of blank check is the perfect treatise on Star Wars as a franchise and a piece of culture. And ultimately Gethard’s position that Andor Rogue One the original trilogy being the fullest expression of that cinematic universe as a whole is probably my favorite so far.
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Seems movies are back. Obsession this evening was packed. Backrooms yesterday afternoon was packed during an early show. Lots of gasps and reactive noises. Obsession even got a round of applause in the theater tonight. Very heartening.
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