The Weganda Review is produced at the intersection of art and ideas, by and for those interested in African stories. It aspires to be the most instructive journal of its kind south of Khartoum, a world-class periodical right here in Kampala. This is the inaugural cover:
How Voodoo overcame suppression and became a democratic force in the West African nation of Benin (By @Roduza for @AP's Religion Team)
apnews.com/article/benin-voo…
“Practice any Art: music, singing, dancing, acting, drawing, painting, sculpting, poetry, fiction, essays, no matter how well or badly, not to get money & fame but to experience becoming, to find out what's inside you, to make your soul grow.”
Pascal’s Wager: As clever as the 17th century French thinker Blaise Pascal was, he defended faith. For him, to believe in God was rational: there is no conflict between faith and reason. In short, there can be no life without faith.
In Congo, an unconventional Christian movement has existential lessons for the troubled nation (from @Roduza for @AP's Religion Team) apnews.com/article/congo-kim…
I was recently interviewed for an @AP story exploring how religious authority, prophecy, and material objects shape political struggles in South Sudan.
Many thanks to Rodney Muhumuza @Roduza for the opportunity to discuss history, belief, and politics 🙏🏾
seattletimes.com/nation-worl…
For The Associated Press, I wrote about a macabre dispute in Zambia, where former leader Edgar Lungu remains unburied eight months after he died in South Africa: apnews.com/article/zambia-bu…
The South African film director William C. Faure died young. But he left behind a masterpiece that hasn't been equaled in these parts: the TV miniseries Shaka Zulu, a fictitious drama of the life of the Zulu warrior-king. We, the 80s kids, grew up on Margaret Singana:
Zora Neale Hurston was born today in 1891 in Alabama. The American writer executed one of the most famous opening lines in modernist literature: “Ships at a distance have every man’s wish on board.”
"The true subject of art is man in his universe... The universal language is that of familiar objects, of the bread on which the knife rests." -- the French art critic Jean Bouret